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On Paper Collection (page 24)

"On Paper: A Glimpse into Art's Captivating World" Immerse yourself in the enchanting world of art as we explore a diverse collection of masterpieces created on paper

Background imageOn Paper Collection: Leontine in a Pink Fluffy Hat, 1898 (pastel on tan paper)

Leontine in a Pink Fluffy Hat, 1898 (pastel on tan paper)
825459 Leontine in a Pink Fluffy Hat, 1898 (pastel on tan paper) by Cassatt, Mary Stevenson (1844-1926); 38.1x28.2 cm; Private Collection; (add.info.: Leontine in a Pink Fluffy Hat)

Background imageOn Paper Collection: The Long Gloves, 1889 (pastel on tan paper)

The Long Gloves, 1889 (pastel on tan paper)
825255 The Long Gloves, 1889 (pastel on tan paper) by Cassatt, Mary Stevenson (1844-1926); 65x53.5 cm; Private Collection; (add.info.: The Long Gloves. Mary Cassatt (1844-1926). Pastel on tan paper

Background imageOn Paper Collection: Portrait of Captain Sir John Ross (oil on canvas)

Portrait of Captain Sir John Ross (oil on canvas)
828378 Portrait of Captain Sir John Ross (oil on canvas) by Faulkner, Benjamin Rawlinson (1787-1849); 125.8x100.3 cm; Private Collection; (add.info.: Portrait of Captain Sir John Ross)

Background imageOn Paper Collection: Manuscript Map of the Southern Portion of the Red Sea from the Horn of Africa

Manuscript Map of the Southern Portion of the Red Sea from the Horn of Africa
828313 Manuscript Map of the Southern Portion of the Red Sea from the Horn of Africa and Yemen up to Jiddah, c.1740 (ink and wash on paper) by French School

Background imageOn Paper Collection: Chrysanthemums; Chrysanthemen, 1919 (gouache on paper)

Chrysanthemums; Chrysanthemen, 1919 (gouache on paper)
825973 Chrysanthemums; Chrysanthemen, 1919 (gouache on paper) by Rohlfs, Christian (1849-1938); 68x49.2 cm; Private Collection; (add.info.: Chrysanthemums; Chrysanthemen)

Background imageOn Paper Collection: Evening Musings, The Tide of Time, 1876 (pen and brush and sepia wash and pencil on paper

Evening Musings, The Tide of Time, 1876 (pen and brush and sepia wash and pencil on paper
985371 Evening Musings, The Tide of Time, 1876 (pen and brush and sepia wash and pencil on paper) by Melrose, Andrew (1826-1901); 57x78 cm; Private Collection; (add.info.: Evening Musings)

Background imageOn Paper Collection: Front cover of The Telephone Directory of November 1878, 1878 (paper, print

Front cover of The Telephone Directory of November 1878, 1878 (paper, print
985791 Front cover of The Telephone Directory of November 1878, 1878 (paper, print, metal ring, stiching) by American School

Background imageOn Paper Collection: American Buzzard or White Breasted Hawk, (pastel, pencil and chalk on paper)

American Buzzard or White Breasted Hawk, (pastel, pencil and chalk on paper)
984987 American Buzzard or White Breasted Hawk, (pastel, pencil and chalk on paper) by Audubon, John James (1785-1851); 51.4x41.8 cm; Private Collection; (add.info)

Background imageOn Paper Collection: The Six-Footed Serpent Attacking Agnolo Brunelleschi, c

The Six-Footed Serpent Attacking Agnolo Brunelleschi, c
986334 The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper) by Blake, William (1757-1827); 27.6x35.3 (approx) cm; Private Collection; (add.info)

Background imageOn Paper Collection: Moon in Musashi Province, ca. 1740. ca. 1740. Creator: Okumura Masanobu

Moon in Musashi Province, ca. 1740. ca. 1740. Creator: Okumura Masanobu
Moon in Musashi Province, ca. 1740

Background imageOn Paper Collection: Puriya Ragaputra: Page from the Dispersed Boston Ragamala Series... ca

