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Neckties Collection

In the vibrant town of Solola, Guatemala, nestled in the heart of Central America, one can witness a fascinating tradition that revolves around El Senor Maximon

Background imageNeckties Collection: El Senor Maximon, Solola, Guatemala, Central America

El Senor Maximon, Solola, Guatemala, Central America

Background imageNeckties Collection: El Senor Maximon worship, Solola, Guatemala, Central America

El Senor Maximon worship, Solola, Guatemala, Central America

Background imageNeckties Collection: Client: Monsanto Textiles - Black Overcoats

Client: Monsanto Textiles - Black Overcoats
Client: Monsanto Textiles - Location: 17 Rochester Square, London, NW1 - His and hers black overcoats - Shoot Date: April 1, 1970 - Model: Jenny Yorke Date: 1970

Background imageNeckties Collection: 3673948

3673948

Background imageNeckties Collection: 3673862

3673862

Background imageNeckties Collection: Electric Jewels (engraving)

Electric Jewels (engraving)
3627866 Electric Jewels (engraving) by English School, (19th century); Private Collection; (add.info.: Electric Jewels. Illustration for The Picture Magazine, 1894.); © Look and Learn

Background imageNeckties Collection: Necktie worn by Ira Tucker Sr. ca. 1950. Creator: Metcalf Neckwear Company

Necktie worn by Ira Tucker Sr. ca. 1950. Creator: Metcalf Neckwear Company
Ira B. Tucker (1925-2008) was the lead singer with the American gospel group The Dixie Hummingbirds. Tucker was with the band for 70 years, from 1938, when he joined at the age of 13

Background imageNeckties Collection: Necktie worn by Ira Tucker, after 1950. Creator: Pierre Cardin

Necktie worn by Ira Tucker, after 1950. Creator: Pierre Cardin
Ira B. Tucker (1925-2008) was the lead singer with the American gospel group The Dixie Hummingbirds. Tucker was with the band for 70 years, from 1938, when he joined at the age of 13

Background imageNeckties Collection: Necktie - Wm of Orange

Necktie - Wm of Orange
William of Orange wears a fashionable muff and a Steinkirk (or Steenkirk), a scarf-like cravat with one end tucked through a buttonhole. Date: circa 1690

Background imageNeckties Collection: COSTUME / NECKTIE 1861

COSTUME / NECKTIE 1861
A rather dashing middle-aged Victorian man wearing a necktie, top hat and sporting mutton chop sideburns. Date: 1861

Background imageNeckties Collection: Lancashire engineering factory workers

Lancashire engineering factory workers including a very young apprentice (front centre). Date: circa 1910s

Background imageNeckties Collection: Who loves me, follows me

Who loves me, follows me
Woman sitting on a trunk case, wearing checked coat with fur trim, red clutch bag and thin necktie, holder her companion a jack russell terrier. Date: 1927

Background imageNeckties Collection: Spanish Necktie Advert

Spanish Necktie Advert
A Spanish gentleman examines his ORPLID necktie with satisfaction Date: circa 1930

Background imageNeckties Collection: John Harper, Publisher

John Harper, Publisher
JOHN HARPER : Anerican publisher, in partnership with his brother James : the publishing empire they created still survives. His neckties, too, have been much admired. Date: 1797 - 1875

Background imageNeckties Collection: Cravats For Cash For Charity

Cravats For Cash For Charity
Portland, Oregon: February 1, 1945. Employees at the Marine Electric Company trade cravats for cash in the March of Dimes fund, at least until the president of the companys ties ran out

Background imageNeckties Collection: Buying a Tie 1898

Buying a Tie 1898
A young salesman entices a gullible gentleman into buying one of his new range of colourful neckties

Background imageNeckties Collection: Flaubert / Large Bowtie

Flaubert / Large Bowtie
French novelist Gustave Flaubert wearing a large blue bowtie

Background imageNeckties Collection: Soldier & Civilians 1854

Soldier & Civilians 1854
Pantaloons -1 pair in a diaper pattern, neckties, top hats, shirt with pleated cuffs, pumps with bows, Newmarket or cutaway coats, a brown coat cut square across the front

Background imageNeckties Collection: Tying an Ascot Tie 1906

Tying an Ascot Tie 1906
How to tie the " Ascot" necktie. A step by step guide to achieving the knot. Fashionable from 1876, it was similar to the Octagon tie


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In the vibrant town of Solola, Guatemala, nestled in the heart of Central America, one can witness a fascinating tradition that revolves around El Senor Maximon. This enigmatic figure is worshipped by locals who believe he possesses mystical powers and grants blessings upon those who pay homage to him. Among the many offerings presented to El Senor Maximon are neckties - symbols of respect and reverence. These ties hold great significance as they represent a connection between the mortal world and the divine realm. They serve as tokens of devotion from believers seeking favor from this revered deity. One such tie, worn by Ira Tucker Sr. Around 1950, showcases exquisite craftsmanship by Metcalf Neckwear Company. Its intricate design captures attention with its Electric Jewels engraving, reflecting both elegance and sophistication. As time passed, fashion evolved, and Pierre Cardin took center stage in creating neckties that exuded modernity while still paying homage to tradition. A necktie worn by Ira Tucker after 1950 bears Cardin's signature touch - a fusion of contemporary style with timeless grace. The allure extends beyond religious customs; it has become an integral part of various cultures worldwide. From William III's regal Wm of Orange tie to Frith's costume-inspired necktie in Lancashire engineering factories during the Industrial Revolution - these pieces tell stories about history and identity. Even during times when societal norms dictated strict dress codes for men like in 1861 England or present-day corporate settings globally - where suits are incomplete without a well-knotted tie - this accessory remains an emblematic symbol representing professionalism and refinement. Yet amidst all these historical references lies a playful reminder: "Who loves me follows me. " This whimsical phrase etched onto countless ties serves as a gentle nudge towards self-expression through fashion choices while embracing individuality within society's confines.