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Nanbokuchō Period Collection

The Nanbokuchō period, which spanned from the late 14th century to the early 15th century in Japan, was a time of great artistic and cultural development

Background imageNanbokuchō Period Collection: Scene One from the Play Chushingura: Kono Moronao and Kaoyo, c1850. Creator: Utagawa Kunisada

Scene One from the Play Chushingura: Kono Moronao and Kaoyo, c1850. Creator: Utagawa Kunisada
Scene One from the Play Chushingura: Kono Moronao and Kaoyo, c1850

Background imageNanbokuchō Period Collection: Kikuchi Takemitsu Standing by Cherry Tree, 1878. Creator: Tsukioka Yoshitoshi

Kikuchi Takemitsu Standing by Cherry Tree, 1878. Creator: Tsukioka Yoshitoshi
Kikuchi Takemitsu Standing by Cherry Tree, 1878. Series: A Mirror of Wisdom, Benevolence, and Valor in Japan

Background imageNanbokuchō Period Collection: Iga no Tsubone with Tengu, the Spirit of Fujiwara no Nakanari, 1865. Creator: Tsukioka Yoshitoshi

Iga no Tsubone with Tengu, the Spirit of Fujiwara no Nakanari, 1865. Creator: Tsukioka Yoshitoshi
Iga no Tsubone with Tengu, the Spirit of Fujiwara no Nakanari, 1865. From One Hundred Ghost Tales from China and Japan

Background imageNanbokuchō Period Collection: Taima Mandala, probably late 14th century. Creator: Unknown

Taima Mandala, probably late 14th century. Creator: Unknown
Taima Mandala, probably late 14th century. Amida sits enthroned at the center of the mandala, flanked by the bodhisattvas Seishi and Kannon

Background imageNanbokuchō Period Collection: Welcoming Descent of Amida and Bodhisattvas, late 14th century. Creator: Unknown

Welcoming Descent of Amida and Bodhisattvas, late 14th century. Creator: Unknown
Welcoming Descent of Amida and Bodhisattvas, late 14th century. Raigo paintings depict the scene in which Amida and attendants descend from heaven to take a believer back to Western Paradise

Background imageNanbokuchō Period Collection: Mandala of Wakamiya of Kasuga Shrine (Kasuga wakamiya mandara), early 14th century

Mandala of Wakamiya of Kasuga Shrine (Kasuga wakamiya mandara), early 14th century. Ame-no-Koyane holds a sword with which to cut through the illusions of the unenlightened mind

Background imageNanbokuchō Period Collection: One of the Twelve Devas: Bonten, 14th century. Creator: Unknown

One of the Twelve Devas: Bonten, 14th century. Creator: Unknown
One of the Twelve Devas: Bonten, 14th century

Background imageNanbokuchō Period Collection: One of the Twelve Devas: Katen, 14th century. Creator: Unknown

One of the Twelve Devas: Katen, 14th century. Creator: Unknown
One of the Twelve Devas: Katen, 14th century

Background imageNanbokuchō Period Collection: Plum Blossoms, 1336-92. Creator: Unknown

Plum Blossoms, 1336-92. Creator: Unknown
Plum Blossoms, 1336-92

Background imageNanbokuchō Period Collection: Wisdom King Passion Aizen Myōō1300s

Wisdom King Passion Aizen Myōō1300s
Wisdom King of Passion Aizen Myōō, 1300s. Japan, Kamakura period (1185-1333) to Nanbokuchō period (1336-1392). Hanging scroll; ink, color

Background imageNanbokuchō Period Collection: Descent Nine Luminaries Seven Stars Kasuga 1300s

Descent Nine Luminaries Seven Stars Kasuga 1300s
Descent of the Nine Luminaries and the Seven Stars at Kasuga, 1300s. Japan, Nanbokuchō period (1336-1392), 1336-1392. Hanging scroll; ink, color

Background imageNanbokuchō Period Collection: Miroku Maitreya 1300s Japan Nanbokuchōperiod

