Negative Concept Collection (page 2)

Chivalry, 1885 (oil on canvas)
1767284 Chivalry, 1885 (oil on canvas) by Dicksee, Frank (1853-1928); 182.7x136.6 cm; Private Collection; Photo © Christies Images

Battle scene between archers and cavalry, with castle and ships, c. 1495-1500 (gouache and gold paint on vellum)
986282 Battle scene between archers and cavalry, with castle and ships, c.1495-1500 (gouache and gold paint on vellum) by French School

A Landscape with Marauders attacking a Wagon Train and Pillaging a Village, (oil on panel)
990228 A Landscape with Marauders attacking a Wagon Train and Pillaging a Village, (oil on panel) by Vrancx, Sebastian (1573-1647); 50.2x81 cm; Private Collection; (add.info)

Hercules and the Giants, c. 1475-80 (engraving)
659470 Hercules and the Giants, c.1475-80 (engraving) by Pollaiuolo, Antonio (1432/3-98) (school of); 36.7x54.7 cm; Private Collection; Photo © Christies Images

Goshawk, (watercolour heightened with bodycolour)
651876 Goshawk, (watercolour heightened with bodycolour) by Thorburn, Archibald (1860-1935); 17.1x24.1 cm; Private Collection; (add.info.: Goshawk. Archibald Thorburn (1860-1935)

Two Warriors; Zwei Kampfende, 1910 (oil on canvas)
826265 Two Warriors; Zwei Kampfende, 1910 (oil on canvas) by Macke, August (1887-1914); 63x36.7 cm; Private Collection; (add.info.: Two Warriors; Zwei Kampfende. August Macke (1887-1914)

The Romans attacking Augsburg, c. 1490 (brown ink and pale coloured washes on paper)
986278 The Romans attacking Augsburg, c.1490 (brown ink and pale coloured washes on paper) by German School, (15th century); 19.7x14.5 cm; Private Collection; (add.info)

Flemish anatomist and physician, Andreas Vesalius, giving a lesson at the school of medicine in Brussels
985801 Flemish anatomist and physician, Andreas Vesalius, giving a lesson at the school of medicine in Brussels, 1543 (colour woodcut) by Venetian School

The Battle of Cosa, (black chalk, pen and brown ink. )
990023 The Battle of Cosa, (black chalk, pen and brown ink.) by Zuccari, Taddeo (1529-66); 42.9x32 cm; Private Collection; (add.info.: The Battle of Cosa. Taddeo Zuccaro (1529-1566)

Cinderella (oil on panel)
989955 Cinderella (oil on panel) by Pecrus, Charles Francois (1826-1907); 40.6x31.8 cm; Private Collection; (add.info.: Cinderella. Charles Francois Pecrus (1826-1907). Oil on panel

Hercules Killing Cacus, (woodcut)
659519 Hercules Killing Cacus, (woodcut) by Goltzius, Hendrik (1558-1617); 41x33 cm; Private Collection; (add.info.: Hercules Killing Cacus. Hendrik Goltzius (1558-1617). Woodcut

The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour)
652084 The Recalcitrant Donkey, 1798 (pen and grey ink and watercolour) by Ibbetson, Julius Caesar (1759-1817); 21.5x27.9 cm; Private Collection; (add.info.: The Recalcitrant Donkey)

The Kill, 19th century (oil on canvas)
1765046 The Kill, 19th century (oil on canvas) by Alken, Samuel Henry (1810-94); Private Collection; (add.info.: The Kill. Samuel Henry Alken Jnr. (1810-1894)

Men-of-War Breaking Fishermens Nets, (oil on panel-a penschilderij)
990413 Men-of-War Breaking Fishermens Nets, (oil on panel-a penschilderij) by Salm, Adriaen or Abraham (c.1660-1720); 47x63.5 cm; Private Collection; (add.info.: Men-of-War Breaking Fishermens Nets)

The Pieta, (oil on canvas)
990355 The Pieta, (oil on canvas) by Carracci, Ludovico (1555-1619); 95.2x172.8 cm; Private Collection; (add.info.: The Pieta. Lodovico Carracci (1555-1619). Oil on canvas

Studies for a Flagellation: A Man Scourging and the Head of Christ, (black and white chalk, pastel)
990011 Studies for a Flagellation: A Man Scourging and the Head of Christ, (black and white chalk, pastel) by Bassano, Jacopo (Jacopo da Ponte) (1510-92); 38x24 cm; Private Collection; (add.info)

Rustem Killing Arjang Div, c. 1630 (pen & ink, heightened with colour, on paper)
1196814 Rustem Killing Arjang Div, c.1630 (pen & ink, heightened with colour, on paper) by Mughal School, (17th century); 19.1x12 cm; Private Collection; Photo © Christies Images

A Study for Sir David Baird Discovering the Body of Tipu Sahib, 1838 (pencil, black chalk and watercolour)
651940 A Study for Sir David Baird Discovering the Body of Tipu Sahib, 1838 (pencil, black chalk and watercolour) by Wilkie

