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Opaque Watercolor Collection

"Exploring the Enchanting World of Opaque Watercolor: A Glimpse into Artistic Masterpieces" Step into a realm where colors come alive and stories unfold

Background imageOpaque Watercolor Collection: Maharana Sarup Singh Inspects a Prize Stallion, 1845-46. Creator: Tara

Maharana Sarup Singh Inspects a Prize Stallion, 1845-46. Creator: Tara
Maharana Sarup Singh Inspects a Prize Stallion, 1845-46

Background imageOpaque Watercolor Collection: The Timid Bride, ca. 1800. Creator: Unknown

The Timid Bride, ca. 1800. Creator: Unknown
The Timid Bride, ca. 1800

Background imageOpaque Watercolor Collection: Area Broken by Perpendiculars, ca. 1934. Creator: Joseph Schillinger

Area Broken by Perpendiculars, ca. 1934. Creator: Joseph Schillinger
Area Broken by Perpendiculars, ca. 1934

Background imageOpaque Watercolor Collection: Kalki Avatar, the Future Incarnation of Vishnu, ca. 1700-1710. Creator: Unknown

Kalki Avatar, the Future Incarnation of Vishnu, ca. 1700-1710. Creator: Unknown
Kalki Avatar, the Future Incarnation of Vishnu, ca. 1700-1710. Kalki is described either as a white horse or a warrior on a white horse

Background imageOpaque Watercolor Collection: Krishna Woos Radha: Page from the Dispersed Boston Rasikapriya (Lovers Breviary), ca

Krishna Woos Radha: Page from the Dispersed Boston Rasikapriya (Lovers Breviary), ca
Krishna Woos Radha: Page from the Dispersed " Boston" Rasikapriya (Lovers Breviary), ca. 1610

Background imageOpaque Watercolor Collection: Curtain of the Tabernacle, one of six illustrated leaves from the Postilla Litteralis

Curtain of the Tabernacle, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra, ca. 1360-1380. Discussion of the Tabernacle from the book of Exodus

Background imageOpaque Watercolor Collection: The Gopis Plead with Krishna to Return Their Clothing, Page from a Bhagavata Purana

The Gopis Plead with Krishna to Return Their Clothing, Page from a Bhagavata Purana (Ancient Stories of Lord Vishnu) series, ca. 1610

Background imageOpaque Watercolor Collection: Krishna and Radha, Page from a Dispersed Rasikapriya... ca. 1660-70. Creator: Unknown

Krishna and Radha, Page from a Dispersed Rasikapriya... ca. 1660-70. Creator: Unknown
Krishna and Radha, Page from a Dispersed Rasikapriya (Verses Celebrating Aspects of Love), ca. 1660-70

Background imageOpaque Watercolor Collection: Vasanti Ragini, Page from a Ragamala Series (Garland of Musical Modes), ca. 1710

Vasanti Ragini, Page from a Ragamala Series (Garland of Musical Modes), ca. 1710. Vasant means spring

Background imageOpaque Watercolor Collection: The Demon Marichi Tries to Dissuade Ravana... from a dispersed Ramayana series, ca

The Demon Marichi Tries to Dissuade Ravana... from a dispersed Ramayana series, ca
The Demon Marichi Tries to Dissuade Ravana; Illustrated folio from a dispersed Ramayana series, ca. 1780. Ravana plans to abduct Sita

Background imageOpaque Watercolor Collection: Puriya Ragaputra: Page from the Dispersed Boston Ragamala Series... ca

Puriya Ragaputra: Page from the Dispersed Boston Ragamala Series... ca
Puriya Ragaputra: Page from the Dispersed " Boston" Ragamala Series (Garland of Musical Modes), ca. 1760. Krishna and Radha are shown outside a pavilion

Background imageOpaque Watercolor Collection: Mahadevi, the Great Goddess, ca. 1725. Creator: Unknown

Mahadevi, the Great Goddess, ca. 1725. Creator: Unknown
Mahadevi, the Great Goddess, ca. 1725. Mahadevi holds an array of weapons, affiliating her with all the male gods

Background imageOpaque Watercolor Collection: Demons Fighting Over an Animal Limb, late 17th century. Creator: Unknown

Demons Fighting Over an Animal Limb, late 17th century. Creator: Unknown
Demons Fighting Over an Animal Limb, late 17th century

