Nails Collection (page 3)

Lamentation over dead Christ, c. 1460-64 (oil on panel)
5310822 Lamentation over dead Christ, c. 1460-64 (oil on panel) by Weyden, Rogier van der (1399-1464); 80.6x130.1 cm; Mauritshuis, The Hague

Pieta, 1576-82 (oil on canvas)
899448 Pieta, 1576-82 (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); 147x111.5 cm; State Hermitage Museum, St. Petersburg

The Dead Christ (oil on canvas)
NUL122592 The Dead Christ (oil on canvas) by Carracci, Annibale (1560-1609); Staatsgalerie, Stuttgart, Germany; Italian, out of copyright

BLOOD QUEEN
DEBASISH CHATTOPADHYAY

Andy Murray Fans With Painted Faces & Nails The Wimbledon Championships 2012 The Wimbledon Championships 2012 The All England Tennis Club, Wimbledon, London, England 26 June 2012 Date: 26 June 2012

The Resurrection, c. 1475 (oil on wood)
FIA5388043 The Resurrection, c.1475 (oil on wood) by Bermejo, (Bartolome de Cardenas) (c.1435/40-1500); 90x69 cm; Museu Nacional d Art de Catalunya, Barcelona, Spain; Photo © Fine Art Images

Trimming Her Nails, c. 1755. Creator: Torii Kiyohiro
Trimming Her Nails, c. 1755

The Actor Onoe Matsusuke I as the Ghost of Ki no Natora in the Play Kiku no En Mukashi no Miyako, Performed at the Nakamura Theater in the Eighth Month, 1791, c. 1791

Crucifix, 1230 / 40. Creator: Master of the Bigallo Crucifix
Crucifix, 1230/40

Crucifixion of Saint Peter, 1770 / 80. Creators: Luigi Valadier, Workshop of Luigi Valadier
Crucifixion of Saint Peter, 1770/80

Corpus of Christ, from the Altarpiece of the Crucifixion, 1391-99

The Crucifixion, c. 1487. Creator: Carlo Crivelli
The Crucifixion, c. 1487

Hinge Butt, c. 1940. Creator: Nicholas Amantea
Hinge Butt, c. 1940

Woman Cutting Her Nails after Gathering Herbs, 19th century. Creator: Kubo Shunman
Woman Cutting Her Nails after Gathering Herbs, 19th century

Christ crucified on the cross, a skull at the base, ca. 1770-1803
Christ crucified on the cross, a skull at the base, after Reni, ca. 1770-1803. [In manus tuas commendo spiritum meum - Into your hands, O Lord, I commend my spirit]

The Entombment, ca. 1622. Creator: Giovanni Temini
The Entombment, ca. 1622

Scenes from the Passion of Christ, c. 1942 (fresco)
3702445 Scenes from the Passion of Christ, c.1942 (fresco) by Canavesio, Giovanni (fl.1450-1500); Notre-Dame des Fontaines, La Brigue

Pieta, 1476 (tempera on wood, gold ground)
3618003 PietA, 1476 (tempera on wood, gold ground) by Crivelli, Carlo (c.1430/35-1495); 71.1 x 63.8 cm; Metropolitan Museum of Art, New York

Jesus is nailed to the Cross (colour litho)
5226667 Jesus is nailed to the Cross (colour litho) by Fugel, Gebhard (1863-1939); Private Collection; (add.info.: Jesus is nailed to the Cross)

Box-making processes in use in a large soap works (b / w photo)
6008274 Box-making processes in use in a large soap works (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Box-making processes in use in a large soap works)

Some examples of odd currency (litho)
6004854 Some examples of odd currency (litho) by English School, (20th century); Private Collection; (add.info.: Some examples of odd currency)

Corpus Christi, c. 1240 (bronze gilt)
619897 Corpus Christi, c.1240 (bronze gilt) by French School, (13th century); Private Collection; French, out of copyright

Department of Ardennes in northeast France (chromolitho)
724680 Department of Ardennes in northeast France (chromolitho) by French School, (19th century); Private Collection; (add.info.: Department of Ardennes in northeast France)

Department of Aisne in northern France (chromolitho)
724678 Department of Aisne in northern France (chromolitho) by French School, (19th century); Private Collection; (add.info.: Department of Aisne in northern France)

Crucifixion: Jesus is nailed to the cross. The eleventh Station of the Cross (chromolitho)
668801 Crucifixion: Jesus is nailed to the cross. The eleventh Station of the Cross (chromolitho) by French School, (19th century); Private Collection; (add.info.: Crucifixion)

Bronze Pillar (Nails) No. 2, with inscriptions of Nos. 2, 3 and 4 (pencil & w / c on paper)
2832598 Bronze Pillar (Nails) No. 2, with inscriptions of Nos. 2, 3 and 4 (pencil & w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Interieur d une clouterie (engraving)
2781389 Interieur d une clouterie (engraving) by French School, (19th century); Private Collection; (add.info.: Interieur d une clouterie)

An Evening with Beatrice Lillie, Royal Court Theatre, Liverpool, from 18 October 1954. Direct from New York, prior to London. Date: 1954

Comic postcard, Dog with horseshoe tied to tail - not so lucky! Date: 20th century

