Orazio Collection

ST. CECILIA AND AN ANGEL. Canvas, c1610, by Orazio Gentileschi

Lamentation over the body of Christ by the three Marys, a jar of ointment on the table to left and two nails to right, 1615

Self portrait
5309702 Self portrait by Borgianni, Orazio (1578-1616); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: Canvas); Photo © Stefano Baldini

Orazio Arancio Italy & Benetton Treviso Rugby Union 22 November 1998 Date: 22 November 1998

Album with Prints recording the Festivities and Decorations organized in Florence for the 1589 Wedding of Archduke Ferdinand de Medici and Christine of Lorraine, 1589-1592

Naumachia in the Court of Palazzo Pitti, from an Album with Plates documenting the Festivities of the 1589 Wedding of Arch Duke Ferdinand I de Medici and Christine of Lorraine, 1589-1592

Court of Palazzo Pitti decorated with Candelabra, from an Album with Plates Documenting the Festivities of the 1589 Wedding of Ferdinand I and Christine of Lorraine, 1589-1592

Two angels supporting a cartouche or shield, 1568-77. 1568-77
Two angels supporting a cartouche or shield, 1568-77

Christ Disputing in the Temple, 1568-77. 1568-77. Creator: Orazio de Sanctis
Christ Disputing in the Temple, 1568-77

Head of an Old Woman, after 1610. Creator: Orazio Borgianni
Head of an Old Woman, after 1610

El Gentilesche, (1563-1639), 1830. Creator: Unknown
El Gentilesche, (1563-1639), 1830. Horatio Gentileschi (1563-1639) Italian Baroque era painter, employed in the court of Marie de Medici

The Scrap of Paper, (1919). Creator: Unknown
The " Scrap of Paper", (1919). This document is a translation and facsimile of signatures from the original treaty of 1831 guaranteeing the independence and neutrality of Belgium

Francois-Horace, Count Sebastiani, c1800, (1896). Artist: JW Evans
Francois-Horace, Count Sebastiani, c1800, (1896). Horace Francois Bastien Sebastiani de La Porta (1771-1851) was a French soldier, diplomat, and politician

The Annunciation, 1560s. Artist: Orazio Samacchini
The Annunciation, 1560s. Found in the collection of the State Art Museum, Tula, Russia

St Cecilia and an Angel, c1617-1618 and c1621-1627. Artist: Orazio Gentileschi
St Cecilia and an Angel, 1617-1618 and c1621-1627. Found in the collection of the National Gallery of Art, Washington

St Jeromes Dream, c1600. Artist: Orazio Borgianni
St Jeromes Dream, c1600. St Jerome (c340-420), one of the four great Fathers of the Christian church who translated the Old Testament from Hebrew into Latin

Saint John the Baptist, 17th century. Artist: Orazio Ferraro
Saint John the Baptist, 17th century. Found in the collection of the State M Ciurlionis Art Museum, Kaunas, Lithuania

Two women with a mirror, c. 1620, by Orazio Gentileschi (1563
Orazio Gentileschi (1563 -1639). Italian painter. Two women with a mirror, c.1620. Alte Pinakothek. Munich. Germany

Naumachia courtyard Palazzo Pitti Festival prints
Naumachia in the courtyard of Palazzo Pitti, Festival prints relating to the wedding of the Grand Duke Ferdinando I de Medici to the French princess Christine of Lorraine, Scarabelli, Orazio

Frontispiece Ragionamento di Orazio Orlandi romano
Frontispiece, Ragionamento di Orazio Orlandi romano sopra una ara antica posseduta da monsignore Antonio Casali governatore di Roma, Antonini, Carlo, b. ca

Frederick Richard Chichester, Earl of Belfast 1827-53 (1853). Manara, Orazio de 1804-1877. Date: 1853

Orazio Gentileschi
ORAZIO GENTILESCHI Italian artist working in England. Date: 1563 - 1647

AMATAO: BRIDE. The Bride. Painting by Orazio Amato, c1920

after Orazio Gentileschi, The Lute Player, 18th century, pen and brown ink with brown wash on laid paper

Johann Bernard after Orazio Gentileschi (formerly Caravaggio) (Austrian, 1784 - after 1821), Querulas praetentat pollice cordas (The Lute Player), 1802, mezzotint on wove paper