The Second of May, 1884 (oil on canvas)
989777 The Second of May, 1884 (oil on canvas) by Sorolla y Bastida, Joaquin (1863-1923); 62.2x104.8 cm; Private Collection; (add.info.: The Second of May; El Dos de Mayo)

Battle between the Georgians and the Mountain Tribes, 1826 (lithograph)
1195833 Battle between the Georgians and the Mountain Tribes, 1826 (lithograph) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832)

Saint Sebastian prepared for Martydom, c. 1622 (oil on canvas)
827727 Saint Sebastian prepared for Martydom, c.1622 (oil on canvas) by Dyck, Anthony van (1599-1641); 142x194 cm; Private Collection; (add.info.: Saint Sebastian prepared for Martydom)

A Village Brawl (oil on panel)
990044 A Village Brawl (oil on panel) by Vrancx, Sebastian (1573-1647); 50.8x66 cm; Private Collection; (add.info.: A Village Brawl. Circle of Sebastian Vrancx (1573-1647). Oil on panel

Tullie in his Chariot; Tullie sur son Char, (pen and brown ink, grey wash heightened with white on brown pape)
827614 Tullie in his Chariot; Tullie sur son Char, (pen and brown ink, grey wash heightened with white on brown pape) by Cades

A Slap in the Face, (oil on canvas)
658199 A Slap in the Face, (oil on canvas) by Frangiamore, Salvatore (1853-1915); 67.3x46.3 cm; Private Collection; (add.info.: A Slap in the Face. Salvatore Frangiamore (fl. 1897). Oil on canvas

An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil)
651822 An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil, pen and brown ink, grey wash) by Fuseli, Henry (Fussli)

After the Battle, (ink and wash on paper laid on board)
651007 After the Battle, (ink and wash on paper laid on board) by Remington, Frederic (1861-1909); 44.5x69.7 cm; Private Collection; (add.info.: After the Battle. Frederic Remington (1861-1909)

The Charge, c. 1893-1931 (woodcut)
1196621 The Charge, c. 1893-1931 (woodcut) by Vallotton, Felix Edouard (1865-1925); 20x26 cm; Private Collection; Photo © Christies Images

Battle of Washita, 1887-88 (oil en grisaille on board)
985143 Battle of Washita, 1887-88 (oil en grisaille on board) by Remington, Frederic (1861-1909); 47x62.3 cm; Private Collection; (add.info.: Battle of Washita. Frederic Remington (1861-1909)

St. James on a White Horse Riding over the Corpses of Moors and The Coat of Arms of the Family of Gomez
986337 St.James on a White Horse Riding over the Corpses of Moors and The Coat of Arms of the Family of Gomez, 1606 (illuminated manuscript on vellum) by Spanish School

The Pieta, (oil on panel)
827831 The Pieta, (oil on panel) by Morales, Luis de (1500-86); 41.3x30 cm; Private Collection; (add.info.: The Pieta. Luis de Morales (1500-1586). Oil on panel

Cinderella and her Wicked Sisters, 1892 (oil on canvas)
827470 Cinderella and her Wicked Sisters, 1892 (oil on canvas) by Meyer, Emile (1823-1910); 113x125.7 cm; Private Collection; (add.info.: Cinderella and her Wicked Sisters. Emile Meyer (1823-1910)

La Resa dei Conti, 1912 (oil on panel)
823457 La Resa dei Conti, 1912 (oil on panel) by Torre, Giulio Del (1856-1932); 34x45 cm; Private Collection; (add.info.: La Resa dei Conti. Giulio Del Torre (1856-1932). Oil on panel

The Pieta, (oil on canvas)
827665 The Pieta, (oil on canvas) by Mansueti, Giovanni di Niccolo (fl.1485-1527); 37.2x42.3 cm; Private Collection; (add.info.: The Pieta. Giovanni di Niccolo Mansueti (active 1485-died 1527)

La Retour de Chasse : A Hunting Dog Guarding Dead Game, (oil on canvas)
990343 La Retour de Chasse : A Hunting Dog Guarding Dead Game, (oil on canvas) by Oudry, Jean-Baptiste (1686-1755); 263x189 cm; Private Collection; (add.info.: La Retour de Chasse)

Tobit Burying the Dead in Defiance of the Orders of Sennacherib, (oil on canvas)
990059 Tobit Burying the Dead in Defiance of the Orders of Sennacherib, (oil on canvas) by Castiglione, Giovanni Francesco (1641-1716); 65x80.6 cm; Private Collection; (add.info)

A papier mache pen box, the top painted with the battle of Chaldiran, 18th century (papier mache)
1196872 A papier mache pen box, the top painted with the battle of Chaldiran, 18th century (papier mache) by Iranian School, (18th Century); 38.7 cm; Private Collection; Photo © Christies Images

Early Sorrow, 1861 (oil on canvas)
658745 Early Sorrow, 1861 (oil on canvas) by Hardy, Frederick Daniel (1826-1911); 65.5x100 cm; Private Collection; (add.info.: Early Sorrow. Frederick Daniel Hardy (1826-1911). Oil on canvas

