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Old Masters Collection (page 6)

"Journey through the Old Masters: A Glimpse into Artistic Brilliance" Step back in time and immerse yourself in the captivating world of the Old Masters

Background imageOld Masters Collection: Tobit Burying the Dead in Defiance of the Orders of Sennacherib, (oil on canvas)

Tobit Burying the Dead in Defiance of the Orders of Sennacherib, (oil on canvas)
990059 Tobit Burying the Dead in Defiance of the Orders of Sennacherib, (oil on canvas) by Castiglione, Giovanni Francesco (1641-1716); 65x80.6 cm; Private Collection; (add.info)

Background imageOld Masters Collection: Flora, Half Length, Holding Plums, (pastel)

Flora, Half Length, Holding Plums, (pastel)
659193 Flora, Half Length, Holding Plums, (pastel) by Carriera, Rosalba Giovanna (1675-1757); 61.2x48.9 cm; Private Collection; (add.info.: Flora, Half Length, Holding Plums)

Background imageOld Masters Collection: A Tiger attacking a Bull, 1785 (oil on canvas)

A Tiger attacking a Bull, 1785 (oil on canvas)
827845 A Tiger attacking a Bull, 1785 (oil on canvas) by Peter, Johan Wenzel (1745-1829); 73.7x60 cm; Private Collection; (add.info.: A Tiger attacking a Bull. Wenzel Peter (1744-1829)

Background imageOld Masters Collection: The Pieta, c. 1542 (oil on canvas)

The Pieta, c. 1542 (oil on canvas)
990353 The Pieta, c.1542 (oil on canvas) by Vasari, Giorgio (1511-74); 192x136 cm; Private Collection; (add.info.: The Pieta. Giorgio Vasari (1511-1574). Oil on panel

Background imageOld Masters Collection: Christ Carrying the Cross, (oil on panel)

Christ Carrying the Cross, (oil on panel)
827921 Christ Carrying the Cross, (oil on panel) by Palmezzano, Marco (1458-1539); 65.2x49.3 cm; Private Collection; (add.info.: Christ Carrying the Cross. Marco Palmezzano (1460-c.1539)

Background imageOld Masters Collection: Portrait of Queen Maria Theresa, seated full length, in a jewel-encrusted black bodice with lace

Portrait of Queen Maria Theresa, seated full length, in a jewel-encrusted black bodice with lace collar and a blue
827900 Portrait of Queen Maria Theresa, seated full length, in a jewel-encrusted black bodice with lace collar and a blue and gold skirt, on a throne (oil on canvas, unlined) by Dieu

Background imageOld Masters Collection: Portrait of King Louis XIV, seated full length, in an embroidered blue

Portrait of King Louis XIV, seated full length, in an embroidered blue and gold coat with a white ruff
827899 Portrait of King Louis XIV, seated full length, in an embroidered blue and gold coat with a white ruff and a fur trimmed hat, on a throne (oil on canvas, unlined) by Dieu

Background imageOld Masters Collection: Portrait of Maria Amalia, standing three-quarter length, wearing an embroidered gown (oil on canvas)

Portrait of Maria Amalia, standing three-quarter length, wearing an embroidered gown (oil on canvas)
990063 Portrait of Maria Amalia, standing three-quarter length, wearing an embroidered gown (oil on canvas) by Desmarees, Georg (1697-1776) (circle of); 109x81 cm; Private Collection; (add.info)

Background imageOld Masters Collection: Portrait of Karl Albrecht Wittelsbach, standing, three-quarter length

Portrait of Karl Albrecht Wittelsbach, standing, three-quarter length, wearing ceremonial dress (oil on canvas)
990062 Portrait of Karl Albrecht Wittelsbach, standing, three-quarter length, wearing ceremonial dress (oil on canvas) by Desmarees

Background imageOld Masters Collection: Portrait of a Lady, standing three-quarter length, wearing a red velvet dress, (oil on canvas)

Portrait of a Lady, standing three-quarter length, wearing a red velvet dress, (oil on canvas)
990274 Portrait of a Lady, standing three-quarter length, wearing a red velvet dress, (oil on canvas) by Pitati, Bonifazio de (Bonifacio Veronese) (c.1487-1553)

