Oil On Canvas Collection (page 19)

A Wooded River Landscape with Mother and Child Signed and dated, lower left: J
A Wooded River Landscape with Mother and Child Signed and dated, lower left: " J. A. O Connor | 1830", James Arthur O Connor, 1792-1841, Irish

An Officer in the East India Uniform of the 74th (Highland) Regiment, Previously Called Colonel Donald Macleod, John Opie, 1761-1807, British

Portrait of Two Boys, probably Joseph and John Joseph Nollekens Two Boys of the Nollekens Family, Probably Joseph and John Joseph, Playing at Tops, Joseph Francis Nollekens, 1702-1748, Flemish

A Wooded River Landscape with Fishermen Signed and dated in black paint, lower right: " J O Connor | 18[...]", James Arthur O Connor, 1792-1841, Irish

Self-Portrait, Charles Catton, 1728-1798, British

A Two-Decker on Fire at Night off a Fort Inscribed, lower left: Aged 17 Years"
A Two-Decker on Fire at Night off a Fort Inscribed, lower left: " Aged 17 Years" Signed, lower left: " C Brooking [P??]", Charles Brooking, 1723-1759, British

A View of Murton Colliery near Seaham, County Durham Signed and dated, lower right: " JWCarmichael | 1843", John Wilson Carmichael, 1799-1868, British

Mrs. Cibber as Cordelia, Pieter van Bleeck, 1700-1764, Dutch

Reverend Dr. Charles Symmons Inscribed, lower left: Rev Doc [??] | [?] Symmons"
Reverend Dr. Charles Symmons Inscribed, lower left: " Rev Doc [??] | [?] Symmons" Signed and dated, lower left: " W Beechy Pinxit | 1794", Sir William Beechey, 1753-1839, British

Fishing Boats in a Calm Sea Signed, lower center: C Brooking, Charles
Fishing Boats in a Calm Sea Signed, lower center: " C Brooking", Charles Brooking, 1723-1759, British

Portrait of a Girl An Unknown Girl, Sir William Beechey, 1753-1839, British

Man holding a staff Old Man with Staff, Thomas Barker, 1769-1847, British

Admiral Lord Bridport Admiral Viscount Bridport, Lemuel Francis Abbott, ca. 1760-1802, British

Portrait of a Boy An Unknown Boy, Sir William Beechey, 1753-1839, British

An Italianate Landscape, John White Abbott, 1763-1851, British

The Old Water Mill Rustic Family Passing a Watermill Signed and dated in brown paint, lower right: " G. Morland 1790", George Morland, 1763-1804, British

Captain Richard Gubbins, John Constable, 1776-1837, British

The Oliver and Ward Families, Francis Wheatley, 1747-1801, British

Wooded Landscape with a Cottage and Shepherd Landscape with Shepherd Wooded Landscape with a Cottage, Sheep and a Reclining Shepherd, Thomas Gainsborough, 1727-1788, British

A Sportsman An Unkown Sportsman Signed and dated, lower right: E Haytley Pinxit
A Sportsman An Unkown Sportsman Signed and dated, lower right: " E Haytley Pinxit | 1752", Edward Haytley, active 1740-1761, British

An Unknown Man in Black, Joseph Highmore, 1692-1780, British

Warwick Castle, Francis Harding, active 1730-1766, British

David Garrick and Mrs. Pritchard in Benjamin Hoadleys The Suspicious Husband"
David Garrick and Mrs. Pritchard in Benjamin Hoadleys " The Suspicious Husband" David Garrick and Mrs. Pritchard in a scene from " The Suspicious Husband" A Scene from The

The Great Fire of London, with Ludgate and Old St. Pauls The Great Fire of London, with Ludgate and Old Saint Paul s, unknown artist, 17th century, British

The Erechtheum, Athens, Greece with Figures in the Foreground Signed and dated in brown paint, lower right: " CLE | R [?] 1821", Charles Lock Eastlake, 1793-1865, British

London, Westminster Abbey and Bridge Westminster Abbey and Westminster Bridge Seen from the South, Joseph Farington, 1747-1821, British

Tekemessa and Eurysakes, Henry Fuseli, 1741-1825, Swiss

An Unknown Man Seated at a Table, Arthur Devis, 1712-1787, British

A View in China: Cultivating the Tea Plant, William Daniell, 1769-1837, British

The Rhine at Constance (Konstanz-am-Rhein) Germany Signed, lower left: E. T
The Rhine at Constance (Konstanz-am-Rhein) Germany Signed, lower left: " E. T. D.", Rev. Edward Thomas Daniell, 1804-1842, British

James Grant of Grant, John Mytton, the Hon. Thomas Robinson, and Thomas Wynne A Conversation Piece in Rome: James Grant, Mr. Mytton, the Hon. Thomas Robinson, and Mr

