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Note Collection (page 9)

"Unveiling the Secrets: A Journey through History with a Note" Step into the world of knowledge and discovery as we unravel the hidden tales behind various notes

Background imageNote Collection: A singular promissory note (colour litho)

A singular promissory note (colour litho)
3097032 A singular promissory note (colour litho) by French School, (20th century); Private Collection; (add.info.: A singular promissory note. Un Singulier Billet A Ordre)

Background imageNote Collection: Man crying over a five dollar note (colour litho)

Man crying over a five dollar note (colour litho)
3096461 Man crying over a five dollar note (colour litho) by American School, (20th century); Private Collection; (add.info.: Man crying over a five dollar note)

Background imageNote Collection: Letter to the artists granddaughter Angela Thirkell (pencil on paper)

Letter to the artists granddaughter Angela Thirkell (pencil on paper)
6322821 Letter to the artists granddaughter Angela Thirkell (pencil on paper) by Burne-Jones, Edward Coley (1833-98); Private Collection; (add.info.: A folio of twenty letters)

Background imageNote Collection: Ms Elkins 169 A description of the sea coast from the hill of Guatemala to

Ms Elkins 169 A description of the sea coast from the hill of Guatemala to
700759 Ms Elkins 169 A description of the sea coast from the hill of Guatemala to... Illustration from Waggoner of the Sea (pen & ink with w/c on paper) by Hack

Background imageNote Collection: Letter from the artist to Berthe Morisot (1841-95) (pen & ink on paper)

Letter from the artist to Berthe Morisot (1841-95) (pen & ink on paper)
MMT177418 Letter from the artist to Berthe Morisot (1841-95) (pen & ink on paper) by Degas, Edgar (1834-1917); Musee Marmottan Monet, Paris, France; French, out of copyright

Background imageNote Collection: Manuscript score of A Midsummer Nights Dream

Manuscript score of A Midsummer Nights Dream
5972425 Manuscript score of A Midsummer Nights Dream, by Felix Mendelssohn (pen & ink on paper) by Mendelssohn, Felix Bartholdy (1809-47); Royal Academy of Music, London

Background imageNote Collection: The Toning of the Bell (coloured engraving)

The Toning of the Bell (coloured engraving)
5996460 The Toning of the Bell (coloured engraving) by Shirlaw, Walter (1838-1909); Private Collection; (add.info.: The Toning of the Bell)

Background imageNote Collection: Bank of Economy fifty pound note from 1827 (litho)

Bank of Economy fifty pound note from 1827 (litho)
6032970 Bank of Economy fifty pound note from 1827 (litho) by English School, (19th century); Private Collection; (add.info)

Background imageNote Collection: Woman receiving a bouquet of flowers from an admirer (litho)

Woman receiving a bouquet of flowers from an admirer (litho)
6001452 Woman receiving a bouquet of flowers from an admirer (litho) by Fisher, Harrison (1875-1934); Private Collection; (add.info.: Woman receiving a bouquet of flowers from an admirer)

Background imageNote Collection: 'The Messenger comes to Christiana'from The Pilgrim

"The Messenger comes to Christiana"from The Pilgrim
5615825 " The Messenger comes to Christiana" from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688) Illustration by Byam Shaw (1872-1919)

Background imageNote Collection: Banknote of China, Ming Dynasty, 1368-1644 (paper)

Banknote of China, Ming Dynasty, 1368-1644 (paper)
1203178 Banknote of China, Ming Dynasty, 1368-1644 (paper) by Chinese School; 23.7x36 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Chinese, out of copyright

Background imageNote Collection: Replica Banknote of China, Ming Dynasty, 1368-1644 (paper)

Replica Banknote of China, Ming Dynasty, 1368-1644 (paper)
1203128 Replica Banknote of China, Ming Dynasty, 1368-1644 (paper) by Chinese School; 36x23.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Chinese, out of copyright

Background imageNote Collection: Extract from a letter from Bonaparte, from Portefeuille de Buonaparte pris a

Extract from a letter from Bonaparte, from Portefeuille de Buonaparte pris a
1249059 Extract from a letter from Bonaparte, from Portefeuille de Buonaparte pris A Charleroi le 18 juin 1815 (pen & ink on paper) by French School, (19th century); BibliothAque Paul-Marmottan

