Oil On Canvas Collection (page 11)

Portrait of an Elderly Lady and a Girl Portrait of an elderly woman and a girl Portrait of an Elderly Lady and a Young Girl Signed and dated, center left: " Geo : Beare

Ailsa Craig A View of Ailsa Craig and the Isle of Arran signed and dated, William Bell Scott, 1811-1890, British

Caernarfon Castle Caernarvon Castle, Richard Wilson, 1714-1782, British

A Repose after Shooting Signed and dated, lower right: Geo : Stubbs pinxit
A Repose after Shooting Signed and dated, lower right: " Geo : Stubbs pinxit | 1770", George Stubbs, 1724-1806, British

Two Gentlemen Shooting, George Stubbs, 1724-1806, British

London, Westminster Bridge, with the Lord Mayors Procession on the Thames Westminster Bridge from the North with the Lord Mayors Procession, 29 October 1746, Canaletto, 1697-1768, Italian

Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot, George Stubbs, 1724-1806, British

Dinas Bran from Llangollen View in Wales A View Near Wynnstay with Dinad Bran in the Distance, Richard Wilson, 1714-1782, British

The Sense of Hearing The Sense of Sound Signed, lower right: Ph. Mercier fecit
The Sense of Hearing The Sense of Sound Signed, lower right: " Ph. Mercier fecit.", Philippe Mercier, 1689 or 1691-1760, Franco-German

Two Gentlemen Going a Shooting Two Gentlemen out Shooting Signed and dated, lower right: " Geo. Stubb[s] | Pinxit [....]", George Stubbs, 1724-1806, British

The Good Samaritan, Francis Hayman, 1707 / 8-1776, British
The Good Samaritan, Francis Hayman, 1707/8-1776, British

James Caulfeild, 4th Viscount Charlemont (Later 1st Earl of Charlemont) James, 1st Earl of Charlemont, Pompeo Batoni, 1708-1787, Italian

Mary of Modena Signed, center left: S, VE. J~[monogram], Simon Verelst
Mary of Modena Signed, center left: " S, VE. J~[monogram]", Simon Verelst, 1644-1710, Dutch

Margaret Callander and Her Son James Kearney Signed and dated, lower right: JL
Margaret Callander and Her Son James Kearney Signed and dated, lower right: " JL mosnier 1795", Jean Laurent Mosnier, 1743/44-1808, French

An Unknown Man, Probably the 9th Earl of Derby Signed, lower left: W. Wissing fecit
An Unknown Man, Probably the 9th Earl of Derby Signed, lower left: " W. Wissing fecit. C24", Willem Wissing, ca. 1656-1687, Dutch

Gentleman with a Cannon Signed and dated in brown paint, lower left: ADevis
Gentleman with a Cannon Signed and dated in brown paint, lower left: " ADevis pinx | 1741", Arthur Devis, 1712-1787, British

Thomas Weedon Inscribed in yellow paint, lower left: Thomas Weedon Esq
Thomas Weedon Inscribed in yellow paint, lower left: " Thomas Weedon Esq.r" Signed in black, lower left: " [?JG] [very loose monogram]", John Greenhill, 1644-1676, British

A View of the Tiber with Rome in the Distance, Richard Wilson, 1714-1782, British

Portrait of a Man An Unknown Man in a Landscape, George Romney, 1734-1802, British

Corfu from Ascension signed, Edward Lear, 1812-1888, British

Jack Broughton, the Boxer, John Hamilton Mortimer, 1740-1779, British

Mr. and Mrs. Fraser, Arthur William Devis, 1762-1822, British

Malvern Hall, Warwickshire, John Constable, 1776-1837, British

Sandown Bay, from near Shanklin Chine, Isle of Wight View from Shanklin, Isle of Wight, John Glover, 1767-1849, British

One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head

Epsom Races: Preparing to Start Signed and dated, brown paint, lower right: " J Pollard 1835", James Pollard, 1792-1867, British

Steeplechasing: At the Start, William J. Shayer, 1811-c. 1885, British
Steeplechasing: At the Start, William J. Shayer, 1811-c.1885, British

Foxhunting in Hilly Country Signed and dated, black paint, lower right: G
Foxhunting in Hilly Country Signed and dated, black paint, lower right: " G. Marland|1792", George Morland, 1763-1804, British

The Gore Family with George, 3rd Earl Cowper George, 3rd Earl Cowper, with the Family of Charles Gore, Johan Joseph Zoffany, 1733-1810, German

Zebra The First Zebra Seen in England Portrait of a Zebra, standing, turned to the left, in a park, George Stubbs, 1724-1806, British

