Nast Collection (page 7)

RAILROAD ACCIDENTS, 1871. Our Constant Traveling Companion. American cartoon comment by Thomas Nast, 1871, on the frequent fatal railroad (left) and steamboat (right) accidents of the time

NAST: PAPAL INFALLIBILITY. American cartoon by Thomas Nast depicting John Bull (who references William Gladstone) sending a heavy from the Anglican Church to fight a Catholic bishop over the Vaticans

NAST: SPOILS SYSTEM. Let Us Cease These Contests for Spoils. American cartoon by Thomas Nast, c1870

FISHING RIGHTS, 1877. Uncle Sam sulks as Canada and John Bull pull in a big award in the dispute about fishing rights. American cartoon by Thomas Nast, 1877

RAILROADING STANDARD, 1886. Thomas Nasts celebration of the adoption of a standard gauge by all railroads in the United States, 1886

THOMAS NAST: CHRISTMAS. Children tracing Santa Claus route from the North Pole. Wood engraving, 19th century, after a drawing by Thomas Nast

CONKLING / PLATT RESIGNATION. The Spoil-Ed. New York (meaning business). I know what you DO want
CONKLING/PLATT RESIGNATION. The Spoil-Ed. New York (meaning business). " I know what you DO want!" American cartoon by Thomas Nast, 1881

NAST: SCARCITY CARTOON. Too much of a Good Thing. American cartoon, 1871, by Thomas Nast, commenting on the scarcity of men at a seaside resort during the work week in summer

NAST: TWEED CARTOON, 1871. What the People Must Do about it. Cartoon by Thomas Nast showing Tammany Boss William Marcy Tweed as a chained tiger behind bars, late 1871

NAST: CHEAP LABOR CARTOON. The new comet - a phenomenon now visible in all parts of the United States. American cartoon, 1870

NAST: TAMMANY HALLL, 1871. The only Way to get our Tammany Rulers on the Square. Cartoon, 1871, by Thomas Nast

NAST: FUTURE NEW YORK, 1881. New York in a Few Years from now. Cartoon, 1881, by Thomas Nast, showing the southern tip of Manhattan crowded with skyscrapers

NAST: APRIL FOOLs DAY. The Day We Celebrate. Toast: We Are not All Dead yet. Wood engraving, 1877, after Thomas Nast

THOMAS NAST: SANTA CLAUS. Santa Clauss Mail. Wood engraving after a drawing by Thomas Nast, 1871

CHURCH / STATE CARTOON, 1870. One of Thomas Nasts vitriolic comments on the separation between Church (i. e)
CHURCH/STATE CARTOON, 1870. One of Thomas Nasts vitriolic comments on the separation between Church (i.e. the Roman Catholic church) and State: wood engraving, 1870

THOMAS NAST: SANTA CLAUS. Christmas Station / Santa Claus Stop Here Please
THOMAS NAST: SANTA CLAUS. Christmas Station/Santa Claus Stop Here Please. Wood engraving after a drawing by Thomas Nast

NAST: CHRISTMAS. Twas the night before Christmas and all through the house, not a creature was stirring, not even a mouse. Engraving by Thomas Nast

THOMAS NAST: SANTA CLAUS. For Hes a Jolly Good Fellow... Wood engraving after a drawing by Thomas Nast

THOMAS NAST: SANTA CLAUS. Ringing in the Air. Wood engraving after a drawing by Thomas Nast, 1885

NAST: SANTA CLAUS. A Visit from St. Nicholas. Wood engraving after Thomas Nast, his first published Santa Claus picture, used to illustrate an edition of Christmas poems, 1863-64

THOMAS NAST: SANTA CLAUS. The Coming of Santa Claus. Wood engraving after a drawing by Thomas Nast, 1872

NAST: TWEED RING CARTOON. One of Thomas Nasts vitriolic attacks on William M. Boss Tweed and the Tweed Ring published shortly before the New York state and municipal elections of 1871

NAST: TWEED RING CARTOON. The Tammany Lords and Their Constituents. One of Thomas Nasts vitriolic attacks on William M. Boss Tweed and the Tweed Ring published shortly before the New York state

MERRY OLD SANTA CLAUS. Colored engraving, 1880, by Thomas Nast

SCHOOL FUNDING, 1870. Thomas Nasts cartoon comment on the pernicious effects of government funds directed towards parochial schools. Wood engraving, 1870

AMERICAN PREACHER. Brother Barker. Wood engraving, 1866, after Thomas Nast

NAST: SANTA CLAUS, 1866. Wood engraving after Thomas Nast, 1866

THOMAS NAST: SANTA CLAUS. Seeing Santa Claus. Wood engraving after a drawing by Thomas Nast, 1876