Background imageNote Collection: Musical Score for Paolina and Poliuto by Gaetano Donizetti (ink on paper)

Musical Score for Paolina and Poliuto by Gaetano Donizetti (ink on paper)
LRI1199802 Musical Score for Paolina and Poliuto by Gaetano Donizetti (ink on paper) by Italian School, (19th century); Biblioteca del Conservatorio G

Background imageNote Collection: Art Caricature in Germany (engraving)

Art Caricature in Germany (engraving)
1060545 Art Caricature in Germany (engraving) by English School, (19th century); Private Collection; (add.info.: Art Caricature in Germany)

Background imageNote Collection: Illustration for The Day of their Wedding, by W D Howells (litho)

Illustration for The Day of their Wedding, by W D Howells (litho)
1100379 Illustration for The Day of their Wedding, by W D Howells (litho) by English School, (19th century); Private Collection; (add.info.: Illustration for The Day of their Wedding, by W D Howells)

Background imageNote Collection: Sports on the Ice (engraving)

Sports on the Ice (engraving)
1045225 Sports on the Ice (engraving) by English School, (19th century); Private Collection; (add.info.: Sports on the Ice)

Background imageNote Collection: Studies of Rosettes, 1871-74 (black & white chalks on brown paper)

Studies of Rosettes, 1871-74 (black & white chalks on brown paper)
943032 Studies of Rosettes, 1871-74 (black & white chalks on brown paper) by Whistler, James Abbott McNeill (1834-1903); 28.5x18.5 cm; Fitzwilliam Museum, University of Cambridge

Background imageNote Collection: Basaltic Aspect, Staffa, page from Sir Humphry Davy

Basaltic Aspect, Staffa, page from Sir Humphry Davy
1127372 Basaltic Aspect, Staffa, page from Sir Humphry Davys Personal Notebook (ink on paper) by Davy, Humphry (1778-1829); The Royal Institution, London

Background imageNote Collection: Page from Travel Diary, during a visit to Crete, 1896 (ink on paper)

Page from Travel Diary, during a visit to Crete, 1896 (ink on paper)
1108838 Page from Travel Diary, during a visit to Crete, 1896 (ink on paper) by Evans, Arthur John (1851-1941); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; British, out of copyright

Background imageNote Collection: Selection of autograph letters (pen & ink on paper)

Selection of autograph letters (pen & ink on paper)
833646 Selection of autograph letters (pen & ink on paper) by English School; Private Collection; Photo eChristies Images; English, out of copyright

Background imageNote Collection: Papier-Monnaie de la dynastie des Ming, 1368-1399 (engraving)

Papier-Monnaie de la dynastie des Ming, 1368-1399 (engraving)
3646085 Papier-Monnaie de la dynastie des Ming, 1368-1399 (engraving) by French School, (19th century); Private Collection; (add.info.: Papier-Monnaie de la dynastie des Ming, 1368-1399)

Background imageNote Collection: Devonshire MSS AS 3101, folio from a bundle of bills settled by Pinder Simpson for Lord

Devonshire MSS AS 3101, folio from a bundle of bills settled by Pinder Simpson for Lord
3588371 Devonshire MSS AS 3101, folio from a bundle of bills settled by Pinder Simpson for Lord George Cavendish, including Alexander Bowies bill, 1829-300 (pen & ink on paper) by English School

Background imageNote Collection: Page from a notebook for The White Company, The Newberry Library Vault Folio

Page from a notebook for The White Company, The Newberry Library Vault Folio
3526722 Page from a notebook for The White Company, The Newberry Library Vault Folio Case MS 5116 no. 2 (pen & ink on paper) by Doyle, Arthur Ignatius Conan (1859-1930); Newberry Library, Chicago

Background imageNote Collection: Mary, Mary, Quite Contrary, Flowers detail, 1886 (stained glass)

Mary, Mary, Quite Contrary, Flowers detail, 1886 (stained glass)
3475494 Mary, Mary, Quite Contrary, Flowers detail, 1886 (stained glass) by Holmes Jewitt, Edward (1849-1929); Pownall Hall Farm, Wilmslow, Cheshire

