Original Sin Collection (page 4)

Adam and Eve after the Expulsion, 1510. Creator: Lucas van Leyden
Adam and Eve after the Expulsion, 1510

The Fall of Man, 1616 (oil on canvas)
3247768 The Fall of Man, 1616 (oil on canvas) by Goltzius, Hendrik (1558-1617); 104.5x138.4 cm; National Gallery of Art, Washington DC, USA; Dutch, out of copyright

The Immaculate Conception, 1767-9 (oil on canvas)
3247709 The Immaculate Conception, 1767-9 (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 281x155 cm; Prado, Madrid, Spain; (add.info.: In Catholic doctrine)

Pulpit, c. 1741-45 (wood)
XIR343443 Pulpit, c.1741-45 (wood) by Delvaux, Laurent (c.1695-1773); St. Bavo Cathedral, Ghent, Belgium; (add.info.: The Chair of Verite; ); Flemish, out of copyright

Adam and Eve, 1909 (oil on canvas)
XIR172267 Adam and Eve, 1909 (oil on canvas) by Valadon, Marie Clementine (Suzanne) (1865-1938); 162x131 cm; Musee National d Art Moderne, Centre Pompidou, Paris, France; French, out of copyright

Eve, 1926, (wood engraving)

Adam and Eve, 1504 (1906). Artist: Albrecht Durer
Adam and Eve, 1504 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

Eve, c1900 (1903-1904. Artist: Charles Holroyd
Eve, c1900 (1903-1904. From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]

Adam and Eve, 1505 (1964). from Antoine Verards Bible en Francoys, A print from A History of Wood Engraving, by Douglas Percy Bliss, Spring Books, London, 1964

Adam and Eve. The Fall, late 1590s. Artist: Gerrit Pietersz
Adam and Eve. The Fall, late 1590s. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Man must kill desires spiritual yachts series title
Man must kill his desires The spiritual yachts (series title), Allegorical illustration of the Bible text in Gal. 5:24 stating that whoever belongs to Christ has put his own nature on the cross with

The Fall Of Adam And Eve After Hans Holbein Facsimile From The Bible Printed By Christoffel Froschover Zurich 1531 From A Catalogue Of A Collection Of Engravings Etchings And Woodcuts By Richard

Sin of Adam and Eve, 1529. Creator: Lucas van Leyden
Sin of Adam and Eve, 1529

The first approach of the serpent engraving 1885
Engraving by Gustave Dore

Garden of Eden
Adam and Eve in the Garden of Eden - the temptation (left) and expulsion. Hand-colored woodcut of a 19th-century illustration

Egypt, Fayum, Adam and Eve in Paradise eating apple, mural
Egyptian civilization, Coptic Period, 10th-11th century. Adam and Eve in the act of eating the apple. Mural painting from Fayum

Death Bishop Power Allegory Original Sin 1541
Artokoloro

Creation Eve Power Death Allegory Original Sin
Artokoloro

Adam and Eve engraving
Engraving by Gustave Dore

Jean Hamon, Doctor of Port-Royal (1618-1687) (oil on canvas)
XIR903501 Jean Hamon, Doctor of Port-Royal (1618-1687) (oil on canvas) by Champaigne, Philippe de (1602-74); Musee d Histoire de la Medecine, Paris, France; (add.info.: Jean Hamon)

The Creation of Eve and Original Sin (detail of original sin), 1430 (fresco transferred
XIR897803 The Creation of Eve and Original Sin (detail of original sin), 1430 (fresco transferred to canvas) by Uccello, Paolo (1397-1475); Santa Maria Novella, Florence

Diptych of The Fall of Man and The Redemption (Lamentation of Christ), after 1479
XAM66121 Diptych of The Fall of Man and The Redemption (Lamentation of Christ), after 1479 (oil on panel) (for detail of The Fall see 13000) by Goes

The Temptation of Adam and Eve, c. 1423-25 (fresco)
XIR430556 The Temptation of Adam and Eve, c.1423-25 (fresco) by Masolino da Panicale, Tommaso (1383-c.1447); Brancacci Chapel, Santa Maria del Carmine, Florence