Background imageOld Masters Collection: The Crucifixion (oil on panel)

The Crucifixion (oil on panel)
990064 The Crucifixion (oil on panel) by Master of Imola (15th century); 39.4x31.8 cm; Private Collection; (add.info.: The Crucifixion. The Master of Imola (15th Century). Oil on panel

Background imageOld Masters Collection: A Triptych: Christ on the Cross with the Virgin, the Magdalen, Saint John the Evangelist

A Triptych: Christ on the Cross with the Virgin, the Magdalen, Saint John the Evangelist
659307 A Triptych: Christ on the Cross with the Virgin, the Magdalen, Saint John the Evangelist and Angels; on the Wings Christ Offered Vinegar Before the Crucifixion and the Lamentation

Background imageOld Masters Collection: Rosalba Carriera, Venetian Rococo painter

Rosalba Carriera, Venetian Rococo painter
5893238 Rosalba Carriera, Venetian Rococo painter. by Flipart, Charles-Joseph (1721-97); (add.info.: Portrait of Rosalba Carriera, Venetian Rococo painter and miniature artist, 1673-1757)

Background imageOld Masters Collection: Moorish Courtyard, 1913 (oil on canvas)

Moorish Courtyard, 1913 (oil on canvas)
1764740 Moorish Courtyard, 1913 (oil on canvas) by Sargent, John Singer (1856-1925); 71.1x91.5 cm; Private Collection; (add.info.: Moorish Courtyard. John Singer Sargent (1856-1925). Oil on canvas

Background imageOld Masters Collection: The Holy Family, 16th century (oil on panel)

The Holy Family, 16th century (oil on panel)
1197630 The Holy Family, 16th century (oil on panel) by Vasari, Giorgio (1511-74); 63.2x40.5 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageOld Masters Collection: The Bacino di San Marco and The Church of Santa Maria della Salute, Venice

The Bacino di San Marco and The Church of Santa Maria della Salute, Venice
1766806 The Bacino di San Marco and The Church of Santa Maria della Salute, Venice, from the Piazzetta (oil on canvas) by Bellotto

Background imageOld Masters Collection: Ceres (oil on canvas)

Ceres (oil on canvas)
1766800 Ceres (oil on canvas) by Bianchi, Pietro (1694-1740); 73.7x94 cm; Private Collection; (add.info.: Ceres. Pietro Bianchi (1694-1740), called Creatura. Oil on circular canvas

Background imageOld Masters Collection: Lilies, Tulips, Carnations, Peonies, Convolvuli and Other Flowers in a Bronze Urn with

Lilies, Tulips, Carnations, Peonies, Convolvuli and Other Flowers in a Bronze Urn with
1766791 Lilies, Tulips, Carnations, Peonies, Convolvuli and Other Flowers in a Bronze Urn with Birds, a Tortoise and Butterflies in a Landscape, 1718 (oil on canvas) by Bimbi

Background imageOld Masters Collection: L Afficheur, c. 1737-1746 (etching)

L Afficheur, c. 1737-1746 (etching)
1195456 L Afficheur, c. 1737-1746 (etching) by Bouchardon, Edme(1698-1762) (after); 32.3x24.6 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageOld Masters Collection: Rubus caesius (dewberry), 1811-1818 (hand-coloured lithograph)

Rubus caesius (dewberry), 1811-1818 (hand-coloured lithograph)
986406 Rubus caesius (dewberry), 1811-1818 (hand-coloured lithograph) by German School, (19th century); 48x39.5 cm; Private Collection; (add.info.: Rubus caesius (dewberry)

Background imageOld Masters Collection: Tulips, Forget-me-nots, Peonies and other Flowers in a Vase on a Ledge

Tulips, Forget-me-nots, Peonies and other Flowers in a Vase on a Ledge
991407 Tulips, Forget-me-nots, Peonies and other Flowers in a Vase on a Ledge, (black chalk and watercolour) by Fornenburgh

Background imageOld Masters Collection: Lazarus Begging for Crumbs from Dives Table, 1552 (black chalk

