Negative Concept Collection (page 10)

Head of a Woman, 1896 (oil on board)
989063 Head of a Woman, 1896 (oil on board) by Toulouse-Lautrec, Henri de (1864-1901); 42x36 cm; Private Collection; (add.info.: Head of a Woman; Tete de Femme. Henri de Toulouse-Lautrec (1864-1901)

Harlequin, c. 1915 (pencil on paper)
988710 Harlequin, c.1915 (pencil on paper) by Modigliani, Amedeo (1884-1920); 43.8x26.4 cm; Private Collection; (add.info.: Harlequin; Arlequine. Amedeo Modigliani (1883-1920). Pencil on paper

Anemones in a Jug, 1910-15 (pastel on paper)
987356 Anemones in a Jug, 1910-15 (pastel on paper) by Redon, Odilon (1840-1916); 39.4x29.5 cm; Private Collection; (add.info.: Anemones in a Jug; Anemones dans une Cruche. Odilon Redon (1840-1916)

The Gust of Wind, c. 1855 (oil on canvas)
987348 The Gust of Wind, c.1855 (oil on canvas) by Courbet, Gustave (1819-77); 143.5x228.5 cm; Private Collection; (add.info.: The Gust of Wind; Le Coup de Vent. Gustave Courbet (1819-1877)

The Silence of Pure Innocence Persuades, where Speaking Fails, 1855 (oil on canvas)
1769797 The Silence of Pure Innocence Persuades, where Speaking Fails, 1855 (oil on canvas) by Brooks, Thomas (1818-92); 86.4x116.8 cm; Private Collection; (add.info)

Three Young Girls from the Chateaubourg Family, 1850 (oil on canvas)
1769786 Three Young Girls from the Chateaubourg Family, 1850 (oil on canvas) by Winterhalter, Hermann (1808-91); 102.2x81.3 cm; Private Collection; (add.info)

Study of a Female Nude, c. 1908-1909 (pencil on buff paper)
1769065 Study of a Female Nude, c.1908-1909 (pencil on buff paper) by Klimt, Gustav (1862-1918); 55.2x36.8 cm; Private Collection; (add.info.: Study of a Female Nude. Gustav Klimt (1862-1918)

Dancer Looking at the Sole of her Right Foot; Danseuse Regardant la Plante de son Pied
1768841 Dancer Looking at the Sole of her Right Foot; Danseuse Regardant la Plante de son Pied Droi, c.1895 (bronze with dark brown patina) by Degas

Eve After the Fall, 1881; 1897 (bronze with brown patina)
1768438 Eve After the Fall, 1881; 1897 (bronze with brown patina) by Rodin, Auguste (1840-1917); 173 (height) cm; Private Collection; (add.info.: Eve After the Fall. Auguste Rodin (1840-1917)

A Study from Life, 1928 (oil on canvas)
1199619 A Study from Life, 1928 (oil on canvas) by Watson, George Spencer (1869-1934); 96.2x50.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

Courage, Anxiety and Despair: Watching the Battle, (oil on canvas)
1199617 Courage, Anxiety and Despair: Watching the Battle, (oil on canvas) by Sant, James (1820-1916); 121.9x152.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Sack of Corinth, 1870 (oil on canvas)
1199616 The Sack of Corinth, 1870 (oil on canvas) by Allom, Thomas (1804-72); 148x239.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Hero, (oil on canvas)
1199611 Hero, (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 73.7x79 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of the Baroness Burdett Coutts and her Companion Mrs
1199594 Portrait of the Baroness Burdett Coutts and her Companion Mrs. Brown, Edinburgh, 1874, (oil on canvas, framed) by Drummond

Portrait of Laura Lyttelton, nee Tennant, with her Eyes Downcast, 1885 (pencil
1199585 Portrait of Laura Lyttelton, nee Tennant, with her Eyes Downcast, 1885 (pencil, red and black chalk on paper) by Burne-Jones

Long-haired Nude, Leaning Forward, Back View; Langhaariger Akt, vornubergebeugt
1767983 Long-haired Nude, Leaning Forward, Back View; Langhaariger Akt, vornubergebeugt, Ruckenansicht, 1918 (charcoal on paper) by Schiele

Girl at Shinnecock Hills, c. 1897 (oil on canvas)
1767398 Girl at Shinnecock Hills, c.1897 (oil on canvas) by Chase, William Merritt (1849-1916); 61x45.7 cm; Private Collection; (add.info.: Girl at Shinnecock Hills)

The Relief of Lucknow, and The Triumphant Meeting of Havelock
1767272 The Relief of Lucknow, and The Triumphant Meeting of Havelock, Outram and Sir Colin Campbell, 1862 (engraving) by Barker

A Memory - In the Italian Villa, (oil on canvas)
984885 A Memory - In the Italian Villa, (oil on canvas) by Chase, William Merritt (1849-1916); 73.6x91.4 cm; Private Collection; (add.info.: A Memory - In the Italian Villa)

