Outer Garment Collection (page 7)

Portrait of William Perry, Aged 21, Standing, Full Length
652174 Portrait of William Perry, Aged 21, Standing, Full Length, in a Gold Embroidered Brown Coat, by a Balustrade, with the Colosseum Beyond, (oil on canvas) by David

Portrait of Dr James Hutton, Seated Three-Quarter Length in a Brown Jacket
652155 Portrait of Dr James Hutton, Seated Three-Quarter Length in a Brown Jacket and Breeches and White Stock, a Pile of Geological Specimens on the Table Beside Him, (oil on canvas) by Raeburn

Portrait of a Gentleman, Possibly the Artist, half-length, in a Brown Cloak and Blue Wrap
652136 Portrait of a Gentleman, Possibly the Artist, half-length, in a Brown Cloak and Blue Wrap, Beside a Marble Bust, in a Rocky Landscape, (oil on canvas) by Dobson

Portrait of a Boy, Full-Length, in a Brown Coat, Blue Waistcoat with Silver Braid
652126 Portrait of a Boy, Full-Length, in a Brown Coat, Blue Waistcoat with Silver Braid, Holding a Cherry to a Parrot, a Spaniel to His Side, with Fruits on a Stand, 1741 (oil on canvas) by Heins

The Woolpack Inn: Arrival of The Flying Waggon, (pencil
652083 The Woolpack Inn: Arrival of The Flying Waggon, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 24.4x38.1 cm; Private Collection; (add.info.: The Woolpack Inn)

Portrait of a Girl, Bust Length, in a Red Cape Tied with a Bow and a Black Bonnet
651944 Portrait of a Girl, Bust Length, in a Red Cape Tied with a Bow and a Black Bonnet, (pastel, laid on canvas) by Russell

Portrait of Edward Currie Holding a Cricket Bat, 1830 (pencil and watercolour)
651894 Portrait of Edward Currie Holding a Cricket Bat, 1830 (pencil and watercolour) by Buck, Adam (1759-1833); 28.3x22 cm; Private Collection; (add.info)

Tells Son: A Portrait of the Artists Grandson, (oil on canvas)
651480 Tells Son: A Portrait of the Artists Grandson, (oil on canvas) by Brown, Ford Madox (1821-93); 40.7x36.8 cm; Private Collection; (add.info.: Tells Son: A Portrait of the Artists Grandson)

Alma, 1887 (pastel)
651469 Alma, 1887 (pastel) by Larsson, Carl (1853-1919); 57.2x44.5 cm; Private Collection; (add.info.: Alma. Carl Larsson (1853-1919). Pastel. Signed and dated 1887

The Bride of Bethlehem, 1884 (oil over tempera on canvas laid on panel)
828396 The Bride of Bethlehem, 1884 (oil over tempera on canvas laid on panel) by Hunt, William Holman (1827-1910); 50.8x41.3 cm; Private Collection; (add.info.: The Bride of Bethlehem)

Portrait of the Navigator, James Wendell (1787-1834), bust length
828380 Portrait of the Navigator, James Wendell (1787-1834), bust length, in a Blue Coat and White Stock, 1828 (watercolour and bodycolour) by Dodd, P. G

Man of New Zealand, (oil on canvas)
828320 Man of New Zealand, (oil on canvas) by French School, (18th century); 27.9x22.2 cm; Private Collection; (add.info.: Man of New Zealand. French School, after 18th Century, after William Hodges)

A Carnival Scene (with Medicine lampooned) in Bogota, Colombia, c. 1822-28 (watercolour)
828299 A Carnival Scene (with Medicine lampooned) in Bogota, Colombia, c.1822-28 (watercolour) by Desire Roulin, Francois (1796-1874); 19.8x27 cm; Private Collection; (add.info)

Portrait of a Gentleman aged 28, three-quarter length, in a black doublet with red
827896 Portrait of a Gentleman aged 28, three-quarter length, in a black doublet with red sleeves and a black cape, with a purse and a hankerchief embroidered with the initials K

Portrait of Willem Bentinck, 1st Count Bentinck (1704-1774), half-length
827861 Portrait of Willem Bentinck, 1st Count Bentinck (1704-1774), half-length, in a Red Velvet Coat, 1755 (oil on canvas) by Liotard

Portrait of a Young Boy, half-length, wearing a Grey Coat and Cap, (oil on canvas)
827810 Portrait of a Young Boy, half-length, wearing a Grey Coat and Cap, (oil on canvas) by Lepicie, Nicolas-Bernard (1735-84); 45.4x36.7 cm; Private Collection; (add.info.: Portrait of a Young Boy)

Portrait of a Lady, seated three-quarter length, in a white dress and fur-lined cape
827804 Portrait of a Lady, seated three-quarter length, in a white dress and fur-lined cape, 169- (oil on canvas) by Boonen

Portrait of the Count Palatine George of Wittelsbach, Bishop of Speyer, (oil on panel)
827792 Portrait of the Count Palatine George of Wittelsbach, Bishop of Speyer, (oil on panel) by Wertinger, Hans (c.1465-1533); 51x35 cm; Private Collection; (add.info)

