Monochrome Collection (page 19)

Lord Viscount Duncans Victory and Admiral De Winter
6200822 Lord Viscount Duncans Victory and Admiral De Winters Resignation on board the Venerable, October 1797 (stipple engraving) by Orme, Daniel (1766-p.1832); 42.6x57.6 cm; The McManus, Dundee

The Dam Wood, 1875 (drypoint)
6200329 The Dam Wood, 1875 (drypoint) by Whistler, James Abbott McNeill (1834-1903); 17.8x11.1 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; American

Fanny Leyland, c. 1874 (drypoint)
6200326 Fanny Leyland, c.1874 (drypoint) by Whistler, James Abbott McNeill (1834-1903); 19.4x13.3 cm; The McManus, Dundee

The Forge, 1861 (drypoint)
6200321 The Forge, 1861 (drypoint) by Whistler, James Abbott McNeill (1834-1903); 19.1x31.1 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; American

J Craig Annan, 1916 (etching)
6200171 J Craig Annan, 1916 (etching) by Strang, William (1859-1921); 35x25 cm; The McManus, Dundee, UK; (add.info.: Pioneering Scottish photographer James Craig Annan (1864-1946)

Doorway, Santa Cruz, Toledo, 1913 (etching)
6200169 Doorway, Santa Cruz, Toledo, 1913 (etching) by Strang, William (1859-1921); 17.8x31.8 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Scottish, out of copyright

Self Portrait, 20th century (etching)
6200159 Self Portrait, 20th century (etching) by Simpson, Joseph (1879-1939); 57x41.5 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; British, out of copyright

A Welsh Estuary, 19th century (etching)
6198650 A Welsh Estuary, 19th century (etching) by Knight, Joseph (1837-1909); 13.3x22.2 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; English, out of copyright

The Mars Training Ship, 19th century (etching)
6198662 The Mars Training Ship, 19th century (etching) by Laing, Frank (1862-1907); 10x22.3 cm; The McManus, Dundee, UK; (add.info)

The Rising Moon, c. 1857 (etching)
6200828 The Rising Moon, c.1857 (etching) by Palmer, Samuel (1805-81); 11.7x19.1 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; English

The Little Pool, 1861 (drypoint)
6200330 The Little Pool, 1861 (drypoint) by Whistler, James Abbott McNeill (1834-1903); 10.2x12.7 cm; The McManus, Dundee

Elinor Leyland, 1873-74 (drypoint)
6200324 Elinor Leyland, 1873-74 (drypoint) by Whistler, James Abbott McNeill (1834-1903); 21.3x14 cm; The McManus, Dundee

The Little Forge, 1875 (drypoint)
6200323 The Little Forge, 1875 (drypoint) by Whistler, James Abbott McNeill (1834-1903); 22.9x15.2 cm; The McManus, Dundee

Greenwich Park, 1859 (etching)
6200317 Greenwich Park, 1859 (etching) by Whistler, James Abbott McNeill (1834-1903); 12.7x20 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; American

Lavards Anders, 1919 (etching)
6200303 Lavards Anders, 1919 (etching) by Zorn, Anders Leonard (1860-1920); 15.8x11.8 cm; The McManus, Dundee, UK; (add.info)

Renan, 1892 (etching)
6200265 Renan, 1892 (etching) by Zorn, Anders Leonard (1860-1920); 23.5x33.9 cm; The McManus, Dundee, UK; (add.info.: French scholar and philosopher Joseph Ernest Renan (1823-92)

Chelsea Bridge and Church, 1871 (drypoint)
6200254 Chelsea Bridge and Church, 1871 (drypoint) by Whistler, James Abbott McNeill (1834-1903); 10.2x16.8 cm; The McManus, Dundee

Battersea Dawn (Cadogan Pier), 1863 (etching)
6200253 Battersea Dawn (Cadogan Pier), 1863 (etching) by Whistler, James Abbott McNeill (1834-1903); 11.4x15.2 cm; The McManus, Dundee

The Blind Man, 19th century (etching)
6200241 The Blind Man, 19th century (etching) by Walker, Frederick (1840-75); 11.4x14.9 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; English