The Visitor, 1881 (oil on canvas)
827116 The Visitor, 1881 (oil on canvas) by Caraud, Joseph (1821-1905); 73.3x90.8 cm; Private Collection; (add.info.: The Visitor. Joseph Caraud (1821-1905). Oil on canvas. Painted in 1881

Vanity, (oil on canvas)
827100 Vanity, (oil on canvas) by Brunery, Francesco (1845-1926); 56.5x47 cm; Private Collection; (add.info.: Vanity. Francois Brunery (1849-1926). Oil on canvas

War and Peace, 1886 (oil on canvas)
823600 War and Peace, 1886 (oil on canvas) by Rochegrosse, Georges Marie (1859-1938); 170.8x115.6 cm; Private Collection; (add.info.: War and Peace. Georges Antoine Rochegrosse (1859-1938)

Shakhsei-Vakhsei, Religious Procession of Muslims, (oil on canvas)
823505 Shakhsei-Vakhsei, Religious Procession of Muslims, (oil on canvas) by Zommer, Richard Karlovich (1866-1939); 128.3x210.8 cm; Private Collection; (add.info.: Shakhsei-Vakhsei)

Sunset in Campagna; Abendstimmung in der Campagna (oil on canvas)
823394 Sunset in Campagna; Abendstimmung in der Campagna (oil on canvas) by Arnz, Albert (1832-1914); 94x134 cm; Private Collection; (add.info.: Sunset in Campagna; Abendstimmung in der Campagna)

Saint Nicholas, (oil on panel)
823290 Saint Nicholas, (oil on panel) by Weir, Robert Walter (1803-89); 75x62 cm; Private Collection; (add.info.: Saint Nicholas. Robert Walter Weir (1803-89). Oil on panel

Portrait of a Nobleman, identified as James, Duke of Monmouth (oil on canvas)
827635 Portrait of a Nobleman, identified as James, Duke of Monmouth (oil on canvas) by Netscher, Caspar (1639-84) & Wyck

A Rider and His Rearing Horse; Un Cavalier Cabrant Son Cheval
827622 A Rider and His Rearing Horse; Un Cavalier Cabrant Son Cheval, (black chalk and watercolour) by Gericault, Theodore (1791-1824); 22.3x27.3 cm; Private Collection; (add.info)

A Study for the Funerary Monument of the Cardinal de Fleury
827593 A Study for the Funerary Monument of the Cardinal de Fleury, (red chalk on eight attached sheets of paper) by Bouchardon

In Florida; En Floride, c. 1917 (watercolour, pen and india ink on buff paper)
825162 In Florida; En Floride, c.1917 (watercolour, pen and india ink on buff paper) by Pascin, Jules (1885-1930); 19.4x27.9 cm; Private Collection; (add.info.: In Florida; En Floride)

Old Man at Celyran; Vieillard a Celeyran, 1882 (oil on canvas)
825141 Old Man at Celyran; Vieillard a Celeyran, 1882 (oil on canvas) by Toulouse-Lautrec, Henri de (1864-1901); 54.9x46 cm; Private Collection; (add.info.: Old Man at Celyran; Vieillard a Celeyran)

Scenes from Romeo and Juliet: Juliets Chamber (IV, V), 1882 (gouache, en grisaille)
827149 Scenes from Romeo and Juliet: Juliets Chamber (IV, V), 1882 (gouache, en grisaille) by Dicksee, Frank (1853-1928); 31.1x43.9 cm; Private Collection; (add.info.: Scenes from Romeo and Juliet)

Mexican Girl with Oriental Scarf, 1916 (oil on canvas)
650559 Mexican Girl with Oriental Scarf, 1916 (oil on canvas) by Henri, Robert Cozad (1865-1929); 60.9x50.8 cm; Private Collection; (add.info.: Mexican Girl with Oriental Scarf)

Cherokee Roses, 1889 (oil on canvas)
650513 Cherokee Roses, 1889 (oil on canvas) by Heade, Martin Johnson (1819-1904); 21.5x42 cm; Private Collection; (add.info.: Cherokee Roses. Martin Johnson Heade (1819-1904). Oil on canvas

Poster for the Institute of Labour Development (IVAO) advertising a workers
1197792 Poster for the Institute of Labour Development (IVAO) advertising a workers evening school, 1932 (photography and lithoy) by Bleekrode

Flirtation, (oil on canvas)
1197593 Flirtation, (oil on canvas) by Soulacroix, Joseph Frederick Charles (1825-79); 73.6x81.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

La Repudiee, 1882 (oil on canvas)
1197549 La Repudiee, 1882 (oil on canvas) by Maignan, Albert Pierre Rene (1845-1908); 142x125 cm; Private Collection; Photo eChristies Images; French, out of copyright