THOMAS NAST: SANTA CLAUS. Caught! Wood engraving after a drawing by Thomas Nast, 1881

THOMAS NAST: SANTA CLAUS. Here We Are Again! Detail of Santa Claus. Engraving by Thomas Nast, 1878

THOMAS NAST: SANTA CLAUS. Merry Christmas. Wood engraving after a drawing by Thomas Nast, 1879

NAST: SANTA CLAUS, 1890. Santa Claus opening the holiday season. Wood engraving by Thomas Nast, 1890

NAST: SANTA CLAUS, 1880. Wood engraving after Thomas Nast

THOMAS NAST: CHRISTMAS. The Shrine of St. Nicholas - We are all good children. Wood engraving after a drawing by Thomas Nast, 19th century

THOMAS NAST: SANTA CLAUS. Hello, Little One! Wood engraving after a drawing by Thomas Nast, 1884

WASHINGTON MONUMENT. Allegorical representation of the dedication of the Washington Monument in February 1885. Contemporary wood engraving by Thomas Nast

THOMAS NAST (1840-1902). American cartoonist. Our Artists Occupation Gone: self caricature, wood engraving, 1872

THOMAS NAST: CHRISTMAS. Wood engraving after a drawing by Thomas Nast, 19th century

THOMAS NAST: CHRISTMAS. Santa Claus coming down the chimney. Wood engraving after a drawing by Thomas Nast (1840-1902)

THOMAS NAST: SANTA CLAUS. Merry Christmas to all, and to all a good night. Wood engraving after a drawing by Thomas Nast

THOMAS NAST: CHRISTMAS. Santa Claus Rebuke. I ll never do it again. Wood engraving after a drawing by Thomas Nast
THOMAS NAST: CHRISTMAS. Santa Claus Rebuke. " I ll never do it again." Wood engraving after a drawing by Thomas Nast, 19th century

THOMAS NAST: CHRISTMAS. A Chance to Test Santa Clauss Generosity. Wood engraving after a drawing by Thomas Nast, 19th century

THOMAS NAST: CHRISTMAS. Santa Claus can t say that I ve fortten anything. Wood engraving after Thomas Nast, 19th century

CARTOON: CIVIL RIGHTS 1875. To Thine Own Self Be True. Color engraving by Thomas Nast, commemorating the passage of the Civil Rights Bill of 1875

NAST: SANTA CLAUS. Christmas Station / Santa Claus Stop Here Please. Engraving by Thomas Nast
NAST: SANTA CLAUS. Christmas Station/Santa Claus Stop Here Please. Engraving by Thomas Nast

THOMAS NAST: SANTA CLAUS. Christmas Eve--Santa Claus Waiting for the Children to Get to Sleep. Color engraving by Thomas Nast

NAST: SANTA CLAUS, 1885. Ringing in the Air. Engraving, 1885, by Thomas Nast

NAST: CHRISTMAS, 1879. Merry Christmas. Color engraving, 1879, by Thomas Nast

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"Thomas Nast: A Master of Illustration and Social Commentary" Thomas Nast, a renowned 19th-century illustrator, used his artistic talent to capture significant moments in American history. In his Thanksgiving cartoon from 1869, titled "Uncle Sam's Thanksgiving Dinner, " Nast depicted a heartwarming scene where people from all walks of life gathered around a festive table, emphasizing the spirit of inclusivity during this holiday. Another iconic work by Nast was his portrayal of General Lee surrendering to General Grant at Appomattox Court House in 1865. This powerful painting titled "Peace in Union" symbolized the end of the Civil War and marked an important step towards national reconciliation. Nast's influence extended beyond historical events; he also played a pivotal role in shaping our modern image of Santa Claus. His enchanting engraving showcased Santa Claus with his signature white beard and red suit, spreading joy and warmth as he wished everyone a Merry Christmas. However, Nast didn't shy away from addressing corruption either. Through biting satire, he exposed Boss Tweed's corrupt practices through cartoons like "Tweed Ring" (1871) and "The Tammany Tiger Loose. " These illustrations served as powerful indictments against political corruption during that era. In addition to capturing historical moments and social issues, Thomas it also portrayed prominent figures like Carl Schurz—a reformer who fought for equal rights—and Police Commissioner Roosevelt alongside NY Governor Cleveland in 1884. These illustrations highlighted individuals who made significant contributions to society or held positions of power during their time. Nast's artwork often revolved around recurring themes such as Christmas celebrations or Reconstruction efforts upholding equal rights. His engravings beautifully captured the essence of these occasions while conveying messages that resonated with audiences across America. Whether it was Santa Claus coming down the chimney or Robert E Lee immortalized on paper by Thomas Nast himself—his illustrations continue to captivate and inspire.