A Weak Defence, c. 1911 (etching)
6200150 A Weak Defence, c.1911 (etching) by Sickert, Walter Richard (1860-1942); 14.5x8.4 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; English, out of copyright

Page 29 Ice Islands, 1768-75 (w / c)
5670293 Page 29 Ice Islands, 1768-75 (w/c) by Hodges, William (1744-97); Mitchell Library, State Library of New South Wales; (add.info.: Original Sketches, Drawings)

Page 28 Ice islands with the Resolution and Adventure, 1768-75 (w / c)
5670292 Page 28 Ice islands with the Resolution and Adventure, 1768-75 (w/c) by Hodges, William (1744-97); Mitchell Library, State Library of New South Wales; (add.info.: Original Sketches, Drawings)

Page 38a Map of S. Andehman Island (pen & ink)
5670305 Page 38a Map of S. Andehman Island (pen & ink) by Unknown artist, (18th century); Mitchell Library, State Library of New South Wales; (add.info.: Original Sketches, Drawings)

F. 5 A Night Dance by Men, in Hapaee, c. 1773-84 (w / c)
5671356 F.5 A Night Dance by Men, in Hapaee, c.1773-84 (w/c) by Webber, John (1750-93); Mitchell Library, State Library of New South Wales; (add.info.: Vol)

Page 21a Diagram of a native canoe, 1768-75 (pen & ink)
5670275 Page 21a Diagram of a native canoe, 1768-75 (pen & ink) by Hodges, William (1744-97); Mitchell Library, State Library of New South Wales; (add.info.: Original Sketches, Drawings)

Page 3b View of unidentified island. In ink on left hand side N by E
5670254 Page 3b View of unidentified island. In ink on left hand side N by E and on right hand side E by N, 1768-75 (pen & ink and wash) by Hodges, William (1744-97) (attr)

iv. A View of the Watering Place Tegadoo Bay, New Zealand, 23 Oct 1769
5670249 iv. A View of the Watering Place Tegadoo Bay, New Zealand, 23 Oct 1769 by Cook, James (1728-79); Mitchell Library, State Library of New South Wales; (add.info.: Possibly draw by Isaac Smith)

ib. A Plan of the Harbour of Croque in Newfoundland, 1763 (pen & ink and wash)
5670246 ib. A Plan of the Harbour of Croque in Newfoundland, 1763 (pen & ink and wash) by Cook, James (1728-79); Mitchell Library, State Library of New South Wales; (add.info.: Original Sketches)

Set of doors, c. 1928 (glass & patinated iron)
6264797 Set of doors, c.1928 (glass & patinated iron) by Barillet, Louis (1880-1948); Private Collection; (add.info.: Comprising two double doors and a single door, composed of printed glass)

L Avenue du Bois (detail), 1880 (monotype, black carbon ink on India paper)
5938101 L Avenue du Bois (detail), 1880 (monotype, black carbon ink on India paper) by Degas, Edgar (1834-1917); 11.8x16.1 (image); 17.2x20.5 (sheet) cm; Fitzwilliam Museum, University of Cambridge

On the Loire (pencil & w / c on paper)
1763654 On the Loire (pencil & w/c on paper) by Oliver, Daniel (1830-1916); Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; British, out of copyright

Lilburn Tower, Northumberland, c. 1916 (charcoal on paper)
1763647 Lilburn Tower, Northumberland, c.1916 (charcoal on paper) by Oliver, Daniel (1830-1916); Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; British, out of copyright

Hexham, c. 1916 (charcoal on paper)
1763645 Hexham, c.1916 (charcoal on paper) by Oliver, Daniel (1830-1916); Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; British, out of copyright

River Scene with Boats, c. 1916 (charcoal on paper)
1763644 River Scene with Boats, c.1916 (charcoal on paper) by Oliver, Daniel (1830-1916); Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; British, out of copyright

Aydon Castle, c. 1916 (charcoal on card)
1763642 Aydon Castle, c.1916 (charcoal on card) by Oliver, Daniel (1830-1916); Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; British, out of copyright

Yeavering Bell, Northumberland, c. 1916 (pencil & w / c on paper)
1763633 Yeavering Bell, Northumberland, c.1916 (pencil & w/c on paper) by Oliver, Daniel (1830-1916); Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; British