Lazarus Begging for Crumbs from Dives Table, 1552 (black chalk
991404 Lazarus Begging for Crumbs from Dives Table, 1552 (black chalk, pen and brown ink on paper) by Aldegrever, Heinrich (1502-c.1561); 7.8x10.8 cm; Private Collection; (add.info)

Background imageOld Masters Collection: Folio 55: The Feeding of the Five Thousand, 1551 (illuminated manuscript on vellum)

Folio 55: The Feeding of the Five Thousand, 1551 (illuminated manuscript on vellum)
986340 Folio 55: The Feeding of the Five Thousand, 1551 (illuminated manuscript on vellum) by German School, (16th century); 15.2x10.2 (approx.) cm; Private Collection; (add.info.: Folio 55)

Background imageOld Masters Collection: Geographical Map of the Theatre of War, showing the Kingdom of Hungary in the main

Geographical Map of the Theatre of War, showing the Kingdom of Hungary in the main
986323 Geographical Map of the Theatre of War, showing the Kingdom of Hungary in the main, 1771 (hand-coloured engraving.) by German School

Background imageOld Masters Collection: Georgios Karaiskakis (Greek hero), 1828-1831 (tinted lithograph)

Georgios Karaiskakis (Greek hero), 1828-1831 (tinted lithograph)
986316 Georgios Karaiskakis (Greek hero), 1828-1831 (tinted lithograph) by German School, (19th century); 57x43 cm; Private Collection; (add.info.: Georgios Karaiskakis (Greek hero)

Background imageOld Masters Collection: Agrippina of Coellen (Cologne), 1499 (hand-coloured woodcut)

Agrippina of Coellen (Cologne), 1499 (hand-coloured woodcut)
986285 Agrippina of Coellen (Cologne), 1499 (hand-coloured woodcut) by German School, (15th century); 30.4x20.5 cm; Private Collection; (add.info.: Agrippina of Coellen (Cologne)

Background imageOld Masters Collection: Various European insects and flowers (four plates: CLXI to CLXIV)

Various European insects and flowers (four plates: CLXI to CLXIV)
986255 Various European insects and flowers (four plates: CLXI to CLXIV), 1730 (hand-coloured engraving) by Merian, Maria Sibylla Graff (1647-1717); 51.7x35.8 cm; Private Collection; (add.info)

Background imageOld Masters Collection: Chaetodon Imperator (Emperor Fish), 1785-1788 (hand-coloured engraving)

Chaetodon Imperator (Emperor Fish), 1785-1788 (hand-coloured engraving)
986202 Chaetodon Imperator (Emperor Fish), 1785-1788 (hand-coloured engraving) by German School, (18th century); 27.9x47.5 cm; Private Collection; (add.info.: Chaetodon Imperator (Emperor Fish)

Background imageOld Masters Collection: November 1732, showing seasonal apples, pears, grapes etc, 1732 (hand-coloured engraving)

November 1732, showing seasonal apples, pears, grapes etc, 1732 (hand-coloured engraving)
986192 November 1732, showing seasonal apples, pears, grapes etc, 1732 (hand-coloured engraving) by Casteels, Pieter (1684-1749) (after); 43x35 cm; Private Collection; (add.info.: November 1732)

Background imageOld Masters Collection: A calligraphic design of an elephant, 1616-1617 and late 17th century (engraving)

A calligraphic design of an elephant, 1616-1617 and late 17th century (engraving)
986188 A calligraphic design of an elephant, 1616-1617 and late 17th century (engraving) by Dutch School, (17th century); 23x36 cm; Private Collection; (add.info)

Background imageOld Masters Collection: White Spoon Bill, 1750-1800 (pen, ink, and watercolour)

White Spoon Bill, 1750-1800 (pen, ink, and watercolour)
986122 White Spoon Bill, 1750-1800 (pen, ink, and watercolour) by German School, (18th century); 47x31.5 cm; Private Collection; (add.info.: White Spoon Bill)

Background imageOld Masters Collection: Portrait of Blanche Marchesi, 1910 (black chalk on paper)