Background imageNote Collection: Parisian Workmen, the First Note of Revolution (engraving)

Parisian Workmen, the First Note of Revolution (engraving)
2772111 Parisian Workmen, the First Note of Revolution (engraving) by English School, (19th century); Private Collection; (add.info.: Parisian Workmen, the First Note of Revolution)

Background imageNote Collection: 'Yes;take that pencil note to the commanding officer'(engraving)

"Yes;take that pencil note to the commanding officer"(engraving)
2781129 " Yes; take that pencil note to the commanding officer" (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageNote Collection: Autograph letter signed to Andre Breton, 6 February 1918 (pen & ink on paper

Autograph letter signed to Andre Breton, 6 February 1918 (pen & ink on paper
2909400 Autograph letter signed to Andre Breton, 6 February 1918 (pen & ink on paper) (see also 2909401) by Apollinaire, Guillaume (1880-1918); Private Collection; (add.info)

Background imageNote Collection: Fol 74 verso 75 recto, Rerum Scoticarum Historia by George Buchanan (engraving)

Fol 74 verso 75 recto, Rerum Scoticarum Historia by George Buchanan (engraving)
2916291 Fol 74 verso 75 recto, Rerum Scoticarum Historia by George Buchanan (engraving) by Scottish school, (16th century); 29x19.5 cm; The University of St

Background imageNote Collection: Autographed letter to Albert Boulanger-Cave (pen & ink on paper)

Autographed letter to Albert Boulanger-Cave (pen & ink on paper)
CH410989 Autographed letter to Albert Boulanger-Cave (pen & ink on paper) by Degas, Edgar (1834-1917); Private Collection; (add.info)

Background imageNote Collection: Virginia Currency, equal to one-sixth of a Spanish dollar, 1777 (litho)

Virginia Currency, equal to one-sixth of a Spanish dollar, 1777 (litho)
STC394703 Virginia Currency, equal to one-sixth of a Spanish dollar, 1777 (litho) by American School, (18th century) (after); Private Collection; (add.info.: Pub)

Background imageNote Collection: A Page from Michael Faradays notebook announcing a display of William Fox-Talbot

A Page from Michael Faradays notebook announcing a display of William Fox-Talbot
714720 A Page from Michael Faradays notebook announcing a display of William Fox-Talbots new photographic drawings, at the Royal Institution, 25th July 1839 (pen & ink on paper) by Faraday

Background imageNote Collection: Lily of the Valley, Christmas Card (chromolitho)

Lily of the Valley, Christmas Card (chromolitho)
731447 Lily of the Valley, Christmas Card (chromolitho) by English School, (19th century); Private Collection; (add.info.: Lily of the Valley)

Background imageNote Collection: L Eclat, 1898 (woodcut)

L Eclat, 1898 (woodcut)
714792 L Eclat, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 18x22.5 cm; Private Collection; Photo eChristies Images; Swiss, out of copyright

Background imageNote Collection: Illustration for Great Expectations by Charles Dickens (litho)

Illustration for Great Expectations by Charles Dickens (litho)
5989356 Illustration for Great Expectations by Charles Dickens (litho) by Furniss, Harry (1854-1925); Private Collection; (add.info.: Joe indites a note to Biddy)

Background imageNote Collection: Nimphea Lutea, a botanical plate from the Discorsi

Nimphea Lutea, a botanical plate from the Discorsi
REV345840 Nimphea Lutea, a botanical plate from the Discorsi by Pietro Andrea Mattioli (1501-77) published in Venice, 1570 (woodcut) by Italian School

Background imageNote Collection: The Note of Interrogation, c. 1920s (pen & ink with w / c on paper)

The Note of Interrogation, c. 1920s (pen & ink with w / c on paper)
FLP465421 The Note of Interrogation, c.1920s (pen & ink with w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageNote Collection: Page of musical score from Act I of the opera Olivo e Pasquale

Page of musical score from Act I of the opera Olivo e Pasquale
LRI2607252 Page of musical score from Act I of the opera Olivo e Pasquale, by Gaetano Donizetti (ink on paper) by Italian School

Background imageNote Collection: Mu Ms 168, p. 301: Page from the Fitzwilliam Virginal, and anthology of 16th