Portrait of King Louis XV, full-length, wearing half Armour, (oil on canvas)
827783 Portrait of King Louis XV, full-length, wearing half Armour, (oil on canvas) by Loo, Louis Michel van (1707-71) (after); 73.3x59.2 cm; Private Collection; (add.info)

A Girl in a pink Dress and white shawl offering Oranges to a Gentleman in a green Cape
827691 A Girl in a pink Dress and white shawl offering Oranges to a Gentleman in a green Cape holding a tricorn Hat observed by a Gentleman with an Eyeglass

Arab Horsemen watering in an Oasis, (oil on canvas)
827538 Arab Horsemen watering in an Oasis, (oil on canvas) by Huguet, Victor-Pierre (1835-1902); 56x73 cm; Private Collection; (add.info.: Arab Horsemen watering in an Oasis)

The Road Home, (oil on canvas)
827535 The Road Home, (oil on canvas) by Bruzzi, Stefano (1835-1911); 71.5x127 cm; Private Collection; (add.info.: The Road Home. Stefano Bruzzi (1835-1911). Oil on canvas

An Elegant Lady with a Fur Muff (oil on canvas)
827430 An Elegant Lady with a Fur Muff (oil on canvas) by Gandara, Antonio de la (1861-1917); 193.7x97.2 cm; Private Collection; (add.info.: An Elegant Lady with a Fur Muff)

The Latin Class, 1869 (watercolour over pencil traces)
827406 The Latin Class, 1869 (watercolour over pencil traces) by Passini, Ludwig (1832-1903); 47.5x69.2 cm; Private Collection; (add.info.: The Latin Class. Ludwig Passini (1832-1903)

Afternoon Pastimes, (oil on canvas)
827363 Afternoon Pastimes, (oil on canvas) by King, Edward R. (active 1883-1924); 50.8x76.2 cm; Private Collection; (add.info.: Afternoon Pastimes. Edward R. King (active 1883-1924). Oil on canvas

The Panel of the Mabinogian, No. 10, (watercolour, gouache
827356 The Panel of the Mabinogian, No. 10, (watercolour, gouache and gold paint on silk laid down on paper) by Sheringham

Reading the News, (oil on canvas)
827338 Reading the News, (oil on canvas) by Zampighi, Eugenio (1859-1944); 55.8x76.8 cm; Private Collection; (add.info.: Reading the News. Eugenio Zampighi (1859-1944). Oil on canvas

The Bullfight, (oil on canvas)
827325 The Bullfight, (oil on canvas) by Lucas y Padilla, Eugenio (1824-70); 39.4x33.7 cm; Private Collection; (add.info.: The Bullfight. Eugenio Lucas y Padilla (1824-1870). Oil on canvas

Prayer at the Sultans Tomb; Le Tombeau des Kalifes a Brousse, 1878 (oil on canvas)
827287 Prayer at the Sultans Tomb; Le Tombeau des Kalifes a Brousse, 1878 (oil on canvas) by Gerome, Jean Leon (1824-1904); 59.6x84.5 cm; Private Collection; (add.info)

In the Railway Carriage, 1879 (oil on canvas)
827281 In the Railway Carriage, 1879 (oil on canvas) by Carrier-Belleuse, Pierre (1851-1933); 54x93.4 cm; Private Collection; (add.info.: In the Railway Carriage. Pierre Carrier-Belleuse (1851-1933)

Portrait of a Man, 1886 (oil on canvas)
827238 Portrait of a Man, 1886 (oil on canvas) by Simonson, David (1831-96); 60.3x52.1 cm; Private Collection; (add.info.: Portrait of a Man. David Simonson (1831-1896). Oil on a canvas

The Afternoon Concert - Out of Tune, (oil on canvas)
827201 The Afternoon Concert - Out of Tune, (oil on canvas) by Reggianini, Vittorio (1858-1938); 68x91.4 cm; Private Collection; (add.info.: The Afternoon Concert - Out of Tune)

Marie Antoinettes History Lesson (oil on canvas)
827115 Marie Antoinettes History Lesson (oil on canvas) by Telser, Anton (19th century); 57.1x76.8 cm; Private Collection; Photo eChristies Images; German, out of copyright

Lost in the Storm, (oil on canvas)
827107 Lost in the Storm, (oil on canvas) by Ansdell, Richard (1815-85); 82x130.2 cm; Private Collection; (add.info.: Lost in the Storm. Richard Ansdell (1815-1885). Oil on canvas

Jerome Ottoz, 1875-77 (oil on canvas)
825796 Jerome Ottoz, 1875-77 (oil on canvas) by Degas, Edgar (1834-1917); 46.3x38.1 cm; Private Collection; (add.info.: Jerome Ottoz. Edgar Degas (1834-1917). Oil on canvas. Painted 1875-77

Cafe Maxim, Paris, (oil on canvas)
825527 Cafe Maxim, Paris, (oil on canvas) by Forain, Jean Louis (1852-1931); 60.3x73.7 cm; Private Collection; (add.info.: Cafe Maxim, Paris. Jean Louis Forain (1852-1931). Oil on canvas