Background imageOpaque Watercolor Collection: A Raja Smoking a Hookah, ca. 1690-1710. Creator: Unknown

A Raja Smoking a Hookah, ca. 1690-1710. Creator: Unknown
A Raja Smoking a Hookah, ca. 1690-1710

Background imageOpaque Watercolor Collection: Andhrayaki Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1710

Andhrayaki Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1710. A lady reclines on her bed, restlessly pulling her hair in frustration at the absence of her lover

Background imageOpaque Watercolor Collection: Panchama Ragini: Page from a Ragamala Series (Garland of Musical Modes), ca. 1640

Panchama Ragini: Page from a Ragamala Series (Garland of Musical Modes), ca. 1640. The patron pays musicians. The text of this ragini speaks of his contented happiness and love

Background imageOpaque Watercolor Collection: Bhairavi Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1640-50

Bhairavi Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1640-50. Female devotee worshiping at a Shaiva shrine inside a palace compound

Background imageOpaque Watercolor Collection: Portrait of Thakur Utham Ram, ca. 1760. Creator: Unknown

Portrait of Thakur Utham Ram, ca. 1760. Creator: Unknown
Portrait of Thakur Utham Ram, ca. 1760

Background imageOpaque Watercolor Collection: Bangali Ragini: Folio from a ragamala series (Garland of Musical Modes), 1709. Creator: Unknown

Bangali Ragini: Folio from a ragamala series (Garland of Musical Modes), 1709. Creator: Unknown
Bangali Ragini: Folio from a ragamala series (Garland of Musical Modes), 1709

Background imageOpaque Watercolor Collection: Pleasures of the Hunt, ca. 1800. Creator: Unknown

Pleasures of the Hunt, ca. 1800. Creator: Unknown
Pleasures of the Hunt, ca. 1800. A prince and princess on horseback, each holding a hunting hawk, observe deer being shot

Background imageOpaque Watercolor Collection: Navagunjara, a Universal Form of Krishna, ca. 1835. Creator: Unknown

Navagunjara, a Universal Form of Krishna, ca. 1835. Creator: Unknown
Navagunjara, a Universal Form of Krishna, ca. 1835. In the Mahabharata, Navagunjara consists of nine animal parts and is form of Krishna and avatar of Vishnu

Background imageOpaque Watercolor Collection: Krishna and the Gopis Take Shelter from the Rain, 1760. Creator: Unknown

Krishna and the Gopis Take Shelter from the Rain, 1760. Creator: Unknown
Krishna and the Gopis Take Shelter from the Rain, 1760. Krishna shelters from a devastating storm sent by the god Indra

Background imageOpaque Watercolor Collection: The Demon Hiranyaksha Departs the Demon Palace... from a Bhagavata Purana Series, ca

The Demon Hiranyaksha Departs the Demon Palace... from a Bhagavata Purana Series, ca
The Demon Hiranyaksha Departs the Demon Palace: Folio from a Bhagavata Purana Series, ca. 1740

Background imageOpaque Watercolor Collection: Abhisarika Nayika, a Heroine Longing for Her Lover, ca. 1790-1800. Creator: Unknown

Abhisarika Nayika, a Heroine Longing for Her Lover, ca. 1790-1800. Creator: Unknown
Abhisarika Nayika, a Heroine Longing for Her Lover, ca. 1790-1800

Background imageOpaque Watercolor Collection: Maharaja Sital Dev in Devotion, ca. 1690. Creator: Unknown

Maharaja Sital Dev in Devotion, ca. 1690. Creator: Unknown
Maharaja Sital Dev in Devotion, ca. 1690. The blind raja Sital Dev sits holding a mala (rosary) and reciting mantras

Background imageOpaque Watercolor Collection: Shri Rama Putra Raga: Page from the Dispersed Boston Ragamala Series

Shri Rama Putra Raga: Page from the Dispersed Boston Ragamala Series
Shri Rama Putra Raga: Page from the Dispersed " Boston" Ragamala Series (Garland of Musical Modes), ca. 1760. A prince attended by two female servants speaks to his beloved who stands

Background imageOpaque Watercolor Collection: Khambhavati Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1675

Khambhavati Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1675. A female mendicant makes a Vedic fire offering to the god Brahma