Trade Card for Paul Revere and Son, at their Bell and Cannon Foundry, c
1248907 Trade Card for Paul Revere and Son, at their Bell and Cannon Foundry, c.1800 (engraving) by American School, (19th century); 7.4x11.4 cm; Massachusetts Historical Society, Boston, MA

St. Bernard of Clairvaux carrying the instruments of the Passion (oil on canvas)
REV345869 St. Bernard of Clairvaux carrying the instruments of the Passion (oil on canvas) by Spanish School, (17th century); Monasterio de Santa Maria de San Salvador, Canas

Historiated initial O depicting the Kiss of Judas and the Crucifixion, c
MMT215611 Historiated initial O depicting the Kiss of Judas and the Crucifixion, c.1370 (vellum) by Niccolo di Giacomo (14th century); Musee Marmottan Monet, Paris

The Manicure, 1933 (oil on canvas)
BRA33276 The Manicure, 1933 (oil on canvas) by Wood, Christopher (1901-30); 60x40 cm; Bradford Art Galleries and Museums, West Yorkshire

Captain Cuttle bites his nails (chromolitho)
5218869 Captain Cuttle bites his nails (chromolitho) by English School, (19th century); Private Collection; (add.info.: Captain Cuttle bites his nails)

Manicure, 1923
During a busy day of shopping, a lady stops at Marshall and Snelgrove for a much-needed manicure. Date: 1923

The Crucifixion, c. 1473-74 (tempera on poplar panel)
5895272 The Crucifixion, c.1473-74 (tempera on poplar panel) by Cossa, Francesco del (1435/6-c.1477); 60x63.2 cm; National Gallery of Art, Washington DC

Corpus Christi, c. 1240 (bronze gilt)
XBP231481 Corpus Christi, c.1240 (bronze gilt) by French School, (13th century); Private Collection; Photo eBoltin Picture Library; French, out of copyright

The Captains Daughter, detail of the girl with her binoculars (oil on canvas
SOU112528 The Captains Daughter, detail of the girl with her binoculars (oil on canvas) (detail of 112524) by Tissot, James Jacques Joseph (1836-1902); Southampton City Art Gallery, Hampshire

Deposition (oil on canvas)
VLS76916 Deposition (oil on canvas) by Trotti, Giovanni Battista (Il Malosso) (1555-1619); Pinacoteca, Cremona, Italy; eGiuliano Valsecchi; Italian, out of copyright

Man of Sorrows (tempera on panel)
AII80550 Man of Sorrows (tempera on panel) by Gerini, Niccolo di Pietro (fl.1368-1415); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Italian, out of copyright

Pieta (Christus Patiens), 1550 (panel)
CAY72138 Pieta (Christus Patiens), 1550 (panel) by Macip, Vicente Juan (Juan de Juanes) (c.1510-79); 57.3x61.7 cm; Caylus Anticuario, Madrid, Spain; Spanish, out of copyright

Santa Trinita Altarpiece, detail showing a group of men
BAT94710 Santa Trinita Altarpiece, detail showing a group of men, possibly including Nicodemus and Joseph of Arimathaea, c.1434 (tempera & gold on panel) by Angelico

The Crucifixion (pen and wash)
AGN81579 The Crucifixion (pen and wash) by Blake, William (1757-1827); 32.8x34.5 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Girl making spike nails in a victorian factory, 19th Century
Vintage engraving of a Girl making spike nails in a victorian factory, 19th Century

Ancient concave roundel with umbo or spike
Views of an ancient concave roundel with umbo or spike made of leather skins, iron plate and brass nails. Copperplate engraving by J

Inca puberty rites (huarachicoy) during Capac Raymi wherein boys become warriors, and receive breechclouts (huara) and weapons, have their nails clipped and ears pierced

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"Nails: A Journey Through Time, Culture, and Beauty" In the footsteps of Martin Luther's 95 Theses, we embark on a captivating exploration of nails. Just like the Basset Hound teaching its puppy to walk steadily, nails provide us with stability and support in our daily lives. But let's not forget the fascinating ostrich legs and feet – nature's own masterpiece of endurance. Much like a young lady meticulously doing her pedicure, these magnificent creatures take pride in their appearance. Traveling back in time to 1886, we witness an unexpected sight: ladies boxing. Their fierce determination mirrors the resilience found within our own nail beds. And speaking of strength, have you ever seen Florida's West Indian Manatee? Even their toe they can visible as they gracefully navigate Crystal River. Hand manicures remind us that even small acts of self-care can bring immense joy. As we ponder Luther's 95 Theses and Victoria's crucifixion in Gozo, Malta; it becomes clear that nails symbolize both rebellion against injustice and unwavering faith. Venturing into North Africa reveals the enchanting world of Algerian Berber Ouled Nails Tribe women. With their vibrant dances and intricate henna designs on hands adorned with stiletto shoes – they celebrate femininity while defying societal norms. Let us not overlook the hidden beauty beneath those stylish stilettos - an MRI-style X-ray revealing bones supporting a leg ready to conquer any dance floor. Just as Dance of the Ouled Nails captivates Southern Algeria, our own moves can leave lasting impressions wherever we go. From historical milestones to cultural traditions spanning continents; nails hold stories waiting to be discovered. So next time you admire your perfectly polished fingertips or gaze at your toes peeking through crystal-clear waters – remember that beyond aesthetics lies a rich tapestry connecting humanity throughout time and space.