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Orphelin Collection

In this poignant scene, a young girl, with a sorrowful expression on her face, delicately carries a tray of food into a dimly lit room

Background imageOrphelin Collection: The orphans - les orphelins, une jeune fille triste, porte un plateau repas dans une chambre

The orphans - les orphelins, une jeune fille triste, porte un plateau repas dans une chambre - Extrait de Afternoon Tea
DUV4218756 The orphans - les orphelins, une jeune fille triste, porte un plateau repas dans une chambre - Extrait de Afternoon Tea : Rhymes for children - Livre de poemes pour enfants

Background imageOrphelin Collection: Arms of the Foundling Hospital (engraving)

Arms of the Foundling Hospital (engraving)
KW268340 Arms of the Foundling Hospital (engraving) by English School, (18th century); Private Collection; (add.info.: founded by Thomas Coram (1668-1751) in 1739; ); English, out of copyright

Background imageOrphelin Collection: Catholic Mission Little Loretto in North America (Kentucky)

Catholic Mission Little Loretto in North America (Kentucky)
CHT163743 Catholic Mission Little Loretto in North America (Kentucky), 17th century (engraving) (b/w photo) by Courtois, Guillaume (1628-79); Bibliotheque Nationale, Paris

Background imageOrphelin Collection: Female Guardian Society, Home for the Friendless, 29th Street, New York, July 4

Female Guardian Society, Home for the Friendless, 29th Street, New York, July 4
NYH192066 Female Guardian Society, Home for the Friendless, 29th Street, New York, July 4, 1864 (b/w photo) by American Photographer, (19th century); Collection of the New-York Historical Society

Background imageOrphelin Collection: Young girl at the cemetery Painting by Octave Tassaert (1800-1874) 1840 Sun

Young girl at the cemetery Painting by Octave Tassaert (1800-1874) 1840 Sun
JLJ4685577 Young girl at the cemetery Painting by Octave Tassaert (1800-1874) 1840 Sun. 0, 45x0, 53 m Bayonne, Musee Bonnat by Tassaert, Octave (1800-74); Musee Bonnat, Bayonne

Background imageOrphelin Collection: Oliver Asks for More, illustration for Character Sketches from Dickens

Oliver Asks for More, illustration for Character Sketches from Dickens
IL193487 Oliver Asks for More, illustration for Character Sketches from Dickens compiled by B.W. Matz, 1924 (colour litho) by Copping, Harold (1863-1932); Private Collection; English, out of copyright

Background imageOrphelin Collection: Abandoned, 1903

Abandoned, 1903
FTB60744 Abandoned, 1903 by Nono, Luigi (1850-1918); Galleria Internazionale d Arte Moderna, Ca Pesaro, Venice, Italy; Italian, out of copyright

Background imageOrphelin Collection: The Sailors Orphans, or The Young Ladiess Subscription

The Sailors Orphans, or The Young Ladiess Subscription
FIT69716 The Sailors Orphans, or The Young Ladiess Subscription, engraved by William Ward (1766-1826), pub.1800 (coloured engraving) by Bigg, William Redmore (1755-1828) (after); Fitzwilliam Museum

Background imageOrphelin Collection: Alionouchka and Ivanouchka, 1901 (colour litho)

Alionouchka and Ivanouchka, 1901 (colour litho)
CHT322515 Alionouchka and Ivanouchka, 1901 (colour litho) by Bilibin, Ivan (1876-1942); Bibliotheque des Arts Decoratifs, Paris

Background imageOrphelin Collection: Orphelin (Orphan) (colour litho)

Orphelin (Orphan) (colour litho)
2818517 Orphelin (Orphan) (colour litho) by Lix, Frederic Theodore (1830-97) (after); Private Collection; (add.info.: Orphelin (Orphan)

Background imageOrphelin Collection: The Orphans, 1891 (oil on canvas)

The Orphans, 1891 (oil on canvas)
SRM93038 The Orphans, 1891 (oil on canvas) by Kasatkin, Nikolaj Alekseevich (1859-1930); 51x88 cm; State Russian Museum, St. Petersburg, Russia; eState Russian Museum; Russian, out of copyright

Background imageOrphelin Collection: The Orphans, 1884 (oil on canvas)

The Orphans, 1884 (oil on canvas)
CH35037 The Orphans, 1884 (oil on canvas) by Hicks, George Elgar (1824-1914); Private Collection; Photo eChristies Images; English, out of copyright

Background imageOrphelin Collection: The Orphans

The Orphans
BAL13655 The Orphans by Knowles, George Sheridan (1863-1931); Private Collection; English, out of copyright

Background imageOrphelin Collection: Home from the Sea, 1862 (oil on panel)

Home from the Sea, 1862 (oil on panel)
AMO98767 Home from the Sea, 1862 (oil on panel) by Hughes, Arthur (1832-1915); 51x65 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Old Chingford Church)

Background imageOrphelin Collection: The Prison, 1858 (coloured engraving)

The Prison, 1858 (coloured engraving)
STC243944 The Prison, 1858 (coloured engraving) by Parkinson (fl.1858); Private Collection; The Stapleton Collection; English, out of copyright

Background imageOrphelin Collection: Helene-Louise de Mecklenburg-Schwerin, Duchess d Orleans (1814-1858

Helene-Louise de Mecklenburg-Schwerin, Duchess d Orleans (1814-1858
JLJ4592278 Helene-Louise de Mecklenburg-Schwerin, Duchess d Orleans (1814-1858) and her son the Count of Paris (1838-1894) visiting a Parisian asylum room (that of rue Saint Hippolyte?)

