Origin Collection (page 4)

Ms 2028 fol. 2 The Trojan origins of the French nation, from the Grandes Chroniques de
BMR220363 Ms 2028 fol. 2 The Trojan origins of the French nation, from the Grandes Chroniques de France (vellum) by French School, (15th century); Bibliotheque Mazarine, Paris

Ms 1595 Romulus and Remus being suckled by a wolf, from Dicta et Facta Memorabilia
BMR221526 Ms 1595 Romulus and Remus being suckled by a wolf, from Dicta et Facta Memorabilia, c.1475 (vellum) by French School, (15th century); Bibliotheque Mazarine, Paris

The actor Philippe in the role of Romulus (colour litho)
CHT221525 The actor Philippe in the role of Romulus (colour litho) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

A Teotihuacan stone mask, carved with the youthful face of a dignitary, c. 450-650 (stone)
1767133 A Teotihuacan stone mask, carved with the youthful face of a dignitary, c.450-650 (stone) by Mayan; 14.5 high cm; Private Collection; (add.info.: A Teotihuacan stone mask)

The Origin of Valentines Day (engraving)
1622397 The Origin of Valentines Day (engraving) by English School, (19th century); Private Collection; (add.info.: The Origin of Valentines Day)

Eves Apple, or the Forbidden Fruit (engraving)
6001142 Eves Apple, or the Forbidden Fruit (engraving) by English School, (19th century); Private Collection; (add.info.: Eves Apple, or the Forbidden Fruit)

Hina, (bronze with brown patina)
652435 Hina, (bronze with brown patina) by Gauguin, Paul (1848-1903); height: 36.9 cm; Private Collection; (add.info.: Hina. Paul Gauguin (1848-1903). Bronze with brown patina

The legend of the Egyptian origin of the Stone Of Scone (colour litho)
5236303 The legend of the Egyptian origin of the Stone Of Scone (colour litho) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info)

Spring, Willows, 1885 (oil on canvas)
988897 Spring, Willows, 1885 (oil on canvas) by Monet, Claude (1840-1926); 65.4x81.4 cm; Private Collection; (add.info.: Spring, Willows; Printemps, saules. Claude Monet (1840-1926). Oil on canvas

Spring, the Border of l Epte; Printemps, Bord de l Epte, 1885 (oil on canvas)
825284 Spring, the Border of l Epte; Printemps, Bord de l Epte, 1885 (oil on canvas) by Monet, Claude (1840-1926); 64.7x81.3 cm; Private Collection; (add.info.: Spring)

A Steam Man (engraving)
3627738 A Steam Man (engraving) by English School, (19th century); Private Collection; (add.info.: A Steam Man. Illustration for The Picture Magazine, 1893.); © Look and Learn

Christ crucified (Christus patients) (polychromed wood)
3499629 Christ crucified (Christus patients) (polychromed wood) by Romanesque, (13th century); Museo Diocesano de Solsona, Lleida, Spain; (add.info.: Romanesque period)

The Union Jack, and its constituents (colour litho)
3643539 The Union Jack, and its constituents (colour litho) by English School, (20th century); Private Collection; (add.info.: The Union Jack, and its constituents)

The Capitoline She-Wolf with figures of Romulus and Remus by Antonio Pollaiuolo (1433-98
XIR54222 The Capitoline She-Wolf with figures of Romulus and Remus by Antonio Pollaiuolo (1433-98) c.1484-96 (bronze) by Etruscan, (5th century BC); height: 75 cm; Musei Capitolini, Rome

Game of Papegay in Belgium (colour litho)
PER437856 Game of Papegay in Belgium (colour litho) by Belgian School, (19th century); Private Collection; (add.info.: Tir au Pape-gaye en Belgique; shooting game of medieval origin to improve)

John Sutter (1803-80) 1866 (oil on canvas)
PNP246176 John Sutter (1803-80) 1866 (oil on canvas) by Buchser, Frank (1828-90); Private Collection; (add.info.: gold was first discovered on Johns land, by James W)

Sutters Fort, 1849 (coloured engraving)
PNP246175 Sutters Fort, 1849 (coloured engraving) by American School, (19th century); Private Collection; (add.info.: became Sacramento after impact of gold rush; possibly the site where the gold was)