Mu Ms 168, p. 301: Page from the Fitzwilliam Virginal, and anthology of 16th
FIT277700 Mu Ms 168, p.301: Page from the Fitzwilliam Virginal, and anthology of 16th and early 17th century keyboard music (ink on paper) by English School

Background imageNote Collection: Ms Fr 2810 f. 97, Odorico da Pordenone and James of Ireland take their leave of Pope John

Ms Fr 2810 f. 97, Odorico da Pordenone and James of Ireland take their leave of Pope John
BNP159906 Ms Fr 2810 f.97, Odorico da Pordenone and James of Ireland take their leave of Pope John XXII, from the Livre des Merveilles du Monde, c.1410-12 (tempera on vellum) by Boucicaut Master

Background imageNote Collection: The Expected Lover - Will they Give their Consent? (oil on panel)

The Expected Lover - Will they Give their Consent? (oil on panel)
BON105592 The Expected Lover - Will they Give their Consent? (oil on panel) by Smith, George (1829-1901); 61x73.5 cm; Private Collection; Photo eBonhams, London, UK; English, out of copyright

Background imageNote Collection: Ms. New Coll 361 / 2 fol. 45v Drawing of the so-called crucial experiment that shows light

Ms. New Coll 361 / 2 fol. 45v Drawing of the so-called crucial experiment that shows light
NCO191592 Ms. New Coll 361/2 fol.45v Drawing of the so-called crucial experiment that shows light from the sun being refracted through one prism and then being refracted through another prism

Background imageNote Collection: Page of a Notebook (pencil on paper) (b / w photo)

Page of a Notebook (pencil on paper) (b / w photo)
CHT199781 Page of a Notebook (pencil on paper) (b/w photo) by Baudelaire, Charles Pierre (1821-67); Private Collection; eArchives Charmet; French, out of copyright

Background imageNote Collection: Letter to the artists granddaughter Angela Thirkell (pencil on paper)

Letter to the artists granddaughter Angela Thirkell (pencil on paper)
6322818 Letter to the artists granddaughter Angela Thirkell (pencil on paper) by Burne-Jones, Edward Coley (1833-98); Private Collection; (add.info.: A folio of twenty letters)

Background imageNote Collection: Letter to the artists granddaughter Angela Thirkell (pencil on paper)

Letter to the artists granddaughter Angela Thirkell (pencil on paper)
6322817 Letter to the artists granddaughter Angela Thirkell (pencil on paper) by Burne-Jones, Edward Coley (1833-98); Private Collection; (add.info.: A folio of twenty letters)



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"Unveiling the Secrets: A Journey through History with a Note" Step into the world of knowledge and discovery as we unravel the hidden tales behind various notes. From Leonardo da Vinci's intricate sketches of skull anatomy to Johann Sebastian Bach's mesmerizing music score, each note holds a story waiting to be told. Delve into da Vinci's genius mind as his crossbow design takes center stage, showcasing his multifaceted talents beyond art. Witness the formation fighting during WWI, where notes were exchanged between soldiers on battlefields, carrying messages of hope and camaraderie amidst chaos. Marvel at the delicate pen strokes on paper that brought Bach's timeless melodies to life, reminding us of the power of music transcending time and space. Travel back in time with a black-and-white photograph capturing Grimsby Street or join Catford evacuees as they embark on an unforgettable journey during wartime. Gaze upon Big Ben standing tall against London Tram, symbolizing resilience and unity in times of adversity. Explore Jean-Paul Marat's tragic fate immortalized by Jacques Louis David's oil painting – a chilling reminder of revolutionary turmoil. Escape reality with "The Owl and The Pussycat, " a whimsical note transporting us to Edward Lear's enchanting world filled with imagination and wonder. Finally, witness industrial prowess at Consett Ironworks or trace Afghanistan's historical borders through an ancient map from the 1860s. These diverse notes connect us across centuries, bridging gaps between cultures and generations. They remind us that even in this digital age, there is something magical about pen meeting paper or brushstrokes telling stories on canvas. So let these notes guide you through history’s corridors as we unlock their secrets together – for within each stroke lies a tale waiting to be heard.