Lake Avernus: Aeneas and the Cumaean Sybil, Joseph Mallord William Turner, 1775-1851, British

Rome from the Villa Madama A View of Rome from the Villa Madama Signed and dated
Rome from the Villa Madama A View of Rome from the Villa Madama" Signed and dated, lower center: " [?] W | 1753", Richard Wilson, 1714-1782, British

A View of Trajans Forum, Rome, Italy Charles Lock Eastlake, 1793-1865, British

Harlech Castle, from Tygwyn Ferry, Summers Evening Twilight Harlech Castle, from Twgwyn Ferry, Summers Evening Twilight, Joseph Mallord William Turner, 1775-1851, British

Horse Frightened by a Lion, George Stubbs, 1724-1806, British

Mrs. Abington as Miss Prue in Love for Love by William Congreve Mrs
Mrs. Abington as Miss Prue in " Love for Love" by William Congreve Mrs. Abington as Miss Prue in William Congreves " Love for Love", Sir Joshua Reynolds, 1723-1792, British

The Gravenor Family John and Ann Gravenor, with their daughters, Thomas Gainsborough, 1727-1788, British

Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night Hadleigh Castle, John Constable, 1776-1837, British

Charles Stanhope, 3rd Earl of Harrington Inscribed, lower left: Charles Earl
Charles Stanhope, 3rd Earl of Harrington Inscribed, lower left: " Charles Earl of Harrington" Signed lower right: " S. J. Reynolds. Pinx.", Sir Joshua Reynolds, 1723-1792, British

Jay, Green Woodpecker, Pigeons, and Redstart Landscape with a Green Woodpecker, a Jay, Two Pigeons, a Redstart, a Lizard and Two Frogs, signed, c.1650 Inscribed, center left: " Barlow | 165[0

A Man Called Mr. Cross, George Romney, 1734-1802, British

Self-Portrait, George Richmond, 1809-1896, British

Sir Ralph Bankes Inscribed on dog collar, lower right: Sr RB, Peter Lely
Sir Ralph Bankes Inscribed on dog collar, lower right: " Sr RB", Peter Lely, 1618-1680, Dutch

Whitlingham, Norfolk Inscribed in dark red paint, lower center: F Sandys. 1860
Whitlingham, Norfolk Inscribed in dark red paint, lower center: " F Sandys. 1860:" Signed and dated in dark red paint, lower center: " F Sandys

Guisborough Priory, Thomas Girtin, 1775-1802, British

The Education of Achilles, James Barry, 1741-1806, Irish

Valentine rescuing Silvia from Proteus, from Shakespeares The Two Gentlemen
Valentine rescuing Silvia from Proteus, from Shakespeares " The Two Gentlemen of Verona, " Act V, Scene 4, the Outlaws Cave Two Gentlemen of Verona, Act V, Scene 4

Pheasant Shooting, Samuel John Egbert Jones, active 1820-1845, British

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"Capturing the Essence: A Glimpse into the World of Oil on Canvas" Step into a realm where raindrops dance upon canvas, steam rises from locomotives, and speed becomes an art form. In 1844, Joseph Turner's masterpiece "Rain, Steam and Speed - Great Western Railway" at the National Gallery mesmerized viewers with its dynamic portrayal of movement. Traveling to Whitehaven in Cumbria, we witness a serene landscape unfold before our eyes. "Showing Flatt Hall Prospect View of Whitehaven" transports us to a place where tranquility meets nature's beauty. As morning breaks over Inverary Pier on Loch Fyne, we are greeted by ethereal hues in "Inverary Pier, Loch Shira Monte Rosa. " The shimmering waters reflect the promise of a new day as light dances across the canvas. The Battle of Trafalgar comes alive through John Christian Schetky's brushstrokes. With meticulous detail and patriotic fervor, this British artist immortalizes one of history's most significant naval conflicts. A chestnut horse named Old Partner steals our hearts as it is tenderly held by its groom in "One of Four Portraits of Horses. " The bond between man and beast is beautifully captured in this timeless piece. Parham Mill stands proudly amidst Dorset's picturesque landscapes. Its wheels turn tirelessly while Thomas Phillips paints his ode to industry in "Gillingham Mill at Gillingham. " Samuel Scott takes us back centuries with his depiction of Ludlow Castle with Dinham Weir. From the South-West vantage point, we marvel at this architectural wonder nestled among nature's embrace. Peter the Great gazes sternly from his portrait—a testament to Russian power and influence during his reign. This oil on canvas captures both strength and wisdom within every brushstroke. Canals come alive through Newark Abbey Thames Lighter at Teddington Canal Scene with Barges.