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Organdie Collection

"Organdie: A Timeless Elegance in Fashion" Step into the world of Tatler fashions for July 1930, where organdie fabric reigns supreme

Background imageOrgandie Collection: Tatler fashions for July 1930

Tatler fashions for July 1930
A fashion design by Gordon Conway, taken from a series of monthly supplements drawn by the artist. A summer dress in printed cotton voile, trimmed in cream coloured organdie

Background imageOrgandie Collection: Ascot hat from Debenham and Freebody, 1934

Ascot hat from Debenham and Freebody, 1934
A stunning hat of organdie in an elusive shade of brown ; the brim reinforced in an open lattice insertion in which golden threads mingle with the organdie. Perfect for Ladies Day at Royal Ascot

Background imageOrgandie Collection: Robe crepe noir (avec) petits volants au corsage, gilet brodé blanc sur organdi, 1938-1939

Robe crepe noir (avec) petits volants au corsage, gilet brodé blanc sur organdi, 1938-1939. Creator: Marcel Dhorme
Robe crepe noir (avec) petits volants au corsage, gilet brode blanc sur organdi, 1938-1939. Black crepe dress (with) small ruffles at the bodice, white embroidered waistcoat in organdy

Background imageOrgandie Collection: Camilla Horn, German actress and dancer (1903-1996), fashion studio portrait

Camilla Horn, German actress and dancer (1903-1996), fashion studio portrait. With description, Miss Camilla Horn, who has recently completed a film in England and is now rehearsing another

Background imageOrgandie Collection: Fashion model

Fashion model
Debenham & Freebody. Pink organdie entirely covered with pink flowers. Crisp epaulettes, detachable ruffly cape and huge bouffant skirt. 1930s style. Artist: Anon. Date: 1931

Background imageOrgandie Collection: Flounced Evening Dress

Flounced Evening Dress
An elegant woman wearing a spotted organdie evening dress with deep flounces around the hem & butterfly sleeves; a garland of flowers is worn around the bodice Date: 1930s

Background imageOrgandie Collection: Lady Anne Bridgeman by Madame Yevonde

Lady Anne Bridgeman by Madame Yevonde
Lady Anne Pamela Bridgeman (1913-2009) by Madame Yevonde. She was the daughter of the 5th Earl of Bradford. Seen here modelling a dress of black cire satin

Background imageOrgandie Collection: Belinda Belville wedding dress, 1965

Belinda Belville wedding dress, 1965
A Camelot-style wedding dress and veil of nun-like simplicity in translucent white organdie with a wide border of guipure lace and the cuffs and hem, also trimming the veil and train

Background imageOrgandie Collection: Rose Descat hat drawn by Paul Valentin

Rose Descat hat drawn by Paul Valentin
A Rose Descat hat in white and pastel coloured plaited organdie drawn by Paul Valentin. Date: 1933

Background imageOrgandie Collection: Tatler front cover - fashion for brides 1965

Tatler front cover - fashion for brides 1965
Front cover of The Tatler featuring a bride wearing a headdress of big white organdie flowers with a long tulle veil from Reed Crawford. Her lipstick is Cuban Rose by Yardley. 1965

Background imageOrgandie Collection: Miss Bunting Stephenson by Madame Yevonde

Miss Bunting Stephenson by Madame Yevonde. Seen here (left) modelling a Mainbocher evening gown of white linen, checked in coral and green stripes, from Kay Norton

Background imageOrgandie Collection: Three society models by Madame Yevonde

Three society models by Madame Yevonde, wearing pique organdie and crepe. They are Countess Bosdari (right) in a Molyneux model, Countess de la Falaise (far left) in a Chanel creation

Background imageOrgandie Collection: 1960s fashion, cocktails in a Mattli dress

1960s fashion, cocktails in a Mattli dress
A couple enjoy cocktails while he shows his girlfriend a three card trick, though they appear more intent on flirting with each other

Background imageOrgandie Collection: Paris Race Dresses, 1926

Paris Race Dresses, 1926
Three stylish dresses, designed for wearing at the races, 1926. On left: A suit of rose alpaca, embellished with a white motif, worn with a white blouse and a neat black tie

Background imageOrgandie Collection: Gown with Frills / Rochas

Gown with Frills / Rochas
Backless, black velvet, halter neck evening gown by Rochas with a bustle effect created by a cascade of organdie frills descending from beneath a large bow at the back

Background imageOrgandie Collection: Flounced Evening Dress

Flounced Evening Dress
An elegant woman wearing a spotted organdie evening dress with deep flounces around the hem & butterfly sleeves; a garland of flowers is worn around the bodice

Background imageOrgandie Collection: Stiebel / Ballgown

Stiebel / Ballgown
A flounced debutante dance frock in shadowy white organdie embroidered with navy blue. Roses held at waist by belt. Billowing skirt falls in tiers over hooped petticoat

Background imageOrgandie Collection: Ascot Frock 1933

Ascot Frock 1933
Ascot frock by Raphael, Lewis & Silver in a bold azalia floral print with 3 beige organdie flounces at the hem & a matching cross-over front jacket with puffed sleeves


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"Organdie: A Timeless Elegance in Fashion" Step into the world of Tatler fashions for July 1930, where organdie fabric reigns supreme. Delicate and ethereal, this lightweight cotton textile was a favorite among fashionistas during that era. In 1934, Debenham and Freebody showcased an exquisite Ascot hat made from organdie. Its intricate design and fine craftsmanship added a touch of sophistication to any ensemble. One stunning personality who embraced organdie's charm was Camilla Horn, the German actress and dancer known for her exceptional beauty. In a fashion studio portrait, Miss Horn radiated elegance in an organdie gown as she prepared for her next film project. Lady Anne Bridgeman also fell under the spell when captured by Madame Yevonde's lens. The photograph immortalized Lady Bridgeman's gracefulness as she donned an organdie creation that accentuated her timeless style. Fast forward to 1965, when Balenciaga introduced their iconic designs featuring organdie fabrics. This marked another milestone in the history of this versatile material, showcasing its ability to adapt with changing trends while retaining its classic allure. Belinda Belville's wedding dress collection in the same year further celebrated the beauty on brides-to-be. The lightweight nature of this fabric allowed for flowing silhouettes that exuded romance and femininity. Fashion models became living embodiments of glamour draped in flounced evening dresses crafted from luxurious layers fabric. Their graceful movements brought these creations to life on runways across the globe. Paul Valentin's artistic prowess came alive through his illustration capturing Rose Descat's hat made from delicate folds fabric—a true masterpiece worthy of admiration.