Fountain Park, Falls of Schuylkill, Philadelphia, c. 1845 (litho)
620158 Fountain Park, Falls of Schuylkill, Philadelphia, c.1845 (litho) by Queen, James Fuller (1824-c.1877); Free Library of Philadelphia; eFree Library of Philadelphia; American, out of copyright

Study of a seated woman, Seated Woman Draped (chalk on paper)
PNH371942 Study of a seated woman, Seated Woman Draped (chalk on paper) by Shannon, Charles Haslewood (1863-1937); 27.4x20 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries

Head of a Young Man (charcoal on paper)
CMY362963 Head of a Young Man (charcoal on paper) by Philpot, Glyn Warren (1884-1937); Private Collection; English, out of copyright

Caroline Durand (1826-1902), 1827 (conte)
1079383 Caroline Durand (1826-1902), 1827 (conte) by Durand, Asher Brown (1796-1886); 37.1x29.2 cm; Collection of the New-York Historical Society

Kaaterskill Falls from Above the Ravine, Catskill Mountains
1079304 Kaaterskill Falls from Above the Ravine, Catskill Mountains, New York: Study for an Engraving, 1836 (brown ink wash with touches of white heightening on paper, laid on card) by Bartlett

Landscape (pen & ink on paper)
1152808 Landscape (pen & ink on paper) by Rembrandt Harmensz. van Rijn (1606-69); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; Dutch

A wooded road, c. 1650 (pen & ink on paper)
1152807 A wooded road, c.1650 (pen & ink on paper) by Rembrandt Harmensz. van Rijn (1606-69); 15.9x20.2 cm; eThe Devonshire Collections

The Calling of St. Peter (pencil on paper)
1152802 The Calling of St. Peter (pencil on paper) by Maratta or Maratti, Carlo (1625-1713); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees;

Study of a man (pencil & wash on paper)
1152801 Study of a man (pencil & wash on paper) by Italian School; eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; Italian, out of copyright

View of a military fortress (w / c over pencil on paper)
1065135 View of a military fortress (w/c over pencil on paper) by Pissarro, Camille (1830-1903); 36.2x54.3 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Portrait of Elizabeth Siddal, 1854-56 (pencil on paper)
1202917 Portrait of Elizabeth Siddal, 1854-56 (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); 23.4x18 cm; Fitzwilliam Museum, University of Cambridge

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"Exploring the Monochrome: A Journey through Time and Inspiration" Step into a world where shades of black and white intertwine, revealing stories that transcend centuries. Just like Janus, the Roman god of beginnings and transitions, monochrome captures the duality of existence in its purest form. In 1919, as a solar eclipse painted the sky with ethereal darkness, Richard Feynman pondered the mysteries of our universe. His caricature C015/6715 immortalizes his brilliance amidst this monochromatic spectacle. Gaudi's whimsical chimneys atop Casa Mila (La Pedrera), a UNESCO World Heritage Site in Barcelona, stand proudly against a monochrome backdrop. They remind us that even in simplicity lies extraordinary beauty - just like heroes who emerged victorious from the Trojan War. Dmitri Mendeleev's caricature transports us to an era when he meticulously arranged elements on his periodic table. In this grayscale realm, knowledge shines brighter than ever before. A broken wrist bone reveals itself through an X-ray C017/7187; a stark reminder that even in moments of vulnerability, strength can be found within ourselves. The enigmatic Count of St Germain emerges from history books as a French alchemist who sought eternal life. In monochrome hues, we glimpse his quest for immortality through shadows cast by ancient secrets. Amidst Lac Le Jeune Provincial Park's tranquil waters stands a common loon adult carrying its chick on its back. This heartwarming scene reminds us that love knows no boundaries - not even color or shade. Epicycles dance around Mercury and Venus in an intricate celestial ballet captured by 1823 C017/8061 artwork. Monochrome unveils their cosmic harmony while inviting us to marvel at nature's grand design. An 1889 bonsai dwarf pine tells tales of patience and dedication; it embodies resilience against time's relentless march forward.