Moyen Collection
"Moyen: A Glimpse into the Reigns of French Kings" Step back in time and explore the fascinating world of French monarchy through the engravings depicting various kings
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"Moyen: A Glimpse into the Reigns of French Kings" Step back in time and explore the fascinating world of French monarchy through the engravings depicting various kings. From Charles the Third, who ruled from 879 to 929, to Charles The Simple, whose reign spanned from 893 to 922, these illustrations offer a window into their lives and legacies. One engraving showcases Charles VI, King of France, as depicted in Jean Du Tillet's Recueil des Rois de France. This intricate artwork captures his regal presence and gives us a glimpse into his rule during turbulent times. Travel even further back in history with an engraving featuring Dagobert II (652-679), a Merovingian French King. His image evokes curiosity about this lesser-known ruler and invites us to delve deeper into his story. Not forgetting Dagobert I, another engraving brings forth memories of this influential king who left an indelible mark on early medieval France. His reign is shrouded in legends that continue to captivate historians and enthusiasts alike. Childeric III also makes an appearance in one of these engravings. As one of the last Merovingian kings before Charlemagne's rise to power, he represents a pivotal moment in French history when dynasties were shifting. The Flemish Workshop presents an enchanting illumination from Les Miracles de Notre-Dame by Jean Meliot dating back to around 1456. This vellum artwork transports us to a world where miracles unfold under divine intervention—a testament to the religious fervor prevalent during those times. Caribert I stands tall among these engravings as well—an intriguing figure whose legacy remains somewhat elusive but sparks curiosity nonetheless. Unraveling his story could reveal hidden gems about this lesser-known king's impact on early medieval France. Charles VII takes center stage with yet another captivating engraving.