Sutters Mill, 1848 (coloured engraving)
PNP246174 Sutters Mill, 1848 (coloured engraving) by American School, (19th century); Private Collection; (add.info.: where the gold was first found in 1848;)

The Fatal Accident on Mont Blanc (engraving)
1036372 The Fatal Accident on Mont Blanc (engraving) by English School, (19th century); Private Collection; (add.info.: The Fatal Accident on Mont Blanc)

Origin of the Corinthian Capital (engraving)
1105835 Origin of the Corinthian Capital (engraving) by European School, (19th century); Private Collection; (add.info.: Origin of the Corinthian Capital)

Creation of Eve, 1483 (hand-coloured woodcut)
985808 Creation of Eve, 1483 (hand-coloured woodcut) by German School, (15th century); 39.2x26.7 cm; Private Collection; (add.info.: Creation of Eve. From a German Bible)

Book cover for La Creation by Joseph-Charles Mardrus
985574 Book cover for La Creation by Joseph-Charles Mardrus, 1928 (royal blue moroccan leather, gilt) by Schmied, Francois-Louis (1873-1941) (after); 33.2x23.1 cm; Private Collection; (add.info)

October on the Hudson, (oil on canvas)
985226 October on the Hudson, (oil on canvas) by Silva, Francis Augustus (1835-86); 61x112 cm; Private Collection; (add.info.: October on the Hudson. Francis Augustus Silva (1835-1886)

The origin and growth of The British Museum (engraving)
1064416 The origin and growth of The British Museum (engraving) by English School, (19th century); Private Collection; (add.info.: The origin and growth of The British Museum)

"Hunting the Wren, "at Christmas (engraving)
1097096 " Hunting the Wren, " at Christmas (engraving) by English School, (19th century); Private Collection; (add.info.: " Hunting the Wren, " at Christmas)

Mother and Child; Mere et Enfant, 1922 (oil on canvas)
656341 Mother and Child; Mere et Enfant, 1922 (oil on canvas) by Gris, Juan (1887-1927); 92x73 cm; Private Collection; (add.info.: Mother and Child; Mere et Enfant. Juan Gris (1887-1927)

Primroses in a Basket, Japonica and a Birds Nest, (oil on canvas)
659897 Primroses in a Basket, Japonica and a Birds Nest, (oil on canvas) by Bale, Charles Thomas (fl.1868-75); 35.5x45.7 cm; Private Collection; (add.info.: Primroses in a Basket)

Eastern Proverb: A loaded gun frightens one man; an unloaded one, two (colour litho)
5205374 Eastern Proverb: A loaded gun frightens one man; an unloaded one, two (colour litho) by Bull, Rene (1872-1942); Private Collection; (add.info)

Sketch map illustrating the localities of origin or occupation, and gradual advance, of the Barbaric nations (litho)
6004947 Sketch map illustrating the localities of origin or occupation, and gradual advance, of the Barbaric nations (litho) by English School

Spinsters (engraving)
5992254 Spinsters (engraving) by English School, (19th century); Private Collection; (add.info.: Spinsters. Illustration for The Family Friend (1890).); © Look and Learn

First Day of Spring in Moret, 1889 (oil on canvas)
1768878 First Day of Spring in Moret, 1889 (oil on canvas) by Sisley, Alfred (1839-99); 46.2x56 cm; Private Collection; (add.info.: First Day of Spring in Moret. Alfred Sisley (1839-1899)

The Legend of the Egyptian origin of the Stone of Scone
1772343 The Legend of the Egyptian origin of the Stone of Scone, from The Illustrated London News, 1910 (colour litho) by Forestier

The Origin of Primrose Day, an Unwritten Chapter in Political History, by Frederick Greenwood (engraving)
1614870 The Origin of Primrose Day, an Unwritten Chapter in Political History, by Frederick Greenwood (engraving) by Railton

The Great Exhibition (engraving)
1625687 The Great Exhibition (engraving) by English School, (19th century); Private Collection; (add.info.: The Great Exhibition. Illustration for The Illustrated London News, 7 June 1851)

Springtime, 1892 (oil on canvas)
823104 Springtime, 1892 (oil on canvas) by Robinson, Theodore (1852-96); 44.4x55.3 cm; Private Collection; (add.info.: Springtime. Theodore Robinson (1852-1896). Oil on canvas. Signed and dated 1892

