Nancy Collection (page 5)

Model in outdoor suit - cycling
Model in matching outdoor suit of knickerbockers (bloomers / plus fours) perfectly designed for cycling. Date: circa 1946

Model in strapless full-skirted dress with bow
Model in an unusual pose, spinning to show off the large silk bow on her new look strapless full-skirted dress. Date: circa 1951

Model with stylish short hair in profile
Fabulous portrait shot of a model with stylish short hair in profile. Date: circa 1950

Model in New Look woollen full-length overcoat
Beautifully-composed shot of model in New Look woollen full-length overcoat, standing just inside an elegant arcade. Date: late 1940s

Modeal as 'artist' in smart collared sweater
Model posing as an artist in front of a period portrait holding paint brushes. She is wearing a smart collared sweater. Date: circa 1960

Model in beaded sequine evening dress
Model reclining on a velvet-upholstered chaise longue wearing a beaded sequine evening dress - she is being served tea by a smartly-attired butler. Date: circa 1948

Model Barbara Goalen in sheer net evening gown with corset bodice - outdoor. Date: circa 1950

Chic model in shirtwaister dress
Chic model with tied-back hair, a shirtwaister dress with revere collar and belt, leather gloves, handbag and multiple strings of pearls. Date: circa 1959

Glamorous model wrapped in an opulent fur stole
Glamorous model in profile pose, wrapped in an opulent fur stole. Date: circa 1961

Modelling underwear - girdle with suspenders and conical bra. The live modelling of underwear was very unusual at this stage, so this shoot (and other contenporary shoots) were quite ground-breaking

Gentleman in Black Tie attending a Private View
A smart Gentleman in Black Tie attending a Private View of an Art Exhibition - unknown shoot/client. Date: circa 1960s

Client: Ideal Home - Roden Norman
Client: Ideal Home - Shoot to promote the selling of advertising space - the Advertisement Manager was Roden Norman (pictured). Date: circa late 1960s

Interior of invitation for one-woman exhibition
The (folded-open) interior of the invitation card to Nancy Sandys Walker's one-woman exhibition 'Feminine Eye View' at the Ilford Gallery, 106/7 High Holborn, London - December 1955

Model in outdoor setting with teddy bear coat
Glamorous model in outdoor setting with teddy bear coat with matching fur hat and fur collar. Date: circa late 1950s

Model in an outdoor botanical setting (Kew Gardens?) in tunic waistcoat with matching skirt and tights. Date: mid 1960s

Advertising shoot - fruit, vegatable and nuts on a check tablecloth. Date: circa late 1960s

Client: Kamella - Knitwear in Orlon (Du Pont). The little girl is wearing a long-sleeve pinafore/jersey dress in Orlon. The little boy's two-piece suit is also in Orlon. Date: circa 1966

Client: Kamella - Knitwear in Orlon acrylic fibre (Du Pont). Date: circa 1966

Shoot for the invitation for one-woman exhibition
The shoot for the cover photography for the fold-out invitation card to Nancy Sandys Walker's one-woman exhibition 'Feminine Eye View' at the Ilford Gallery, 106/7 High Holborn

Shoot for the invitation for one-woman exhibition
The shoot for the cover photography for the fold-out invitation card to Nancy Sandys Walker's one-woman exhibition 'Feminine Eye View' at the Ilford Gallery, 106/7 High Holborn

Shoot for the invitation for one-woman exhibition
The shoot for the cover photography for the fold-out invitation card to Nancy Sandys Walker's one-woman exhibition 'Feminine Eye View' at the Ilford Gallery, 106/7 High Holborn

Client: Vanity Fair - Jill Stinchcombe and Sally Greenhill
Client: Vanity Fair - Models: Jill Stinchcombe and Sally Greenhill - January 29, 1960 - Location Renault, Western Avenue, London Date: 1960

Shoot for the invitation for one-woman exhibition
The shoot for the cover photography for the fold-out invitation card to Nancy Sandys Walker's one-woman exhibition 'Feminine Eye View' at the Ilford Gallery, 106/7 High Holborn

Fold-out cover of a one-woman exhibition invitation card
The gatefold fold-out cover of the invitation card to Nancy Sandys Walker's one-woman exhibition 'Feminine Eye View' at the Ilford Gallery, 106/7 High Holborn, London in December 1955

One-woman exhibition invitation card photography
The original photograph for the gatefold fold-out cover of the invitation card to Nancy Sandys Walker's one-woman exhibition 'Feminine Eye View' at the Ilford Gallery, 106/7 High Holborn

Client: Harvey Nichols - model Barbara Goalen
Client: Harvey Nichols - Printed Satin Evening Dress - Model: Barbara Goalen - March 12, 1948 Date: 1948

Shoot for the book 'In Search of Charm'
Client: Peter Hatch Partnership - Girl sitting travelling - Shoot for the book 'In Search of Charm' by Mary Young - 1962

Selincourt at the Holland Park Orangery - Barbara Harper
Client: Selincourt - Holland Park Orangery - model Barbara Harper - March 2, 1962 Date: 1962

Client: Dorville - Model: Maxime De la Falaise - Shoot date: November 11, 1952 Date: 1952

