Nijinski Collection

NIJINSKI, Vaslav Fmich (1890-1950). Russian dance and choreographer. Engraving

Ballet Petrouschka. Vaslav Nijinsky
Ballet Petrouschka, music by Igor Stravinsky (1911). Illustration by Georges Lepape with the dancer Vaslav Nijinsky. Art Deco. Drawing

Tamara Karsavina (1885-1978) as Columbine and Vaslav Nijinsky (1890-1950) as Harlequin in Fokines Carnaval in 1910
MHE100893 Tamara Karsavina (1885-1978) as Columbine and Vaslav Nijinsky (1890-1950) as Harlequin in Fokines Carnaval in 1910, pub

Tamara Karsavina (1885-1978) as Columbine, Vaslav Nijinsky (1890-1950) as Harlequin and Adolph Bolm (1884-1951)
MHE100894 Tamara Karsavina (1885-1978) as Columbine, Vaslav Nijinsky (1890-1950) as Harlequin and Adolph Bolm (1884-1951) as Pierrot in Fokines Carnaval in 1910, pub

Vaslav Nijinsky (1888-1950) performing in l Apres-Midi d un Faune by Claude Debussy (1862-1918) 1912 (b / w photo)
CHT218603 Vaslav Nijinsky (1888-1950) performing in l Apres-Midi d un Faune by Claude Debussy (1862-1918) 1912 (b/w photo) by Meyer, Adolf de (1868-1946); Private Collection; © Archives Charmet

Nijinsky in Le Festin / L Oiseau d Or, 1912 (w / c on paper)
CHT214195 Nijinsky in Le Festin/ L Oiseau d Or, 1912 (w/c on paper) by Barbier, Georges (1882-1932); Private Collection; (add.info)

Nijinski and the Karsavina dancing in the Ballet Le Spectre de la Rose by Carl Maria von Weber (1786-1826)
CHT163650 Nijinski and the Karsavina dancing in the Ballet Le Spectre de la Rose by Carl Maria von Weber (1786-1826) at the Paris Chatelet Theatre, 5th June 1912 (sepia photo) by Bert, A

Nijinski, danseur russe (coloured photo)
975195 Nijinski, danseur russe (coloured photo) by French School, (19th century); Private Collection; (add.info.: Nijinski, danseur russe)

Vaslav Nijinsky. Le Pavillon d Armide
Ballets Russes. The dancer Vaslav Nijinsky in the ballet Le Pavillon d Armide, with choreography by Mikhail Fokin and music by Nikolai Tcherepine (1911)

Vaslav Nijinsky and. Tamara Karsavina
Ballets Russes. Ballet Le Spectre de la Rose, music by Carl Maria von Weber and choreography by Mikhail Fokin. On stage, the performers of the premiere

Anna Pavlova and. Vaslav Nijinsky
Ballets Russes. Anna Pavlova and Vaslav Nijinsky (1909)

Costume for Nijinsky (1890-1950) in the ballet Scheherazade by Rimsky-Korsakov
XIR167511 Costume for Nijinsky (1890-1950) in the ballet Scheherazade by Rimsky-Korsakov (1844-1908) choreographed by Michel Fokine (1880-1942) 1910 (gouache on paper) by Bakst

Costume design for Nijinsky (1889-1950) for his role as the Blue God, 1911
XIR159003 Costume design for Nijinsky (1889-1950) for his role as the Blue God, 1911 (w/c on paper) by Bakst, Leon (1866-1924); Bibliotheque de L Arsenal, Paris

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"Nijinski: The Iconic Ballet Legend" Vaslav Fmich Nijinski (1890-1950), a name that resonates with the essence of ballet. Known for his extraordinary talent and mesmerizing performances, Nijinski left an indelible mark on the world of dance. One cannot mention Nijinski without recalling his unforgettable portrayal in "Ballet Petrouschka. " With every movement, he breathed life into the character, captivating audiences with his emotional depth and technical prowess. In "Le Pavillon d Armide, " Nijinsky showcased his versatility as a dancer. His graceful execution and impeccable timing brought this ballet to new heights, leaving spectators in awe of his artistry. Nijinsky's partnership with Tamara Karsavina was legendary. Together, they created magic on stage, their chemistry evident in every step they took. Their collaboration in Fokine's Carnaval epitomized perfection, as Karsavina portrayed Columbine while Nijinsky embodied Harlequin. Another notable collaboration was witnessed between Anna Pavlova and Vaslav Nijinsky. Their combined brilliance illuminated stages worldwide, leaving audiences spellbound by their sheer talent and undeniable charisma. The pochoir print from 1914 immortalizes Tamara Karsavina as Columbine alongside Vaslav Nijinsky as Harlequin in Fokine's Carnaval. This artwork captures the vibrancy and energy that radiated from their performances. Nijinsky's interpretation of Claude Debussy's "L'Après-midi d'un Faune" pushed boundaries like never before. His sensuality and daring movements challenged societal norms but also solidified him as an avant-garde visionary within the realm of dance. In Le Festin/L'Oiseau d'Or (1912), we witness another facet of Njinski's genius through watercolor on paper. The ethereal quality of his performance transports us to a world where beauty and fantasy intertwine.