Nevinson Collection

A Studio in Montparnasse, c1926, (1935). Creator: CRW Nevinson
A Studio in Montparnasse, c1926, (1935). Nude model and cat by a tall window with a view of Paris rooftops. Painting in the Tate Gallery, London. From " Modern Masterpieces", Part 2

Wet Evening, Oxford Street, 1919. Artist: CRW Nevinson
Wet Evening, Oxford Street, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Lorry-Jumpers, 1919. Artist: CRW Nevinson
Lorry-Jumpers, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Column on the March, 1915. (1943). Creator: CRW Nevinson
Column on the March, 1915. (1943). Soldiers marching during the First World War. Painting in the Birmingham Museum & Art Gallery. From " The Studio", Volume 125

War In The Air
A painting which shows the action of a dogfight in the clouds between military planes, which are swirling in all directions. Date: circa 1918

La Butte, Montmartre
A drypoint etching of a man walking with his dog under the light given from a tall street lantern, along a pavement in Montmartre, Paris. Date: circa 1923

From A Paris Window
A drypoint etching which displays a view looking out from a window of a house in Paris, France, a lady can be seen opposite, brushing her very long hair, over a decorative wrought iron barrier

The Two Birch Trees
A landscape oil painting of two slender birch trees standing amongst some rocks on a slope of a large hill in the countryside. Date: circa 1921

Cornish Landscape
A landscape oil painting of a country road sloping up and down as it trails off towards the distant shoreline, old stone walls stand to each side, situated in Cornwall. Date: circa 1921

La Corniches
A painting of a coastal beach town, partly shielded by some large palm trees, at La Corniches in Marseille, France. Date: circa 1920

City At Night
This oil painting shows a city view, comprising of a cluster of tall buildings, at the base of which exists a yellow tram. Street lamps light the area well, revealing a very busy park area

Steel And Steam
An oil painting of some vast city buildings, shrouded in billowing streams of steam, conveying a feeling of industry and activity. Date: circa 1920

Clapham Common
This painting shows a vast number of well dressed figures at Clapham Common, a large park in south London, it was converted from common land to parkland under the terms of the Metropolitan Commons

Rottingdean
A landscape oil painting of some countryside cottages with smoking chimneys, situated on grassy hills with old stone walls forming pathways at Rottingdean, in Brighton. Date: circa 1919

The Power Station
An oil painting of an industrial power station, with chimneys standing tall behind the main building, which is shrouded in smoke. Date: circa 1919

The Road From Arras To Bapaume
A painting which shows a procession of people walking and travelling by horse drawn carriage, down a seemingly endless road from Arras to Bapaume, which dips up and down all the way to the horizon

The Nevinson Room, Studio Club
A watercolour painting in stark colours, looking down at at the interior of The Nevinson Room, where a gathering of men and women are having tea at some tables

Leicester Square
A painting which conveys a hectic atsmosphere of movement and urgency in Leicester Square, with flurries of people walking in all directions, under spot lights. Date: circa 1917

Wind
A landscape oil painting of some green trees, swaying heavily in the wind, providing an atmospheric feeling of movement. Date: circa 1917

Military March
This artwork depicts a seemingly endless line of military soldiers, mostly on horseback and in wagons, travelling down a brick path. Date: circa 1917

Loading The Ship
A lithograph in cubist style, of some busy workmen, hauling heavy objects to go onto a ship. Date: circa 1917

Troops Resting
A drypoint depicting a large number of military soldiers, resting from exhaustion, beside a brick path. Date: 1916

Canal Boats
An etching of a canal, which seems to stretch far into the distance, occupied by some long boats, with industrial chimneystacks smoking in the distance. Date: circa 1917

A Canal At Ghent
A painting using angular lines, showing a bend of a canal at Ghent, a port city in north west Belgium, with three workmen pulling a rope. Date: circa 1917

The Viaduct
A painting of a large viaduct spanning across issy-les-Moulineaux, a commune in Paris, France, a steam train is chugging along the top. Date: circa 1917

Column On The March
This painting shows a vast line of French soldiers marching to the Front, giving an unending, ceaseless description to the infantry in a message of condemnation of the war. Date: circa 1916

Military Procession
A painting of a band of military soldiers, with spikes raised, fully cramming a town road, done with an angular style. Date: circa 1916

La Mitrailleuse
A painting with use of angular lines to depict a tightly packed void with three soldiers, one of them almost fused to a heavy machine gun. Date: 1915

The Deserted Trench
This painting, with use of angular lines, shows a deserted, flooded trench from the Battle of the Yser, which took place in October 1914, during the First World War, between Nieuwpoort and Diksmuide

Returning To The Trenches
This painting shows an active flurry of French soldiers in WW1, dressed in their distinctive red and blue uniform, with raised bayonets. Date: circa 1915