The First Prohibition, 1529 (engraving)
XJF425611 The First Prohibition, 1529 (engraving) by Leyden, Lucas van (c.1494-1533); Private Collection; (add.info.: story of Adam and Eve; God points towards a tree)

Adam and Eve Banished from Paradise (oil on panel)
XIR243474 Adam and Eve Banished from Paradise (oil on panel) by Flemish School, (16th century); Musee des Beaux-Arts, Blois, France; (add.info.: Tree of Knowledge of Good and Evil; ); Flemish

Adam and Eve, from Fayum (wall painting)
XIR184036 Adam and Eve, from Fayum (wall painting) by Coptic, (11th century); Coptic Museum, Cairo, Egypt; (add.info.: Tebtunis (Um el-Beregat, Fayoum)); Egyptian, out of copyright

Expulsion from Paradise (oil on panel)
XIR175956 Expulsion from Paradise (oil on panel) by Giovanni di Paolo di Grazia (1403-82); Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Adam and Eve (pencil and coloured pencil on paper)
XKH155147 Adam and Eve (pencil and coloured pencil on paper) by Goltzius, Hendrik (1558-1617); 37x27 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

Eve, 1510 (pen and black ink on paper)
XKH155146 Eve, 1510 (pen and black ink on paper) by Baldung Grien, Hans (1484/5-1545); 29x21.2 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

The Fall (pencil on paper)
XKH155126 The Fall (pencil on paper) by Leyden, Lucas van (c.1494-1533); 28.3x19.5 cm; Hamburger Kunsthalle, Hamburg, Germany; Netherlandish, out of copyright

Inner right wing of the High Altar of St. Peters in Hamburg, the Grabower Altar
XKH145258 Inner right wing of the High Altar of St. Peters in Hamburg, the Grabower Altar, 1383 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); 173x169 cm; Hamburger Kunsthalle

Austria, Vienna, Hieronymus Bosch (1450-1516), The Last Judgment triptych, Central panel
Hieronymus Bosch (1450-1516), Triptych of the Judgement, central panel: The Last Judgement. Detail: Adam and Eve receiving the Apple from the Snake, 1504

Garden of Eden, computer artwork
Garden of Eden. Computer artwork of two hominids in the Garden of Eden. This could represent Adam and Eve, the supposed first ever people, from the story of Genesis

Fear of genetic research
Ethical concerns about genetic science. Conceptual artwork depicting a barren Garden of Eden with a serpent, apple core and Tree of Knowledge with a trunk transformed into a double helix

PBIB2A-00018
Adam and Eve in the Garden of Eden. Hand-colored woodcut of a 19th-century illustration

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"Original Sin: A Tale of Temptation and Redemption Through Art" In the realm of art, the concept has been explored through various masterpieces that capture the essence of humanity's fall from grace. From heavenly depictions to earthly expulsions, these artworks unravel the timeless story. "The Angel up to Heaven 1885" portrays a celestial being ascending towards divine realms, symbolizing purity and innocence before mankind's transgression. Contrastingly, "The Fall, after 1479 (oil on panel)" delves into the pivotal moment when Adam and Eve succumb to temptation in the Garden of Eden. With intricate detail in "Adam and Eve are Driven out of Paradise, published 1886, " we witness their expulsion from paradise as punishment for disobeying God's command. The presence of Satan and Beelzebub further emphasizes the malevolent forces at play. Engravings like "Adam and Eve, 1543 (copperplate engraving)" etch this biblical tale onto copper plates with meticulous precision. These prints serve as enduring reminders of our inherent flaws and vulnerability to temptation. "Eve (oil on panel)" captures her contemplative gaze as she ponders her role in humanity's downfall. Meanwhile, Marcantonio Raimondi's works such as "Adam and Eve flanked by two trees" transport us back to a time where paradise was lost but not forgotten. Ludwig Krug's masterpiece titled "The Fall of Man" encapsulates both physical beauty and spiritual turmoil within its brushstrokes. This artwork serves as a poignant reminder that even amidst chaos; redemption is still attainable. Woodcuts like "Adam and Eve, 1519" or "Adam and Eve, 1511" offer simplified yet powerful representations that resonate deeply with viewers across centuries. These prints evoke introspection about our own capacity for sin while highlighting hope for salvation.