The First Day of Creation & The Third Day of Creation, (polychrome ceramic
991008 The First Day of Creation & The Third Day of Creation, (polychrome ceramic, wooden frame) by Burne-Jones, Edward Coley (1833-98); 55.5x21.5 (each) cm; Private Collection; (add.info)

Off the Coast of Labrador, 1862 (oil on canvas)
650616 Off the Coast of Labrador, 1862 (oil on canvas) by Bradford, William (1823-92); 59x88.4 cm; Private Collection; (add.info.: Off the Coast of Labrador. William Bradford (1823-1892)

Adam and Eve, 1901-10 (oil on canvas)
651502 Adam and Eve, 1901-10 (oil on canvas) by Stahl, Friedrich (1863-1940); 108x111.5 cm; Private Collection; (add.info.: Adam and Eve. Friedrich Stahl (1863-1940). Oil on canvas

A Little Family History, (pencil and watercolour)
659868 A Little Family History, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 34.6x49.8 cm; Private Collection; (add.info.: A Little Family History)

The Creation of Adam, c. 1642 (monotype)
659472 The Creation of Adam, c. 1642 (monotype) by Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64); 30.2x20.4 cm; Private Collection; (add.info.: The Creation of Adam)

Early Neolithic Winkle Gamblers on the sunny shores of the Riviera, The probable origin of Roulette (litho)
6021291 Early Neolithic Winkle Gamblers on the sunny shores of the Riviera, The probable origin of Roulette (litho) by Robinson

The Ace of Wands, facsimile of a tarot card from the Visconti deck
AGD336576 The Ace of Wands, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

The origin of the Corinthian Order (red chalk on white paper)
CTS441472 The origin of the Corinthian Order (red chalk on white paper) by Perrault, Charles (1628-1703); 29x18.7 cm; eThe Devonshire Collections

The great Cullinan diamond - the origin of the two finest gems of the regalia (b / w photo)
5998471 The great Cullinan diamond - the origin of the two finest gems of the regalia (b/w photo) by English Photographer

Jala-Jala Forest (Luzon island), c. 1839-42 (oil on canvas)
990894 Jala-Jala Forest (Luzon island), c.1839-42 (oil on canvas) by Borget, Auguste (1809-77); 107.4x70.2 cm; Private Collection; (add.info)

The Fire at Ravenstone, near Newport-Pagnell, Buckinghamshire (litho)
1597943 The Fire at Ravenstone, near Newport-Pagnell, Buckinghamshire (litho) by Wollen, William Barnes (1857-1936) (after); Private Collection; (add.info.: The Fire at Ravenstone)

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"Unveiling the Tapestry of Origins: From Divine Light to Evolutionary Insights" In a world filled with wonders and mysteries, the concept has captivated human minds for centuries, and is an intricate web that connects us to our past, shaping our present and influencing our future. From religious beliefs to scientific discoveries, let us embark on a journey through time and explore the diverse facets of origin. We begin with Jesus as the Light of the World, symbolizing hope and enlightenment. His teachings have guided countless souls towards understanding their own origins and purpose in life. Moving forward, we encounter Joseph-Desire Court's masterpiece "The Deluge, " depicting humanity's ancient struggle against cataclysmic forces – a reminder that even in chaos, new beginnings can emerge. As we delve deeper into scientific realms, we uncover cosmic microwave background radiation – remnants from the birth of our universe. This celestial echo whispers tales of primordial creation and unveils secrets hidden within space itself. The Statue of Liberty stands tall as a beacon representing America's origin story - a land built upon dreams and aspirations. No exploration would be complete without Noah's Ark; its depiction by unknown artists showcases how different species found refuge during times of great upheaval – an ode to survival amidst adversity. Continental drift maps reveal Earth's ever-changing face over eons; continents shifting like puzzle pieces forming landscapes we now call home. Religious art resurfaces with Albrecht Durer's poignant portrayal of Jesus on the Cross – reminding us that sacrifice often paves the way for new beginnings. Charles Darwin enters this narrative alongside his primate counterpart; his revolutionary theory challenges traditional notions about mankind's place in nature. Genealogy takes center stage as colored engravings depict The Houses of York and Lancaster - tracing royal bloodlines back to Edward III while showcasing emblems that represent their origins. A sculpture at Minehead marks the starting point for South West Coast Path, inviting adventurers to explore the origins of breathtaking landscapes.