Miroku Maitreya 1300s Japan Nanbokuchōperiod
Miroku (Maitreya), 1300s. Japan, Nanbokuchō period (1336-92). Hanging scroll, ink, color, gold, and cut gold on silk; mounted: 197 x 58.7 cm (77 9/16 x 23 1/8 in.); painting only

Background imageNanbokuchō Period Collection: Incense Burner Lid late 1300s Japan Nanbokuchōperiod

Incense Burner Lid late 1300s Japan Nanbokuchōperiod
Incense Burner with Lid, late 1300s. Japan, Nanbokuchō period (1336-92). Black lacquer on wood with decoration in maki-e; metal rims; bronze lid; overall: 7.7 x 10.8 cm (3 1/16 x 4 1/4 in.)

Background imageNanbokuchō Period Collection: Fudo Myoo, 14th century. Creators: Ryushu Shutaku, Unknown

Fudo Myoo, 14th century. Creators: Ryushu Shutaku, Unknown
Fudo Myoo, 14th century. [From triptych of Fudo Myoo and Two Attendants.]

Background imageNanbokuchō Period Collection: Attendant of Fudo Myoo, 14th century. Creators: Ryushu Shutaku, Unknown

Attendant of Fudo Myoo, 14th century. Creators: Ryushu Shutaku, Unknown
Attendant of Fudo Myoo, 14th century. [From triptych of Fudo Myoo and Two Attendants.]

Background imageNanbokuchō Period Collection: Ú½ÿÚçÄÕøøµëǵÿÄþÑ×ÕâÅ Four Deities K┼ìyasan Temple Complex

Ú½ÿÚçÄÕøøµëǵÿÄþÑ×ÕâÅ Four Deities K┼ìyasan Temple Complex
Artokoloro

Background imageNanbokuchō Period Collection: Dakini Nanbokuch┼ì period 1336-92 Japan Hanging scroll

Dakini Nanbokuchō period 1336-92 Japan Hanging scroll
Artokoloro

Background imageNanbokuchō Period Collection: µäøµƒôµÿÄþÄïÕâÅ Aizen My┼ì┼ì Nanbokuch┼ì period

µäøµƒôµÿÄþÄïÕâÅ Aizen My┼ì┼ì Nanbokuch┼ì period
Artokoloro


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The Nanbokuchō period, which spanned from the late 14th century to the early 15th century in Japan, was a time of great artistic and cultural development. During this period, many remarkable works of art were created by unknown artists, showcasing their immense talent and skill. One such masterpiece is the Taima Mandala, believed to have been crafted in the late 14th century. This intricate mandala depicts various Buddhist deities and celestial beings in vibrant colors and meticulous detail. It serves as a visual representation of Buddhist teachings and provides a spiritual experience for those who gaze upon it. Another notable artwork from this era is the Welcoming Descent of Amida and Bodhisattvas. Created by an anonymous artist during the late 14th century, this piece portrays Amida Buddha descending from heaven accompanied by bodhisattvas. The delicate brushwork and serene expressions on their faces evoke a sense of tranquility and enlightenment. The Mandala of Wakamiya of Kasuga Shrine is yet another fascinating creation from the early 14th century. This mandala showcases various gods worshipped at Kasuga Shrine through intricate patterns and symbols. Its purpose was to invoke blessings for prosperity, protection, and good fortune. In addition to religious artworks, secular pieces also flourished during this period. Plum Blossoms is one such example; its exact creator remains unknown but dates back to between 1336-92. This painting captures the beauty of plum blossoms with delicate brushstrokes that bring them to life on paper. The it also saw the rise of temple complexes adorned with stunning sculptures like Fudo Myoo created by Ryushu Shutaku or other unknown artists during the 14th century. These sculptures depict powerful deities known as Wisdom Kings who protect Buddhism's teachings fiercely. Furthermore, depictions like Attendant of Fudo Myoo showcase skilled craftsmanship and attention to detail.