Eleanor Francis Grant, of Arndilly, Tilly Kettle, 1735-1786, British

Dido, Henry Fuseli, 1741-1825, Swiss

Prospero, Miranda and Ariel, from The Tempest Prospero, Miranda and Iris
Prospero, Miranda and Ariel, from " The Tempest" Prospero, Miranda and Iris - " The Tempest, " Act IV, Scene I Prospero, Miranda, and Ariel, from The Tempest, Act I, Scene ii

Master Betty as Hamlet, before a bust of Shakespeare, James Northcote, 1746-1831, British

Shylock and Jessica from the Merchant of Venice, II, ii Signed, lower right: " G.S. Newton", Gilbert Stuart Newton, 1794-1835, British

Children Acting the Play Scene from Hamlet, Act II, Scene ii
Children Acting the Play Scene from " Hamlet, " Act II, Scene ii Children Acting the Play Scene, Hamlet, II, ii Signed and dated in brown paint, lower right: " C

Portia and Shylock, from Shakespeares The Merchant of Venice, IV
Portia and Shylock, from Shakespeares " The Merchant of Venice", IV, i Signed in ocher-color paint, lower left: " E Alcock pinx", Edward Alcock, active 1750-ca. 1778, British

David Garrick and George Anne Bellamy in Romeo and Juliet, Act V, Scene
David Garrick and George Anne Bellamy in " Romeo and Juliet", Act V, Scene iii Signed and dated, lower left: " B Wison Pinxit 1756", Benjamin Wilson, 1721-1788, British

Jacques and the Wounded Stag: As You Like It, Act II, Scene I Jacques and the Wounded Stag from As You Like It, act II, scene i Jacques and the Wounded Stag from As You Like It, II, i

The First Appearance of William Shakespeare on the Stage of the Globe Theatre The First Appearance of William Shakespeare on the Stage of the Globe with Part of his Dramatic Company in 1564 Dated in

Hernes Oak from The Merry Wives of Windsor, V, v Herneas Oak from The Merry Wives of Windsor, Act V, Scene v, George Cruikshank, 1792-1878, British

Falstaff and the recruits, from Henry IV, Part II, John Cawse, 1779-1862
Falstaff and the recruits, from " Henry IV, Part II", John Cawse, 1779-1862, British

British Gentlemen at Sir Horace Manns Home in Florence, Thomas Patch, 1725-1782, British

Olivia, Maria and Malvolio from Twelfth Night, Act III, Scene iv Malvolio
Olivia, Maria and Malvolio from " Twelfth Night, " Act III, Scene iv Malvolio before Olivia, from " Twelfth Night, " Act III, Scene iv Malvolio before Olivia

Hayes Common Signed and dated, lower right: W
Hayes Common Signed and dated, lower right: " W. Millais 1853", William Henry Millais, 1828-1899, British

Lee Priory, Kent Signed and dated in ocher-color paint, lower left: Dixon Pinx
Lee Priory, Kent Signed and dated in ocher-color paint, lower left: " Dixon Pinx. | 1785", unknown artist, 18th century, British

Portrait of a Woman, Possibly Frances Cotton, Lady Montagu, of Boughton Castle, Northamptonshire An Unknown Woman Called Elizabeth, Wife of Edward, Lord Montagu of Boughton Inscribed in artists hand

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"Capturing the Essence: A Glimpse into the World of Oil on Canvas" Step into a realm where raindrops dance upon canvas, steam rises from locomotives, and speed becomes an art form. In 1844, Joseph Turner's masterpiece "Rain, Steam and Speed - Great Western Railway" at the National Gallery mesmerized viewers with its dynamic portrayal of movement. Traveling to Whitehaven in Cumbria, we witness a serene landscape unfold before our eyes. "Showing Flatt Hall Prospect View of Whitehaven" transports us to a place where tranquility meets nature's beauty. As morning breaks over Inverary Pier on Loch Fyne, we are greeted by ethereal hues in "Inverary Pier, Loch Shira Monte Rosa. " The shimmering waters reflect the promise of a new day as light dances across the canvas. The Battle of Trafalgar comes alive through John Christian Schetky's brushstrokes. With meticulous detail and patriotic fervor, this British artist immortalizes one of history's most significant naval conflicts. A chestnut horse named Old Partner steals our hearts as it is tenderly held by its groom in "One of Four Portraits of Horses. " The bond between man and beast is beautifully captured in this timeless piece. Parham Mill stands proudly amidst Dorset's picturesque landscapes. Its wheels turn tirelessly while Thomas Phillips paints his ode to industry in "Gillingham Mill at Gillingham. " Samuel Scott takes us back centuries with his depiction of Ludlow Castle with Dinham Weir. From the South-West vantage point, we marvel at this architectural wonder nestled among nature's embrace. Peter the Great gazes sternly from his portrait—a testament to Russian power and influence during his reign. This oil on canvas captures both strength and wisdom within every brushstroke. Canals come alive through Newark Abbey Thames Lighter at Teddington Canal Scene with Barges.