Fraud Blocker Skip to main content

Open Meeting Collection

"Unveiling the Power of Open Meetings: A Journey Through History" Step into the realm of open meetings, where voices echo through time and space

Background imageOpen Meeting Collection: Opening of the constituent assembly on February 11, 1869 after the fall of Queen Isabella II of

Opening of the constituent assembly on February 11, 1869 after the fall of Queen Isabella II of Spain (1830-1904)
AIS5354612 Opening of the constituent assembly on February 11, 1869 after the fall of Queen Isabella II of Spain (1830-1904) (engraving); (add.info)

Background imageOpen Meeting Collection: The Council of Nicea in 325, from the Codex Albeldense, 976 (illuminated miniature)

The Council of Nicea in 325, from the Codex Albeldense, 976 (illuminated miniature)
AIS5336703 The Council of Nicea in 325, from the Codex Albeldense, 976 (illuminated miniature); Biblioteca Monasterio del Escorial, Madrid, Spain; (add.info.: The Council of Nicea in 325)

Background imageOpen Meeting Collection: CONCILIO OF NICEA, 19th century (engraving)

CONCILIO OF NICEA, 19th century (engraving)
6203194 CONCILIO OF NICEA, 19th century (engraving); (add.info.: CONCILIO OF NICEA (Iznik) held in 325 by the will of Emperor Constantine I

Background imageOpen Meeting Collection: The bag (La Besace), - Fables by La Fontaine, 19th century (engraving)

The bag (La Besace), - Fables by La Fontaine, 19th century (engraving)
DUV4214227 The bag (La Besace), - Fables by La Fontaine, 19th century (engraving); Private Collection; (add.info.: Illustrations by JJ Granville (1803-1847)

Background imageOpen Meeting Collection: Sheikh Mubarak bin Sabah Al Sabah (1837-1915) leader of Kuwait, holding a public audience in Kuwait

Sheikh Mubarak bin Sabah Al Sabah (1837-1915) leader of Kuwait, holding a public audience in Kuwait
MMM5479235 Sheikh Mubarak bin Sabah Al Sabah (1837-1915) leader of Kuwait, holding a public audience in Kuwait, beginning of the 20th century (b/w photo) by Unknown photographer

Background imageOpen Meeting Collection: Emperor Constantine I the Great (272-337) presiding over the First Council of Nicea, May-July 325

Emperor Constantine I the Great (272-337) presiding over the First Council of Nicea, May-July 325
ELD4962605 Emperor Constantine I the Great (272-337) presiding over the First Council of Nicea, May-July 325, 19th century (engraving); Private Collection; (add.info)

Background imageOpen Meeting Collection: THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving)

THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving)
7262193 THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving) by Rowlandson, Thomas (1756-1827) (after); Bromley Museum, Orpington

Background imageOpen Meeting Collection: An orator speaking to a crowd in a forum, ancient Rome. 1796 (engraving)

An orator speaking to a crowd in a forum, ancient Rome. 1796 (engraving)
7236892 An orator speaking to a crowd in a forum, ancient Rome. 1796 (engraving) by Labrousse, L.F. (fl.1796); Private Collection; (add.info.: An orator speaking to a crowd in a forum, ancient Rome)

Background imageOpen Meeting Collection: The Brotherhood of Nations, 1927 (chromolitho)

The Brotherhood of Nations, 1927 (chromolitho)
FIA5403500 The Brotherhood of Nations, 1927 (chromolitho) by Smukrovich, Pyotr Iosifovich (1878-c.1941); 51x67 cm; Russian State Library, Moscow, Russia; Photo © Fine Art Images

Background imageOpen Meeting Collection: The skeleton of Death preaching to a crowd. 1827 (engraving)

The skeleton of Death preaching to a crowd. 1827 (engraving)
7233005 The skeleton of Death preaching to a crowd.1827 (engraving) by Dagley, Richard (c.1761-1841); Private Collection; (add.info.: The skeleton of Death preaching to a crowd)

Background imageOpen Meeting Collection: ALEXANDER III RECEIVING THE DEANS OF CANTONS IN THE COURTYARD OF THE PALACE, 1886 (oil on canvas)

ALEXANDER III RECEIVING THE DEANS OF CANTONS IN THE COURTYARD OF THE PALACE, 1886 (oil on canvas)
7215375 ALEXANDER III RECEIVING THE DEANS OF CANTONS IN THE COURTYARD OF THE PALACE, 1886 (oil on canvas) by Repin, Ilya Efimovich (1844-1930); Tretyakov Gallery, Moscow