Background imageOrphelin Collection: Romulus and Remus collected by Faustulus and his wife Acca Laurentia Painting by Pierre

Romulus and Remus collected by Faustulus and his wife Acca Laurentia Painting by Pierre
JLJ4578801 Romulus and Remus collected by Faustulus and his wife Acca Laurentia Painting by Pierre de Cortona (Pietro Berrettini dit Pietro da Cortona (1596-1669). 1643 Sun

Background imageOrphelin Collection: Saint Vincent de Paul and the ladies of charity Representation of Saint Vincent de Paul

Saint Vincent de Paul and the ladies of charity Representation of Saint Vincent de Paul
JLJ4563872 Saint Vincent de Paul and the ladies of charity Representation of Saint Vincent de Paul, priest, founder of the establishment of the daughters of Charity in 1634 (1576-1660)

Background imageOrphelin Collection: The Foundling Nursery (litho)

The Foundling Nursery (litho)
XIR71726 The Foundling Nursery (litho) by Marlet, Jean Henri (1771-1847); 18x26 cm; Musee de l Assistance Publique, Hopitaux de Paris

Background imageOrphelin Collection: Honora Daumier (French, 1808 - 1879), Oui, on veut da pouiller cet orphelin, 1845

Honora Daumier (French, 1808 - 1879), Oui, on veut da pouiller cet orphelin, 1845
Honora© Daumier (French, 1808 - 1879), Oui, on veut da© pouiller cet orphelin, 1845, lithograph

Background imageOrphelin Collection: Tending the Orphans

Tending the Orphans
BAL28589 Tending the Orphans by Bray, Jan de (c.1626-97); Diensverspriede Rijkscollection, The Hague, The Netherlands; Dutch, out of copyright

Background imageOrphelin Collection: The Foundlings, engraved by F. Morellon La Cave (engraving)

The Foundlings, engraved by F. Morellon La Cave (engraving)
KW268339 The Foundlings, engraved by F. Morellon La Cave (engraving) by Hogarth, William (1697-1764) (after); Private Collection; Ken Welsh; English, out of copyright

Background imageOrphelin Collection: The foundling home (engraving) (b / w photo)

The foundling home (engraving) (b / w photo)
XIR253258 The foundling home (engraving) (b/w photo) by French School, (19th century); Musee de l Assistance Publique, Hopitaux de Paris

Background imageOrphelin Collection: Oliver introduced to the respectable old gentleman, from The Adventures of Oliver

Oliver introduced to the respectable old gentleman, from The Adventures of Oliver
KW243062 Oliver introduced to the respectable old gentleman, from The Adventures of Oliver Twist by Charles Dickens (1812-70) 1838, published by Chapman & Hall, 1901 (engraving) by Cruikshank

Background imageOrphelin Collection: Study for the Foundlings (pen, ink & wash on paper)

Study for the Foundlings (pen, ink & wash on paper)
XYC195102 Study for the Foundlings (pen, ink & wash on paper) by Hogarth, William (1697-1764); 11.1x21.3 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageOrphelin Collection: St. Elizabeth of Hungary (1207-31) (oil on panel)

St. Elizabeth of Hungary (1207-31) (oil on panel)
XIR159314 St. Elizabeth of Hungary (1207-31) (oil on panel) by Theodoricus of Prague (fl.1359-c.1381); 114.5x86.5 cm; Narodni Galerie, Prague


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In this poignant scene, a young girl, with a sorrowful expression on her face, delicately carries a tray of food into a dimly lit room. This touching moment is captured from the book "Afternoon Tea: Rhymes for Children" by Frederick Warne & Co. , an esteemed publisher based in London. The image evokes the theme of orphans - les orphelins - and their struggles in finding love and care. The engraving of the Arms of the Foundling Hospital reminds us of institutions dedicated to providing shelter and support for these vulnerable children. Similarly, the Catholic Mission Little Loretto in North America (Kentucky) stands as a testament to compassion and aid extended to those without families. The Female Guardian Society's Home for the Friendless on 29th Street, New York portrays another effort towards creating safe spaces for orphaned individuals during July 4 celebrations. It symbolizes hope amidst adversity. A fresco depicting "Marriage of the Foundlings" emphasizes how these institutions aimed not only at nurturing but also at fostering connections between fellow orphans who became family through shared experiences. Contrasting emotions are portrayed through Octave Tassaert's painting "Young Girl at the Cemetery. " Here we witness both grief and resilience as this young girl pays tribute to lost loved ones. Illustrations like "Oliver Asks for More, " from Character Sketches by Dickens', remind us that even literature has shed light on society's responsibility towards caring for orphaned children. Through artworks such as "Abandoned" (1903), artists have sought to raise awareness about neglected orphans who yearn for stability and affection within their lives. "The Sailors Orphans, or The Young Ladies' Subscription" demonstrates collective efforts made by communities to provide assistance specifically tailored towards seafarers' children left behind due to unfortunate circumstances beyond their control.