The Frozen Sheepherder, 1900 (oil on canvas)
650437 The Frozen Sheepherder, 1900 (oil on canvas) by Remington, Frederic (1861-1909); 69.6x101.6 cm; Private Collection; (add.info.: The Frozen Sheepherder. Frederic Remington (1861-1909)

The Giaour, Conqueror of Hassan; Le Giaour, Vainqueur d Hassan, (oil on canvas)
824542 The Giaour, Conqueror of Hassan; Le Giaour, Vainqueur d Hassan, (oil on canvas) by Vernet, Emile Jean Horace (1789-1863); 65x54 cm; Private Collection; (add.info.: The Giaour)

A Tiger attacking a Bull, 1785 (oil on canvas)
827845 A Tiger attacking a Bull, 1785 (oil on canvas) by Peter, Johan Wenzel (1745-1829); 73.7x60 cm; Private Collection; (add.info.: A Tiger attacking a Bull. Wenzel Peter (1744-1829)

Peasants Brawling, 1619 (oil on panel)
990386 Peasants Brawling, 1619 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 73x103 cm; Private Collection; (add.info.: Peasants Brawling. Pieter Brueghel, the Younger (c.1564-1638)

The Pieta, c. 1542 (oil on canvas)
990353 The Pieta, c.1542 (oil on canvas) by Vasari, Giorgio (1511-74); 192x136 cm; Private Collection; (add.info.: The Pieta. Giorgio Vasari (1511-1574). Oil on panel

Achilles confronting Hector outside Troy, (oil on canvas)
827698 Achilles confronting Hector outside Troy, (oil on canvas) by Corte, Juan de la (c.1585-1660); 195.9x309.2 cm; Private Collection; (add.info.: Achilles confronting Hector outside Troy)

Christ Carrying the Cross, (oil on panel)
827921 Christ Carrying the Cross, (oil on panel) by Palmezzano, Marco (1458-1539); 65.2x49.3 cm; Private Collection; (add.info.: Christ Carrying the Cross. Marco Palmezzano (1460-c.1539)

Dachshunds on a Badger, 1882 (oil on canvas)
659098 Dachshunds on a Badger, 1882 (oil on canvas) by Maffei, Guido von (1838-1924); 166.4x121.8 cm; Private Collection; Photo © Christies Images

Skirmish During the Hungarian Revolution of 1848-1849, 1881 (oil on canvas)
1195776 Skirmish During the Hungarian Revolution of 1848-1849, 1881 (oil on canvas) by Villevalde, Alexander (1857-after 1906); 116x156 cm; Private Collection; (add.info.: Villevalde)

The Ipcress File, 1965 (colour lithograph)
1195057 The Ipcress File, 1965 (colour lithograph) by American School, (20th century); 104x69 cm; Private Collection; Photo © Christies Images

The Cock Fight, 1846 (oil on canvas)
989218 The Cock Fight, 1846 (oil on canvas) by Gerome, Jean Leon (1824-1904); 39.5x55.2 cm; Private Collection; (add.info.: The Cock Fight; Le Combat de Coqs. Jean Leon Gerome (1824-1904)

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"Exploring the Dark Side: A Journey through Negative Concepts in Art" Step into a world where art delves into the depths of negativity, revealing hidden emotions and challenging conventional perceptions. From historical battles to intimate moments, these captivating artworks provoke contemplation on the darker aspects of human existence. "The Battle of Trafalgar" portrays the chaos and destruction of war, capturing the intensity and sacrifice that lie beneath victorious narratives. In contrast, "A Woman Reading at a Window" hints at isolation and introspection, inviting us to ponder upon inner struggles masked by outward tranquility. "A Mediterranean Beauty" unveils an enigmatic allure tainted by melancholy, reminding us that even beauty can harbor shadows. Meanwhile, "Kittens Playing on Desk" may seem innocent at first glance but symbolizes fleeting joy amidst life's uncertainties. "The Jewel Box, " rendered delicately with pencil and watercolor on paper, explores themes of materialism and emptiness within opulence. On another note, "Portrait of Oliver Cromwell in Armour" juxtaposes power with vulnerability as it depicts a leader immersed in battle's turmoil. "Bucking Bronco, " frozen in time on canvas laid down on masonite, captures both strength and danger—a metaphor for life's unpredictable challenges. Similarly evocative is "The Wiltshire Great Coursing Meeting Held at Amesbury, " which illustrates the thrill of competition tinged with underlying tensions. Intriguingly named "The Death of Bhishma, " this artwork immortalizes mortal wounds inflicted by arrows—an allegory for mortality itself. Conversely, "Halt of Prince Charles Edward on the Banks of Nairne" reveals a momentary pause amidst tumultuous times—a reflection on resilience during adversity. "Nude Boy Standing; Stehender Knabenakt" exposes vulnerability while celebrating youthful innocence—an exploration into society's conflicting attitudes towards nudity.