Background imageOpen Meeting Collection: Public Spirit (engraving)

Public Spirit (engraving)
7178039 Public Spirit (engraving) by English School, (19th century); Private Collection; (add.info.: Public Spirit. Illustration for The Comic Annual by Thomas Hood)

Background imageOpen Meeting Collection: A Village Assembly, Italy (pencil and w / c)

A Village Assembly, Italy (pencil and w / c)
6448785 A Village Assembly, Italy (pencil and w/c) by Carelli, Consalvo (1818-1900); 36.8x50.8 cm; Private Collection; Italian, out of copyright

Background imageOpen Meeting Collection: Oecumenical Council of Nicea (engraving)

Oecumenical Council of Nicea (engraving)
727756 Oecumenical Council of Nicea (engraving) by English School, (19th century); Private Collection; (add.info.: Oecumenical Council of Nicea)

Background imageOpen Meeting Collection: Ecumenical Council of Nicea - Representation of the First Council of Nicee

Ecumenical Council of Nicea - Representation of the First Council of Nicee
GIA4727132 Ecumenical Council of Nicea - Representation of the First Council of Nicee, First Ecumenical Council, in 325 AD

Background imageOpen Meeting Collection: First Council of Nicaea lead by the Roman Emperor Constantine I, 1910 (lithograph)

First Council of Nicaea lead by the Roman Emperor Constantine I, 1910 (lithograph)
3783431 First Council of Nicaea lead by the Roman Emperor Constantine I, 1910 (lithograph); (add.info.: Council of Christian bishops convened in Nicaea in Bithynia (present-day Turkey)

Background imageOpen Meeting Collection: The lion, the wolf and the fox (le lion, le loup et le renard) - Fables by La Fontaine

The lion, the wolf and the fox (le lion, le loup et le renard) - Fables by La Fontaine
DUV4214714 The lion, the wolf and the fox (le lion, le loup et le renard) - Fables by La Fontaine, 19th century (engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47)

Background imageOpen Meeting Collection: Constitution of the Cortes of Cadiz, March 19, 1812, 19th century (engraving)

Constitution of the Cortes of Cadiz, March 19, 1812, 19th century (engraving)
AIS5345497 Constitution of the Cortes of Cadiz, March 19, 1812, 19th century (engraving) by Spanish School, (19th century); Museo del Romanticismo, Madrid

Background imageOpen Meeting Collection: The Council of Nicea. Illustration of 'Universal Chronicles of Nuremberg'

The Council of Nicea. Illustration of "Universal Chronicles of Nuremberg"
GIA4818432 The Council of Nicea. Illustration of " Universal Chronicles of Nuremberg" by H. Schedel, 1497. Wood engraving


All Professionally Made to Order for Quick Shipping

"Unveiling the Power of Open Meetings: A Journey Through History" Step into the realm of open meetings, where voices echo through time and space, shaping societies and igniting change. From ancient Rome to modern Buenos Aires, these gatherings have been pivotal in fostering dialogue, unity, and progress. Let us embark on a captivating journey as we explore remarkable moments captured in art. In 1897, Edouard Drumont's fervent speech graced the cover of La Libre Parole, symbolizing the power of free expression that resonates within open meetings. The Anti-Slavery Society Convention in 1840 stands as a testament to humanity's unwavering fight for justice depicted vividly on canvas. Transporting ourselves back to 1813 Paris, we witness "The Corsican Munchausen, " humming melodies that unite the lads of Paris under one harmonious banner. This engraving encapsulates how they can bridge divides and foster camaraderie among diverse communities. Venturing further into history brings us to an enchanting scene from ancient Rome in 1796. An orator captivates a crowd gathered at a forum with his words - reminding us that even centuries ago, public discourse held immense significance for societal growth. Fast forward to 1927 when "The Brotherhood of Nations" was immortalized through chromolithography. This artwork serves as a poignant reminder that open meetings transcend borders and ideologies; they cultivate understanding among nations striving towards collective prosperity. Amidst black-and-white photographs lies Eva Peron's funeral in Buenos Aires (1952), showcasing how an they are become an arena for collective mourning and remembrance - uniting people during times of grief. Delving deeper into artistic engravings reveals "The Skeleton of Death Preaching to a Crowd" (1827). It reminds us that even amidst darkness and uncertainty, open meetings hold the potential to inspire hope, resilience, and a collective will to overcome adversity.