Background imageOpaque Watercolor Collection: Rama Releases the Demon Spies Shuka and Sarana: Folio from the Siege of Lanka series, ca

Rama Releases the Demon Spies Shuka and Sarana: Folio from the Siege of Lanka series, ca. 1725. Rama, sitting with Lakshmana and Sugriva

Background imageOpaque Watercolor Collection: Lady Holding a Sparkler, ca. 1800. Creator: Unknown

Lady Holding a Sparkler, ca. 1800. Creator: Unknown
Lady Holding a Sparkler, ca. 1800

Background imageOpaque Watercolor Collection: Genealogical Chronicle of the Kings of England, 1466-67. Creator: Unknown

Genealogical Chronicle of the Kings of England, 1466-67. Creator: Unknown
Genealogical Chronicle of the Kings of England, 1466-67

Background imageOpaque Watercolor Collection: Maharana Jagat Singh Hawks for Cranes, dated 1744. Creator: Shiva and Dayal

Maharana Jagat Singh Hawks for Cranes, dated 1744. Creator: Shiva and Dayal
Maharana Jagat Singh Hawks for Cranes, dated 1744

Background imageOpaque Watercolor Collection: Maharana Sangram Singh Riding a Prize Stallion, ca. 1712. Creator: Stipple Master (Indian

Maharana Sangram Singh Riding a Prize Stallion, ca. 1712. Creator: Stipple Master (Indian
Maharana Sangram Singh Riding a Prize Stallion, ca. 1712

Background imageOpaque Watercolor Collection: Malavakusika Raga... from a Dispersed Ragmala Series (Garland of Musical Modes), early 17th cent

Malavakusika Raga... from a Dispersed Ragmala Series (Garland of Musical Modes), early 17th cent
Malavakusika Raga: Page from a Dispersed Ragmala Series (Garland of Musical Modes), early 17th century

Background imageOpaque Watercolor Collection: Vairari Ragini, Wife of Bhairav Raga: Page from a Dispersed Ragamala Series... early 18th century

Vairari Ragini, Wife of Bhairav Raga: Page from a Dispersed Ragamala Series... early 18th century
Vairari Ragini, Wife of Bhairav Raga: Page from a Dispersed Ragamala Series (Garland of Musical Modes), early 18th century

Background imageOpaque Watercolor Collection: Blindmans Bluff... from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), c1715-20

Blindmans Bluff... from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), c1715-20
Blindmans Bluff: Page From a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), ca. 1715-20

Background imageOpaque Watercolor Collection: Escapade at Night:, ca. 1800-10. Creator: Chokha

Escapade at Night:, ca. 1800-10. Creator: Chokha
Escapade at Night:, ca. 1800-10

Background imageOpaque Watercolor Collection: A Courtesan and Her Lover Estranged by a Quarrel: Page from a Rasamanjari series, 1694-95

A Courtesan and Her Lover Estranged by a Quarrel: Page from a Rasamanjari series, 1694-95
A Courtesan and Her Lover Estranged by a Quarrel: Page from a Rasamanjari series, dated 1694-95

Background imageOpaque Watercolor Collection: Jhujhar Singh on Horseback, ca. 1720-30. Creator: Dalchand

Jhujhar Singh on Horseback, ca. 1720-30. Creator: Dalchand
Jhujhar Singh on Horseback, ca. 1720-30

Background imageOpaque Watercolor Collection: Radha Crosses a River to Interview a Hindu Sage, ca. 1820. Creator: Chokha

Radha Crosses a River to Interview a Hindu Sage, ca. 1820. Creator: Chokha
Radha Crosses a River to Interview a Hindu Sage, ca. 1820

Background imageOpaque Watercolor Collection: Maharaja Raj Singh in Procession with Members of His Court, ca. 1700. Creator: Attributed

Maharaja Raj Singh in Procession with Members of His Court, ca. 1700. Creator: Attributed
Maharaja Raj Singh in Procession with Members of His Court, ca. 1700

Background imageOpaque Watercolor Collection: Raja Balwant Singhs Vision of Krishna and Radha, ca. 1745-50. Creator: Attributed

Raja Balwant Singhs Vision of Krishna and Radha, ca. 1745-50. Creator: Attributed
Raja Balwant Singhs Vision of Krishna and Radha, ca. 1745-50

