Neckcloth Collection

Man & Quizzing Glass
Blue cravat, tartan under- waistcoat, D-B waistcoat with pointed front, grey woollen pantaloons, brown frock coat: gigot sleeves, black lining, roll collar & lapels

Silk Topper & Crop 1824
Tall silk top hat, pink striped English cravat, single-breasted brown frock coat with roll collar, yellow waistcoat, white strapped trousers & riding crop

Coat / Brandenbourg Trim
Hat with spreading crown, white cravat, brown coat with Brandenbourg trim & roll collar, strapped pantaloons, red under-waistcoat, black & yellow waistcoat

Dummy Board of a Boy in Costume of the William and Mary Period
Wooden painted screen dating from around 1689-1702. Dummy boards were usually placed in empty spaces, such as a staircase or empty fireplace, in large houses

Sir Joshua Reynolds (oil on canvas)
450168 Sir Joshua Reynolds (oil on canvas) by Jackson, John (1778-1831); 77.2x64.5 cm; The Holburne Museum, Bath, UK; (add.info)

Habit of a French Man of Quality in 1700 (engraving)
3640549 Habit of a French Man of Quality in 1700 (engraving) by English School, (18th century); Private Collection; (add.info.: Habit of a French Man of Quality in 1700)

Habit of the Duke of Burgundy in 1700 (engraving)
3640544 Habit of the Duke of Burgundy in 1700 (engraving) by English School, (18th century); Private Collection; (add.info.: Habit of the Duke of Burgundy in 1700)

Illustration for The Luck of the Susan Bell, by Sir Walter Besant (litho)
1100564 Illustration for The Luck of the Susan Bell, by Sir Walter Besant (litho) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info)

Kenny Meadows: The Auctioneer (engraving)
5989588 Kenny Meadows: The Auctioneer (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: The Auctioneer)

William Johnstone-Pulteney, Later 5th Baronet, Thomas Gainsborough, 1727-1788, British

Jack Tar Suit 1895
Blonde boy in a Jack Tar suit: white sailor blouse with pale blue collar & cuffs & black Jack Tar trousers & neckcloth, straw sailor hat with wide evase brim & ribbon band

London Fashions Men 1829
Boy: straw hat, blue D-B coat, gold buttons, shirt with falling collar, neckcloth in green, white trousers. Men: black tights, cut-away coat, D-B frock coat & pantaloons

Striped Cossacks 1823
Straw hat with broad brim & spreading crown, loosely tied plaid cravat, grey frock coat with roll collar, blue striped cossacks with fly front, white waistcoat, yellow fob ribbon

Brown Coat 1821
Wellington hat with spreading crown, blue silk cravat, brown frock coat with roll collar, kashmir under-waistcoat, light brown strapped pantaloons & red waistcoat with roll collar

All Professionally Made to Order for Quick Shipping

"Adorning the Gentleman's Neck: A Fashion Journey through Time" Step into the world of men's fashion and explore the ever-evolving trends in neckcloths. From the dashing man with a quizzing glass to the elegant gentleman donning a silk topper, these accessories have always been an essential part of a well-dressed man's ensemble. In 1824, the crop neckcloth took center stage, adding a touch of sophistication to any outfit. Paired with a coat featuring Brandenbourg trim, it created an exquisite look that exuded class and style. But let us not forget about history. The dummy board depicting a boy in William and Mary period costume reminds us of how neckcloths have stood the test of time. Sir Joshua Reynolds immortalized this fashion statement in his oil on canvas masterpiece, showcasing its prominence even back then. Travel further back in time as we witness engravings capturing French nobility wearing their intricately designed neckcloths in 1700. These pieces were more than just accessories; they were symbols of status and refinement for men of quality like no other. Fast forward to lithographs illustrating scenes from Sir Walter Besant's "The Luck of Susan Bell, " where characters sported fashionable neckcloths that added flair to their attire. Kenny Meadows' engraving titled "The Auctioneer" also showcases how this accessory was embraced by all walks of life during different eras. Even renowned artists like Thomas Gainsborough captured gentlemen such as William Johnstone-Pulteney wearing their finest neckcloths with pride. Their portraits serve as timeless reminders that these small details can make or break an outfit. Finally, we arrive at 1895 when Jack Tar suits became popular among sailors who proudly wore their neckcloths while navigating treacherous seas. London Fashions Men 1829 brings us full circle, highlighting how men continued to experiment with neckcloth styles, ensuring they remained at the forefront of fashion.