Study of a Lawyer; Etude d un Avocat; Honore Daumier (1808-1879)
826595 Study of a Lawyer; Etude d un Avocat; Honore Daumier (1808-1879), (watercolour and pencil on paper laid on board) by Daumier

Veiled Circassian Lady, (oil on canvas)
989339 Veiled Circassian Lady, (oil on canvas) by Gerome, Jean Leon (1824-1904); 43x33 cm; Private Collection; (add.info.: Veiled Circassian Lady. Jean Leon Gerome (1824-1904). Oil on canvas

Almanacco Italiano, 1901, 1901 (lithograph in colours)
1766945 Almanacco Italiano, 1901, 1901 (lithograph in colours) by Casaltoli, Carlo (1865-1903); 108x79 cm; Private Collection; (add.info.: Almanacco Italiano, 1901. C. Casaltoli)

A Girl with Two Cats (woodblock print)
1766576 A Girl with Two Cats (woodblock print) by Shinsai, Ryuryukyo (c.1764-1820); Private Collection; (add.info.: A Girl with Two Cats)

Dark Genius; Dunkler Genius, 1891-2 (pencil on oaper over canvas)
1766397 Dark Genius; Dunkler Genius, 1891-2 (pencil on oaper over canvas) by Hodler, Ferdinand (1853-1918); 43x25 cm; Private Collection; (add.info.: Dark Genius; Dunkler Genius)

Sir William Thornhill ( Mr Burchell ) recognised by Bill and Dick: So-saying
1765036 Sir William Thornhill ( Mr Burchell ) recognised by Bill and Dick: So-saying, he gave each a large piece of gingerbread (pen, black ink and watercolour) by Rackham

A Bedouin Arab (oil on canvas)
1764671 A Bedouin Arab (oil on canvas) by Sargent, John Singer (1856-1925); Private Collection; (add.info.: A Bedouin Arab. John Singer Sargent (1856-1925)

Nero, 1802 (hand coloured engraving)
985928 Nero, 1802 (hand coloured engraving) by Chery, Philippe (1759-1838) (after); Private Collection; (add.info.: Nero; Neron. From Vol)

Thomas More, Lord Chancellor (1478-1535), 1793 (stipple engraving)
985799 Thomas More, Lord Chancellor (1478-1535), 1793 (stipple engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: Thomas More, Lord Chancellor (1478-1535)

The Flayed Angel, c. 1745 (varnished colour mezzotint)
985795 The Flayed Angel, c.1745 (varnished colour mezzotint) by Gautier d Agoty, Jacques-Fabien (1710-81); 53.5x39.5 (folio) cm; Private Collection; (add.info.: The Flayed Angel; L Ange Anatomique)

Okee-Makee-Quid, a Chippeway chief, 1842-1844 (colour lithograph)
985755 Okee-Makee-Quid, a Chippeway chief, 1842-1844 (colour lithograph) by King, Charles Bird (1785-1862) (after); Private Collection; (add.info.: Okee-Makee-Quid, a Chippeway chief)

The Striped Blazer, (watercolour and pencil on buff paper)
985421 The Striped Blazer, (watercolour and pencil on buff paper) by Demuth, Charles (1883-1935); 28x21.7 cm; Private Collection; (add.info.: The Striped Blazer. Charles Demuth (1883-1935)

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Step into a world of art and history with these captivating outer garments. Each piece tells a unique story, capturing the essence of its time and subject. In this sepia-toned photograph from 1921, Sigmund Freud dons an outer garment that exudes sophistication and intellect. His confident gaze speaks volumes about his groundbreaking theories on the human mind. Abraham Lincoln's signed carte-de-visite from 1864 showcases not only his iconic image but also his impeccable sense of style. The vignette frame, gold-ruled border, and ink signature add an air of elegance to this historical artifact. "The Jewel Box" is a stunning artwork rendered in pencil and watercolor on paper. This delicate portrayal of an outer garment adorned with precious gems invites us to explore the beauty within ourselves. Naomi and Ruth come alive in this oil-on-canvas masterpiece from 1887. Their flowing robes envelop them like protective outer garments, symbolizing their unwavering bond amidst adversity. Captain Marshall Roberts commands attention in his portrait as Master of the Fox Hounds. His tailored jacket serves as both protection against the elements and a statement of authority over nature's most agile creatures. "A Puppy for My Lady" captures a tender moment frozen in time through skillful brushstrokes on canvas. The lady's fur-trimmed coat mirrors her warmth towards her new furry companion—a perfect example of how they can reflect our emotions. "The Sleeping Girl" mesmerizes viewers with her serene slumber depicted on canvas. Her billowing nightgown acts as an ethereal outer garment that shields her dreams from reality's grasp. William Pitt stands tall in his dark jacket and breeches, emanating power through every stitch. This three-quarter length portrait encapsulates Pitt's political prowess while showcasing the timeless appeal of formal attire. "The Barber of Suez, " portrayed in vivid oil colors on canvas, transports us to bustling streets filled with vibrant outer garments.