Background imageOpaque Watercolor Collection: Maharaja Fateh Singh Hunting Female Bears, dated 1917. Creator: Attributed to Pannalai

Maharaja Fateh Singh Hunting Female Bears, dated 1917. Creator: Attributed to Pannalai
Maharaja Fateh Singh Hunting Female Bears, dated 1917

Background imageOpaque Watercolor Collection: Krishnas Earthly Ties, Page from a Dispersed Bivamangalastava, 1695-1700. Creator: Unknown

Krishnas Earthly Ties, Page from a Dispersed Bivamangalastava, 1695-1700. Creator: Unknown
Krishnas Earthly Ties, Page from a Dispersed Bivamangalastava, 1695-1700

Background imageOpaque Watercolor Collection: Riva degli Schiavoni San Biagio Venice Richard Parkes

Riva degli Schiavoni San Biagio Venice Richard Parkes
Riva degli Schiavoni, from near San Biagio, Venice; Richard Parkes Bonington (British, 1802 - 1828); Italy, Europe; 1826; Watercolor over graphite

Background imageOpaque Watercolor Collection: Sailboat Sea Theodore Gericault French 1791

Sailboat Sea Theodore Gericault French 1791
Sailboat on the Sea; Theodore Gericault (French, 1791 - 1824); about 1818 - 1819; Brush and brown wash, blue watercolor, opaque watercolor, over black chalk; 15.2 × 24.7 cm (6 × 9 3, 4 in.)

Background imageOpaque Watercolor Collection: Khar Ass Nuzhat-nama-yi ala Excellent Book Counsel

Khar Ass Nuzhat-nama-yi ala Excellent Book Counsel
Khar (Ass), from a Nuzhat-nama-yi ala i (Excellent Book of Counsel) of Shahmardan ibn Abi al-khayrr, 1400s. Timurid Iran. Ink and opaque watercolor on paper; overall

Background imageOpaque Watercolor Collection: Text Page Persian Prose recto Nuzhat Nama-yi Ala

Text Page Persian Prose recto Nuzhat Nama-yi Ala
Text Page, Persian Prose (recto) from Nuzhat Nama-yi Ala i (Excellent Book of Counsel) of Shah Mardan Ibn Abi al-Khayr, 1400s. Iran, Timurid Period, 15th century

Background imageOpaque Watercolor Collection: Youth Holding Pomegranate Illustration Single Page Manuscript

Youth Holding Pomegranate Illustration Single Page Manuscript
Youth Holding a Pomegranate; Illustration from a Single Page Manuscript, c.1600-1650. Style of Riza-yi Abbasi (Iranian). Opaque watercolor and gold on paper; image



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"Exploring the Enchanting World of Opaque Watercolor: A Glimpse into Artistic Masterpieces" Step into a realm where colors come alive and stories unfold, as we delve into the captivating world of opaque watercolor. From historical events to mythical tales, this unique medium has been used by talented artists throughout history to create breathtaking works of art. In "Maharana Sarup Singh Inspects a Prize Stallion, " painted by Tara in 1845-46, we witness the regal presence of a majestic stallion under inspection. The rich pigments and intricate details bring forth an air of grandeur that is truly awe-inspiring. Moving back in time to ca. 1800, we encounter "The Timid Bride, " an anonymous masterpiece that portrays the vulnerability and beauty of a bride on her wedding day. The skillful use of opaque watercolors adds depth and emotion to this delicate scene. Joseph Schillinger's "Area Broken by Perpendiculars, " created around 1934, showcases how they are be employed for abstract compositions. Through bold lines intersecting with vibrant hues, Schillinger invites viewers to explore their own interpretations within this geometric landscape. Traveling further back in time to ca. 1700-1710, we encounter "Kalki Avatar, the Future Incarnation of Vishnu. " Although its creator remains unknown, this artwork vividly depicts the divine figure riding upon his celestial steed with ethereal colors that transport us into ancient mythology. Love takes center stage in "Krishna Woos Radha: Page from the Dispersed Boston Rasikapriya (Lovers Breviary), " ca. , inviting us into an intimate moment between these legendary lovers through soft brushstrokes and harmonious tones. Religious narratives are also brought to life through opaque watercolors like "Curtain of the Tabernacle" and "The Gopis Plead with Krishna to Return Their Clothing.