Portrait of Blanche Marchesi, 1910 (black chalk on paper)
986083 Portrait of Blanche Marchesi, 1910 (black chalk on paper) by Sargent, John Singer (1856-1925); 63x48 cm; Private Collection; (add.info.: Portrait of Blanche Marchesi)

Background imageOld Masters Collection: Two pages from a thirteenth century Missale in Latin, from the Middle Rhine region, c

Two pages from a thirteenth century Missale in Latin, from the Middle Rhine region, c
985946 Two pages from a thirteenth century Missale in Latin, from the Middle Rhine region, c.1250-1300 (illuminated manuscript on vellum) by German School

Background imageOld Masters Collection: Le Lions en allant en Guerre, c. 1755-1759 (engraving)

Le Lions en allant en Guerre, c. 1755-1759 (engraving)
985927 Le Lions en allant en Guerre, c.1755-1759 (engraving) by Oudry, Jean-Baptiste (1686-1755) (after); Private Collection; (add.info.: Le Lions en allant en Guerre. Fable CI)

Background imageOld Masters Collection: A page from the book Small Voyages, in German, Part I: Pigafettas Congo

A page from the book Small Voyages, in German, Part I: Pigafettas Congo
985835 A page from the book Small Voyages, in German, Part I: Pigafettas Congo, 1597 (half-page coloured engraving, letterpress printing) by Flemish School

Background imageOld Masters Collection: Portia (oil on canvas)

Portia (oil on canvas)
990284 Portia (oil on canvas) by Corneille, Michel des Gobelins (1642-1708); 64.8x52.4 cm; Private Collection; (add.info.: Portia. Corneille, Michel des Gobelins (1642-1708). Oil on canvas

Background imageOld Masters Collection: The Nativity, with the Annunciation to the Shepherds in the Distance, (tempera on panel)

The Nativity, with the Annunciation to the Shepherds in the Distance, (tempera on panel)
990265 The Nativity, with the Annunciation to the Shepherds in the Distance, (tempera on panel) by Benvenuto di Giovanni, (1436-c.1518); 56.5x40 cm; Private Collection; (add.info.: The Nativity)

Background imageOld Masters Collection: Imaginary Animals and Dwarfs Fighting, Drinking and Carousing (oil on canvas)

Imaginary Animals and Dwarfs Fighting, Drinking and Carousing (oil on canvas)
990233 Imaginary Animals and Dwarfs Fighting, Drinking and Carousing (oil on canvas) by Bocchi or Boccasi, Faustino (1659-1742) (attr.to); 87x118.7 cm; Private Collection; (add.info)

Background imageOld Masters Collection: Imaginary Animals and Dwarfs Fighting, Drinking and Carousing (oil on canvas)

Imaginary Animals and Dwarfs Fighting, Drinking and Carousing (oil on canvas)
990231 Imaginary Animals and Dwarfs Fighting, Drinking and Carousing (oil on canvas) by Bocchi or Boccasi, Faustino (1659-1742); 87x118.7 cm; Private Collection; (add.info)

Background imageOld Masters Collection: Christ presenting the Redeemed of the Old Testament to his Mother

Christ presenting the Redeemed of the Old Testament to his Mother
990221 Christ presenting the Redeemed of the Old Testament to his Mother, (oil on gold ground-panel) by Master of Perea, (15th century); 106.7x84.7 cm; Private Collection; (add.info)

Background imageOld Masters Collection: Portrait of a Lady, helf-length, holding a case of quills before a ledge, (oil on panel)

Portrait of a Lady, helf-length, holding a case of quills before a ledge, (oil on panel)
990218 Portrait of a Lady, helf-length, holding a case of quills before a ledge, (oil on panel) by SchAopfer, Hans, the Elder (c.1505-69); 68x50.5 cm; Private Collection; (add.info)

Background imageOld Masters Collection: Portrait of a Bearded Gentleman, bust length, wearing a Black Jacket with a White Ruff

Portrait of a Bearded Gentleman, bust length, wearing a Black Jacket with a White Ruff
990211 Portrait of a Bearded Gentleman, bust length, wearing a Black Jacket with a White Ruff Collar, (oil on canvas) by Italian School

