Okeeffe Collection

Georgia O Keeffe, 1918 (palladium print)
2968208 Georgia O Keeffe, 1918 (palladium print) by Stieglitz, Alfred (1864-1946); 25.4x20.3 cm; The Art Institute of Chicago, IL, USA; (add.info.: Georgia Totto O Keeffe (November 15)

Georgia O Keeffe, 1919-21 (platinum print)
2970967 Georgia O Keeffe, 1919-21 (platinum print) by Stieglitz, Alfred (1864-1946); 25.3x20.2 cm; The Art Institute of Chicago, IL, USA; (add.info.: Georgia Totto O Keeffe (November 15)

Georgia O Keeffe, 1922 (gelatin silver print)
2970965 Georgia O Keeffe, 1922 (gelatin silver print) by Stieglitz, Alfred (1864-1946); 24.1x19.4 cm; The Art Institute of Chicago, IL, USA; (add.info.: Georgia Totto O Keeffe (November 15)

Georgia O Keeffe, 1919-21 (palladium print)
2968209 Georgia O Keeffe, 1919-21 (palladium print) by Stieglitz, Alfred (1864-1946); 24.3x19.5 cm; The Art Institute of Chicago, IL, USA; (add.info.: Georgia Totto O Keeffe (November 15)

Georgia O Keeffe, 1922 (palladium print)
2970970 Georgia O Keeffe, 1922 (palladium print) by Stieglitz, Alfred (1864-1946); 25.1x19.9 cm; The Art Institute of Chicago, IL, USA; (add.info.: Georgia Totto O Keeffe (November 15)

Georgia O Keeffe, 1922 (gelatin silver print)
2970968 Georgia O Keeffe, 1922 (gelatin silver print) by Stieglitz, Alfred (1864-1946); 18.9x24.2 cm; The Art Institute of Chicago, IL, USA; (add.info.: Georgia Totto O Keeffe (November 15)

Georgia O Keeffe, 1933 (gelatin silver print)
2970963 Georgia O Keeffe, 1933 (gelatin silver print) by Stieglitz, Alfred (1864-1946); 9.2x11.6 cm; The Art Institute of Chicago, IL, USA; (add.info.: Georgia Totto O Keeffe (November 15)

Georgia O Keeffe, 1918 (gelatin silver print)
2968207 Georgia O Keeffe, 1918 (gelatin silver print) by Stieglitz, Alfred (1864-1946); 11.4x9.1 cm; The Art Institute of Chicago, IL, USA; (add.info.: Georgia Totto O Keeffe (November 15)

Idole First Ridden By A. O Keeffe Cheltenham Festival 2006 Cheltenham Racecourse, Cheltenham, England 16 March 2006 Date: 16 March 2006

Alan O Keeffe Jockey Cheltenham Festival 2005 Cheltenham Racecourse, Cheltenham 15 March 2005 Date: 15 March 2005

Mambo Des Mottes Ridden By A.O Keeffe Cheltenham Festival 2005 Cheltenham Racecourse, Cheltenham 15 March 2005 Date: 15 March 2005

Jedd O Keeffe Race Horse Trainer Wetherby Races Wetherby Racecoarse, Wetherby, England 06 March 2003 Date: 06 March 2003

People of consequence, 1794. Artist: John O Keeffe
People of consequence, 1794. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Enter Cowslip with a bowl of cream, 1795. As a cedar tall and slender, sweet cowslips grace, is her nom tive case, and shes of the feminine gender - John O Keefe (1747-1833)

Portrait of Georgia O Keeffe (1887-1986), 1918. Private Collection

GEORGIA O KEEFFE (1887-1986). American painter. Photographed 1962

Source Size = 1883 x 2503
The Civil War in Callan: the Rev. Father O keeffe

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"O'Keeffe: Capturing the Essence of Time and Beauty" Step into the world of Georgia O'Keeffe, a pioneering artist whose work continues to captivate audiences even today. From her early years in 1918, we see her talent shine through in the mesmerizing palladium print that showcases her unique perspective on life. Moving forward to 1919-21, O'Keeffe's mastery expands with platinum prints that exude elegance and sophistication. Each stroke of her brush or lens captures the essence of nature and its intricate details, leaving viewers awestruck by their sheer beauty. In 1922, she delves into gelatin silver prints, exploring new dimensions within her artistry. The resulting images are both striking and thought-provoking as they convey emotions beyond what words can express. As time progresses, so does O'Keeffe's artistic journey. Her 1933 gelatin silver print reveals a matured vision; it reflects an artist who has honed her craft over the years while still pushing boundaries with every creation. But O'Keeffe's brilliance is not limited to photography alone. She extends her creative prowess beyond visual arts – Idole First emerges as a testament to her versatility and innovation. While Alan O'Keeffe may share the same surname but different talents altogether, his contribution cannot be overlooked. His work Mambo Des Mottes adds another layer of artistic excellence to this captivating narrative. Finally, Jedd O'Keeffe steps onto the scene – yet another individual bearing this renowned name but carving his own path in horse racing circles. Just like his predecessors before him, he brings forth passion and dedication that echoes throughout generations. The legacy of "O'Keeffe" transcends mediums and disciplines alike – from Georgia's timeless photographs capturing fleeting moments in history to Alan's evocative artwork and Jedd's pursuit of excellence in horse racing.