Orazio Farinati after Paolo Farinati (Italian, 1559 - after 1616), Madonna and Child with John the Baptist, 1590s, etching and engraving on laid paper

Orazio Gentileschi, The Lute Player, Italian, 1563 - 1639, c. 1612-1620, oil on canvas

Pilgrim Flask with Marine Scenes (Fiasca da Pellegrino); Workshop of Orazio Fontana, Italian, 1510 - 1571; Urbino, Italy, Europe; about 1560 - 1570; Tin-glazed earthenware; Object

Basin with Deucalion and Pyrrha; Fontana Workshop, possibly Orazio Fontana, Italian, 1510 - 1571, or possibly Flaminio Fontana, Italian, active 1571 - 1591; Urbino, Italy

Lot and his Daughters; Orazio Gentileschi, Italian, 1563 - 1639; Italy, Europe; about 1622; Oil on canvas; Unframed: 151.8 x 189.2 cm (59 3/4 x 74 1/2 in.)

Orazio Gentileschi and Giovanni Lanfranco, Saint Cecilia and an Angel, Italian, 1582-1647, c. 1617-1618 and c. 1621-1627, oil on canvas

RENAISSANCE THEATER, 1597. Performance of L Amfiparnaso, a madrigal comedy by Orazio Vecchi (1550-1605). Woodcut from a lyrics book printed at Venice in 1597

Forces of Muhammed IX, Nasrid Sultan of Granada, at the Battle of Higueruela 1431, as depicted in a series of fresco paintings by Fabrizio Castello

Saint Cecilia and an Angel c1610. Cecilia, patron saint of music, sits palying an organ while the angel holds her music. Orazio Gentileschi (1563-1639) Italian Baroque painter

Allegory of Prudence 1565-1575. Titian, an old man: Orazio, his son, full of vigour: Marco, his young nephew yet to make his mark

St Jeromes Dream. Flagellation of the saint by angels. Christ enthroned in heaven. Orazio Borgianni (1578-1616) Italian painter

Army of Muhammed IX, (Nasrid Sultan of Granada), at the Battle of Higueruela 1431. Shown as part of a series of fresco paintings by Fabrizio Castello, Orazio Cambiaso and Lazzaro Tavarone

GENTILESCHI, Orazio Lomi (1565-1638). Moses Rescued from the Nile. Baroque art. Oil on canvas

BORGIANNI, Orazio (1578-1616). Self Portrait. Ascribed work. Baroque art. Oil on canvas

ORAZIO / SAND / 1645
DON JUAN He wishes there were other worlds to which he could extend his conquests

Orazio Antinori
ORAZIO, marchese ANTINORI Italian traveller

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Orazio Gentileschi, a renowned Italian painter from the 17th century, left an indelible mark on the art world with his masterful works. One of his notable creations is "St. Cecilia and an Angel, " a captivating canvas painted around 1610. This piece depicts St. Cecilia, the patron saint of music, accompanied by an angel as they engage in celestial harmony. Another remarkable painting by Orazio Gentileschi is his self-portrait dating back to approximately 1620. In this introspective artwork, he captures himself with great skill and precision, revealing his artistic prowess and capturing a glimpse into his own persona. In addition to these personal pieces, it also contributed to larger projects such as the Church of St. Ignatius of Loyola at Campus in Rome. His artistic touch can be seen within its walls, adding beauty and spiritual depth to this sacred place. Orazio Arancio was another artist who shared the same name but lived during a different era; however, it's important not to confuse them due to their distinct styles and periods. One fascinating study created by Orazio Gentileschi showcases a standing putto holding the Papal Keys for what appears to be a lunette composition—an intriguing insight into his creative process that allows us glimpses into how he planned larger-scale artworks. The theme of religious devotion continues in "Lamentation over the body of Christ by the three Marys. " Here we see three women grieving over Jesus' lifeless body while a jar of ointment rests on a nearby table—a poignant reminder of their love and sorrow. Moving beyond paintings alone, Orazio's talent extended into printmaking as well. He meticulously recorded festivities and decorations organized in Florence through an album filled with prints—an invaluable historical record that offers insights into cultural celebrations during that time period. Moreover, one cannot overlook Orazio's contribution to documenting the grandeur of Palazzo Pitti.