Christopher Richard Wynne Nevinson
A self portrait of English painter, etcher and lithographer, Christopher Richard Wynne Nevinson, A.R.A. 1889-1946, who was one of the most famous war artists during WW1. Date: circa 1918

Among The Searchlights
An oil painting looking down at a central strip of the River Thames in London, under a dark evening sky. Beams from search lights around the city erratically protrude into the air. Date: circa 1918

Boulogne
This oil painting shows a waterside scene of the city of Boulogne-sur-Mer, along the north coast of France. The use of repetition in form and shapes is used in different aspects

The Queue
A pastel painting of a densely packed queue of people, impatiently waiting in line for food, the adults are all towering above the central focal point, a little boy. Date: circa 1918

On Brooklyn Bridge
An etching showing a view of Manhattan, from Brooklyn Bridge, a hybrid cable suspension structure, which spans the East River of New York City, United States. Date: circa 1921

Les Bibliophiles
Etching showing an autumn day in Paris, with a line of bibliophiles reading by the water. Date: circa 1931

Quartier Latin
An etching of Quarter Latin, a French area known for its plentiful bookshops, home to landmarks including Sorbonne University and Shakespeare and Company. Date: circa 1930

2 am in New York
City artwork of New York, with its typical tall, dominating buildings lit up magnificently in the night. Date: circa 1930

March of Civlisation, 1940 (oil on canvas)
1065027 March of Civlisation, 1940 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 71.1x101.6 cm; Glasgow Museums

Reliefs at dawn, 1918 (litho)
3027389 Reliefs at dawn, 1918 (litho) by Nevinson, Christopher Richard Wynne (1889-1946); 36x52 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Any Wintry Afternoon in England, 1930 (oil on canvas)
MAN234320 Any Wintry Afternoon in England, 1930 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 61.1x76.3 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

The cursed wood, 1918 (litho)
3027390 The cursed wood, 1918 (litho) by Nevinson, Christopher Richard Wynne (1889-1946); Manchester Art Gallery, UK; © Manchester Art Gallery

Searchlights, 1915-16 (oil on canvas)
471826 Searchlights, 1915-16 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Manchester Art Gallery, UK; © Manchester Art Gallery

London Twilight from the Adelphi, (oil on canvas)
657317 London Twilight from the Adelphi, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 44.5x59 cm; Private Collection; (add.info.: London Twilight from the Adelphi)

A Village Procession, France, c. 1923 (oil on canvas)
657009 A Village Procession, France, c.1923 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 61x76 cm; Private Collection; (add.info.: A Village Procession, France)

St. Pauls from the Telegraph Building, Fleet Street, (pen, black ink
657906 St. Pauls from the Telegraph Building, Fleet Street, (pen, black ink, watercolour and bodycolour) by Nevinson, Christopher Richard Wynne (1889-1946); 28x36 cm; Private Collection; (add.info)

1925, Wembley, 1924 (colour lithograph)
1198190 1925, Wembley, 1924 (colour lithograph) by Nevinson, Christopher Richard Wynne (1889-1946); 100x64 cm; Private Collection; Photo eChristies Images; English, out of copyright

Mantelpiece, France, (oil on canvas)
657244 Mantelpiece, France, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 60x44.5 cm; Private Collection; (add.info.: Mantelpiece, France)

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Nevinson, a name that resonates with artistic brilliance and captivating imagery. CRW Nevinson, the mastermind behind these stunning works of art, transports us to different worlds and eras through his brushstrokes. In "A Studio in Montparnasse, c1926, " we catch a glimpse into the artist's creative sanctuary. The vibrant colors and meticulous details reveal Nevinson's dedication to his craft. "Wet Evening, Oxford Street" takes us back to 1919 London. The rain-soaked streets come alive as bustling crowds navigate their way through this iconic thoroughfare. Nevinson captures the essence of urban life with remarkable precision. "Lorry-Jumpers" showcases Nevinson's fascination with movement and energy. In this dynamic piece from 1919, he depicts fearless workers leaping onto moving lorries—a testament to human resilience amidst industrial progress. As we delve into "War in the Air, " we are transported above the clouds where brave pilots engage in aerial combat during World War I. Nevinson's ability to capture both beauty and horror is evident here as he portrays the intensity of warfare from an unconventional perspective. With "La Butte, Montmartre, " we find ourselves immersed in Parisian charm. This picturesque scene invites us to wander through its quaint streets while admiring the city's architectural wonders. Peering out "From A Paris Window, " our gaze falls upon a mesmerizing cityscape bathed in warm hues of sunset—an invitation to embrace serenity amidst urban chaos. "The Two Birch Trees" transports us into nature's embrace—a tranquil forest setting where two majestic birch trees stand tall against a backdrop of lush greenery. Here, Nevinson reveals his versatility by capturing landscapes with equal mastery as he does bustling cities. "Cornish Landscape" unveils another facet of Nevinson's talent—an appreciation for serene coastal scenes painted with delicate brushstrokes.