Puriya Ragaputra: Page from the Dispersed Boston Ragamala Series... ca
Puriya Ragaputra: Page from the Dispersed " Boston" Ragamala Series (Garland of Musical Modes), ca. 1760. Krishna and Radha are shown outside a pavilion

Background imageOn Paper Collection: Portrait of General Keith MacAlister, c. 1800-1810. Creator: John I Smart (British, 1741-1811)

Portrait of General Keith MacAlister, c. 1800-1810. Creator: John I Smart (British, 1741-1811)
Portrait of General Keith MacAlister, c. 1800-1810

Background imageOn Paper Collection: Three Seated Figures and Studies of Machinery, 1480-1481 (1945). Artist: Leonardo da Vinci

Three Seated Figures and Studies of Machinery, 1480-1481 (1945). Artist: Leonardo da Vinci
Three Seated Figures and Studies of Machinery, 1480-1481 (1945). The drawing is held by the Ashmolean Museum, Oxford. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageOn Paper Collection: Two Figures in Conversation, c1480 (1945). Artist: Leonardo da Vinci

Two Figures in Conversation, c1480 (1945). Artist: Leonardo da Vinci
Two Figures in Conversation, c1480 (1945). The drawing is held by the Royal Library, Windsor. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageOn Paper Collection: Various Groups and Single Figures, c1480 (1945). Artist: Leonardo da Vinci

Various Groups and Single Figures, c1480 (1945). Artist: Leonardo da Vinci
Various Groups and Single Figures, c1480 (1945). The drawing is held by the Ecole nationale superieure des Beaux-Arts de Paris, Paris. From The Drawings of Leonardo da Vinci

Background imageOn Paper Collection: Studies of Single Figures and of a Profile, c1480 (1945). Artist: Leonardo da Vinci

Studies of Single Figures and of a Profile, c1480 (1945). Artist: Leonardo da Vinci
Studies of Single Figures and of a Profile, c1480 (1945). The drawing is held by the British Museum, London. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageOn Paper Collection: Studies of Figures and of Decoration, c1480 (1945). Artist: Leonardo da Vinci

Studies of Figures and of Decoration, c1480 (1945). Artist: Leonardo da Vinci
Studies of Figures and of Decoration, c1480 (1945). The drawing is held by the Musee Bonnat, Bayonne. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageOn Paper Collection: Studies of Figures and a Group of Figures, c1500 (1945). Artist: Leonardo da Vinci

Studies of Figures and a Group of Figures, c1500 (1945). Artist: Leonardo da Vinci
Studies of Figures and a Group of Figures, c1500 (1945). The drawing is held by the Wallraf Museum, Cologne. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageOn Paper Collection: A Group of Figures Conversing at a Table, Two Figures in Conversation and Others

A Group of Figures Conversing at a Table, Two Figures in Conversation and Others, 1481-1483 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci

Background imageOn Paper Collection: Six Studies of Figures, 1481-1483 (1945). Artist: Leonardo da Vinci

Six Studies of Figures, 1481-1483 (1945). Artist: Leonardo da Vinci
Six Studies of Figures, 1481-1483 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageOn Paper Collection: Adoration of the Kings: Composition Sketch, 1478-1481 (1945). Artist: Leonardo da Vinci

Adoration of the Kings: Composition Sketch, 1478-1481 (1945). Artist: Leonardo da Vinci
Adoration of the Kings: Composition Sketch, 1478-1481 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageOn Paper Collection: Studies of Figures and Putti for an Adoration, c1481 (1945). Artist: Leonardo da Vinci

Studies of Figures and Putti for an Adoration, c1481 (1945). Artist: Leonardo da Vinci
Studies of Figures and Putti for an Adoration, c1481 (1945). The drawing is held by the Hamburger Kunsthalle, Hamburg. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageOn Paper Collection: Madonna Adoring the Infant Christ and Other Figures, c1480 (1945). Artist: Leonardo da Vinci