Amazon on Horseback, (bronze with brown patina, grey granite plinth)
1197547 Amazon on Horseback, (bronze with brown patina, grey granite plinth) by Stuck, Franz von (1863-1928); Private Collection; Photo eChristies Images; German, out of copyright

Farewell, 1893 (oil on canvas)
1195686 Farewell, 1893 (oil on canvas) by Bogdanov-Belsky, Nikolai Petrovich (1868-1945); 90.5x126.5 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Military Skirmish, 1915 (oil on canvas)
1195646 Military Skirmish, 1915 (oil on canvas) by Alexeyev, Alexander Alexeyevich (1811-78); 79.5x160.5 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Count John McCormack (1884-1945), 1923 (oil on canvas)
1197049 Count John McCormack (1884-1945), 1923 (oil on canvas) by Orpen, William (1878-1931); 104x86.4 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

La Plume, featuring Sarah Bernhardt, 1896 (lithograph in colours)
1195187 La Plume, featuring Sarah Bernhardt, 1896 (lithograph in colours) by Mucha, Alphonse Marie (1860-1939); 61x42.8 cm; Private Collection; Photo eChristies Images; Czech, out of copyright

Mihrab Hears of Rudabehs Folly, c. 1500-1540s (w / c & gilt on paper)
1196766 Mihrab Hears of Rudabehs Folly, c.1500-1540s (w/c & gilt on paper) by Persian School, (16th century); 47x31.7 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

The Death of Ananias, c. 1650-1680 (drawing on paper)
1196751 The Death of Ananias, c.1650-1680 (drawing on paper) by Mughal School, (17th century); 19.6x32 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

The Death of the Virgin (oil on panel)
659382 The Death of the Virgin (oil on panel) by Multscher, Hans (c.1400-67) (attr.to); 69.2x48.3 cm; Private Collection; Photo eChristies Images; German, out of copyright

Saint Francis Receiving the Stigmata, (oil on canvas)
659364 Saint Francis Receiving the Stigmata, (oil on canvas) by Carducho, Vicente (1571/76-1638); 131.9x96.4 cm; Private Collection; (add.info.: Saint Francis Receiving the Stigmata)

Head of a Woman Looking up to the Right, (black, red and white chalk on light brown paper
659208 Head of a Woman Looking up to the Right, (black, red and white chalk on light brown paper) by Reni, Guido (1575-1642); 38.9x27 cm; Private Collection; (add.info)

La Siesta- Souvenir d Espagne, 1868 (oil on canvas)
659020 La Siesta- Souvenir d Espagne, 1868 (oil on canvas) by Dore, Gustave (1832-83); 279.4x195.6 cm; Private Collection; (add.info.: La Siesta- Souvenir d Espagne. Gustave Dore (1832-1883)

Purity and Passion, (oil on canvas)
651210 Purity and Passion, (oil on canvas) by Dvorak, Franz (1862-1927); 50.7x64.7 cm; Private Collection; (add.info.: Purity and Passion. Franz Dvorak (1862-1927). Oil on canvas

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"Exploring the Dark Side: A Journey through Negative Concepts in Art" Step into a world where art delves into the depths of negativity, revealing hidden emotions and challenging conventional perceptions. From historical battles to intimate moments, these captivating artworks provoke contemplation on the darker aspects of human existence. "The Battle of Trafalgar" portrays the chaos and destruction of war, capturing the intensity and sacrifice that lie beneath victorious narratives. In contrast, "A Woman Reading at a Window" hints at isolation and introspection, inviting us to ponder upon inner struggles masked by outward tranquility. "A Mediterranean Beauty" unveils an enigmatic allure tainted by melancholy, reminding us that even beauty can harbor shadows. Meanwhile, "Kittens Playing on Desk" may seem innocent at first glance but symbolizes fleeting joy amidst life's uncertainties. "The Jewel Box, " rendered delicately with pencil and watercolor on paper, explores themes of materialism and emptiness within opulence. On another note, "Portrait of Oliver Cromwell in Armour" juxtaposes power with vulnerability as it depicts a leader immersed in battle's turmoil. "Bucking Bronco, " frozen in time on canvas laid down on masonite, captures both strength and danger—a metaphor for life's unpredictable challenges. Similarly evocative is "The Wiltshire Great Coursing Meeting Held at Amesbury, " which illustrates the thrill of competition tinged with underlying tensions. Intriguingly named "The Death of Bhishma, " this artwork immortalizes mortal wounds inflicted by arrows—an allegory for mortality itself. Conversely, "Halt of Prince Charles Edward on the Banks of Nairne" reveals a momentary pause amidst tumultuous times—a reflection on resilience during adversity. "Nude Boy Standing; Stehender Knabenakt" exposes vulnerability while celebrating youthful innocence—an exploration into society's conflicting attitudes towards nudity.