Background imageOld Masters Collection: The Four Arts - Architecture, (oil on canvas)

The Four Arts - Architecture, (oil on canvas)
990205 The Four Arts - Architecture, (oil on canvas) by Loo, Carle van (1705-65); 116x94.5 cm; Private Collection; (add.info.: The Four Arts - Architecture. Carle van Loo (1705-1765). Oil on canvas

Background imageOld Masters Collection: Portrait of a Family dining on a Portico, a formal Garden beyond, 1747 (oil on canvas)

Portrait of a Family dining on a Portico, a formal Garden beyond, 1747 (oil on canvas)
990200 Portrait of a Family dining on a Portico, a formal Garden beyond, 1747 (oil on canvas) by Horemans, Jan Josef the Younger (1714-90); 66.7x83.2 cm; Private Collection; (add.info)

Background imageOld Masters Collection: A River Landscape with a Hayloft among Trees and a Ferryboat with Passengers and Cattle

A River Landscape with a Hayloft among Trees and a Ferryboat with Passengers and Cattle
990199 A River Landscape with a Hayloft among Trees and a Ferryboat with Passengers and Cattle, (oil on canvas) by Clements

Background imageOld Masters Collection: The Entrance to the Biblioteca Marciana, Venice, (oil on canvas)

The Entrance to the Biblioteca Marciana, Venice, (oil on canvas)
990195 The Entrance to the Biblioteca Marciana, Venice, (oil on canvas) by Bison, Giuseppe Bernardino (1762-1844); 54x72.4 cm; Private Collection; (add.info.: The Entrance to the Biblioteca Marciana)

Background imageOld Masters Collection: Lady With A Cat, c. 1525-30 (oil on canvas)

Lady With A Cat, c. 1525-30 (oil on canvas)
990193 Lady With A Cat, c.1525-30 (oil on canvas) by Bacchiacca, Francesco Ubertini, Il (1494-1557); 53.7x41.3 cm; Private Collection; (add.info.: Lady With A Cat)

Background imageOld Masters Collection: Two Peacocks on a Stone Plinth in a Garden, (oil on canvas)

Two Peacocks on a Stone Plinth in a Garden, (oil on canvas)
990134 Two Peacocks on a Stone Plinth in a Garden, (oil on canvas) by Bogdani or Bogdany, Jakob (1660-1724); 231x150 cm; Private Collection; (add.info.: Two Peacocks on a Stone Plinth in a Garden)



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"Journey through the Old Masters: A Glimpse into Artistic Brilliance" Step back in time and immerse yourself in the captivating world of the Old Masters. From exquisite portraits to enchanting allegories, their works continue to mesmerize us even centuries later. One such masterpiece is "Portrait of an unknown youth, possibly a self-portrait, WA1846. " This enigmatic painting leaves us pondering over the identity of this mysterious figure, forever frozen in time. In contrast, "April, from Twelve Months of Flowers, 1730" transports us to a blooming garden with its vibrant colors and delicate details. This color engraving captures nature's beauty with unparalleled finesse. Indulge your senses with "Cup of Chocolate; La Tasse du Chocolat, " an oil on canvas that depicts a momentary pause for indulgence. The rich hues and meticulous brushwork evoke a sense of warmth and comfort. Giuseppe Cesari, an Italian Mannerist painter renowned for his dramatic compositions, takes center stage alongside Guercino, an Italian Baroque painter known for his emotional intensity. Their masterpieces transcend time as they explore human emotions and spirituality. Prepare to be captivated by "Allegories of Love - Cupid with a Torch and Arrow. " This oil on canvas piece beautifully encapsulates love's complexities through symbolism and graceful execution. Venturing further into history brings us face-to-face with epic tales like "A Scene from the Trojan Wars. " Painted on canvas, it immerses viewers in ancient mythology while showcasing remarkable artistic skill. "The Death of Saint Peter Martyr" draws our attention with its striking red chalk medium. Through delicate strokes and intricate details, we witness the solemnity surrounding this religious event unfold before our eyes. The artistry extends beyond traditional mediums as seen in sketches like "Hercules Turned to the Left.