Client: Woollands - Model: Naomi Leon - Shoot date: August 31, 1960 Date: 1960

Client: Edinburgh Cigarettes - Agency: Waddicor. Date: 1970

Shoot for Courtaulds - model Fiona Campbell-Walter
Agency: Stuart - Client: Courtaulds - Dark Green dress in Heavy Rayon Satin - model Fiona Campbell-Walter - Shoot: July 28, 1952 - reproduced (advertisement) in Harper's Bazaar

Client: Courtaulds - model Fiona Campbell-Walter
Agency: Stuart - Client: Courtaulds - Dark Green dress in Heavy Rayon Satin - model Fiona Campbell-Walter - Shoot: July 28, 1952 - reproduced (advertisement) in Harper's Bazaar

The Associated Fashion Designers of London - Express shoot
The Associated Fashion Designers of London - Victor Russell, Malcolm Peters, David Silverman, Ralph Bloomberg, Stephen Mono, Colin Radin, John Tyoran, Norman Hildebrand

The Associated Fashion Designers of London - Express shoot
The Associated Fashion Designers of London - Victor Russell, Malcolm Peters, David Silverman, Ralph Bloomberg, Stephen Mono, Colin Radin, John Tyoran, Norman Hildebrand

Client: John Craig - Model: Pattie Boyd
Client: John Craig - Printed cotton blouse with lace collar - Model: Pattie Boyd - Shoot: January 12, 1965 (1/2) Date: 1965

Client: John Craig - White Blouse - Model: Pattie Boyd - Shoot: March 12, 1964. Date: 1964

Client: Rhona Roy - Model: Pattie Boyd - Shoot on February 13, 1964. The first shoot with the iconic 1960s model by Nancy Sandys Walker (1/3). Date: 1964

Harvey Nichols at V&A Museum - Patricia Squires
Client: Harvey Nichols at the V&A Museum - Evening Dresses - models Patricia Squires (left) and either Striebel or Babanska(?) - August 18, 1949 Date: 1949

Client: Rose and Blairman at the V&A Museum - model Nikki Saunders - August 1949 Date: 1949

Client: Harvey Nichols - large straw hat - Pamela Minchin
Client: Harvey Nichols - model: Pamela Minchin in a large straw hat - shoot: February 7, 1947 Date: 1947

Client: Harvey Nichols - models P Parnter and R Chance in fancy black straw hats - February 8, 1946 Date: 1946

Cover of Woman's Illustrated Magazine
Model Peggy Chester - Cover of Woman's Illustrated Magazine, incorporating Eve's Own - photography by Nancy Sandys Walker Date: 1944

Client: Tricosa - location: BOAC Terminal
Client: Tricosa - Beige White Suit - location: BOAC Terminal - November 1956 (Agency: S. C. Peacock) Shoot date: November 28, 1956 Date: 1956

Napper, Stinton, Woolley - Evening dress, skirt - Shelley
Client: Napper, Stinton and Woolley - Evening dress and printed skirt - model Shelley - Shoot: March 3, 1947 Date: 1947

Client: Harper's Bazaar - Shoot at Cliveden
Client: Harper's Bazaar (May issue) - Shoot at Cliveden - Shoot date: March 12, 1943 (2/2) Date: 1943

Client: Harper's Bazaar - Shoot at Cliveden
Client: Harper's Bazaar (May issue) - Shoot at Cliveden - Shoot date: March 12, 1943 (1/2) Date: 1943

Client: Rs Caplin for Little X by Silhouette - lingerie sh
Client: Rs Caplin - Brand: Little X by Silhouette - live lingerie shoot (3/3). Date: 1965

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"Nancy: A Timeless Tale of Art, Elegance, and Wit" In the heart of Boston's Public Garden stands the iconic "Make way for ducklings" sculpture by Nancy Schon. Just like this beloved artwork, Nancy herself was a creative force that left an indelible mark on those who crossed her path. Much like a Madame Yevonde portrait capturing the essence of Baba Beaton, Nancy Mitford exuded charm and sophistication. Her wit and intelligence were legendary, making her a captivating presence in literary circles. As we stroll through the enchanting Place Stanislas in Nancy, France, we are reminded of Nancy's passion for restoration. She appreciated artistry in all its forms - from gilded wrought iron work to intricate lamps crafted by Lamor. Nancy's influence extended beyond aesthetics; she also had a political side. Like Astor as the first woman MP, she fearlessly advocated for causes close to her heart. Her voice echoed through history just as loudly as it did at the wedding of Diana Mitford and Bryan Guinness. Delving into the past reveals another remarkable figure named Nancy Woodforde. Samuel Woodforde captured her beauty with his brush strokes during late 18th-early 19th century England. This glimpse into history reminds us that creativity transcends time. The bond between sisters is often unbreakable, exemplified by Diana and Nancy Mitford. Their shared experiences shaped their lives and inspired their works – a testament to sisterhood's enduring power. Through photographs taken at London Hippodrome or immortalized by Madame Yevonde's lens, we catch glimpses of sunny personalities surrounding Nancy Mitford. These snapshots capture moments filled with laughter and joy – traits synonymous with our enigmatic protagonist. In this tale celebrating artistry across generations and continents alike, we honor "Nancy. " From Boston to London to France – each chapter unveils new facets of her captivating story.