Madonna Adoring the Infant Christ and Other Figures, c1480 (1945). Artist: Leonardo da Vinci
Madonna Adoring the Infant Christ and Other Figures, c1480 (1945). The drawing is held by the Gallerie dell Accademia, Venice. From The Drawings of Leonardo da Vinci

Background imageOn Paper Collection: Furnace Nocturne, 1886, (1904). Artist: James Abbott McNeill Whistler

Furnace Nocturne, 1886, (1904). Artist: James Abbott McNeill Whistler
Furnace Nocturne, 1886, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageOn Paper Collection: Whistlers Mother, c1973, (1904). Artist: James Abbott McNeill Whistler

Whistlers Mother, c1973, (1904). Artist: James Abbott McNeill Whistler
Whistlers Mother, c1973, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageOn Paper Collection: Chelsea Wharf, 1863, (1904). Artist: James Abbott McNeill Whistler

Chelsea Wharf, 1863, (1904). Artist: James Abbott McNeill Whistler
Chelsea Wharf, 1863, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageOn Paper Collection: St. Paul s, c1884, (1904). Artist: James Abbott McNeill Whistler

St. Paul s, c1884, (1904). Artist: James Abbott McNeill Whistler
St. Paul s, c1884, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageOn Paper Collection: The Bamboo Fence, 1904. Artist: Helen Hyde

The Bamboo Fence, 1904. Artist: Helen Hyde
The Bamboo Fence, 1904. From The Studio Volume 54. [London Offices of the Studio, London, 1911-12]

Background imageOn Paper Collection: The secret, 1909. Artist: Helen Hyde

The secret, 1909. Artist: Helen Hyde
The secret, 1909. From The Studio Volume 54. [London Offices of the Studio, London, 1911-12]

Background imageOn Paper Collection: Study of Drapery, c1916. Artist: John Singer Sargent

Study of Drapery, c1916. Artist: John Singer Sargent
Study of Drapery, c1916. From The Studio Volume 19. [London Offices of the Studio, London, 1900]

Background imageOn Paper Collection: Roslin Chapel, 1838. Artist: John Ruskin

Roslin Chapel, 1838. Artist: John Ruskin
Roslin Chapel, 1838. From The Studio Volume 19. [London Offices of the Studio, London, 1900]

Background imageOn Paper Collection: From a study in sanguine, c1899. Artist: John William Waterhouse

From a study in sanguine, c1899. Artist: John William Waterhouse
From a study in sanguine, c1899. From The Studio Volume 44. [London Offices of the Studio, London, 1908]



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"On Paper: A Glimpse into Art's Captivating World" Immerse yourself in the enchanting world of art as we explore a diverse collection of masterpieces created on paper. From the vivid landscapes to the delicate portraits, each artwork tells its own unique story. "A Peep at the Train, India, 1892" takes us back in time with its detailed pencil and watercolor strokes that capture the essence of a bustling train station. The artist skillfully transports us to an era filled with anticipation and excitement. "The Jewel Box" invites us into a realm of elegance and beauty through its intricate pencil and watercolor composition. Every stroke brings life to this exquisite treasure chest, leaving us mesmerized by its allure. In "Titania and Bottom from William Shakespeare's A Midsummer-Night's Dream, " we witness the magic of literature come alive on paper. This whimsical portrayal captures Shakespeare's beloved characters in all their enchanting glory. "The Death of Bhishma" portrays a poignant moment from Indian mythology where Arjuna inflicts fatal wounds upon Bhishma. The artist skillfully conveys the intensity of this epic battle through bold colors and precise detailing. "Nude Young Woman Sitting, Asleep" presents a serene scene as an ethereal young woman peacefully slumbers. Through black hues, her vulnerability is delicately captured on paper – a moment frozen in time for eternity. A fiery-haired muse graces "Nude Redhead Sitting on a Chair. " Pastel and charcoal blend seamlessly to create depth and texture while capturing her captivating presence with every stroke. "Herring Seller" showcases vibrant watercolors that bring life to everyday scenes. This charming depiction immerses us in the hustle and bustle of marketplaces where vendors proudly display their wares. A self-portrait becomes an intimate window into an artist's soul in "Self-portrait, 1910.