Monkey Collection (page 100)

Vervet monkey (Chlorocebus pygerythrus), Augrabies Falls National Park, Northern Cape, South Africa, Africa

CLARENCE SEWARD DARROW (1857-1938). American lawyer. Darrow (left) with Judge John T. Raulston, who presided over the Scopes Trial at Dayton, Tennessee, July 12, 1925

SCOPES TRIAL, 1925. Clarence Darrow (left) and William Jennings Bryan during a lull in the Scopes Trial in Dayton, Tennessee. Oil over a photograph, 1925

Hispanopithecus laietanus from the Spanish Miocene epoch
Dryopithecus=Hispanopithecus laietanus, a basal hominidae from the Spanish Miocene epoch

Dinopithecus ingens, Pliocene of South Africa

ANIMALS AT THE ZOOLOGICAL GARDENS: 1. The Red Bird of Paradise; 2. The Grey Plover; 3. Darwins " Rhea" ; 4. The Pluto Monkey; 5. The Juggur Falcon

Source Size = 5038 x 3767
Pantomime at Drury Lane, London, 1870

Source Size = 1830 x 2559
Chimpanzee, in the Gardens of the Zoological Society

The Monkey and the Dolphin, by Gustave Dore
THE MONKEY AND THE DOLPHIN, BY GUSTAVE DORE. Dore, 1832 - 1883, French. Engraving for Fables by -Jean de la Fontaine. 1870, Art, Artist, romanticism, colour, color engraving

Allegory of Abundance (oil on panel) (for detail see 124327)
BAL93444 Allegory of Abundance (oil on panel) (for detail see 124327) by Brueghel, Jan the Younger (1601-78); 53x72 cm; Private Collection; Johnny Van Haeften Ltd. London; Flemish, out of copyright

Americae Tertia Pars, the prisoner in the middle of the native Indian village
XIR902323 " Americae Tertia Pars", the prisoner in the middle of the native Indian village (page 353), 1562 (colour engraving) by Bry

Monkeys disguised as soldiers, bringing them to a cat officer (oil on canvas)
XIR899095 Monkeys disguised as soldiers, bringing them to a cat officer (oil on canvas) by Teniers, David the Younger (1610-90) (school of); 28x36 cm; Musee des Beaux-Arts, Rennes

Still Life with Monkey (oil on canvas)
XIR899014 Still Life with Monkey (oil on canvas) by Beert, Osias the Elder (c.1570-1624); 97x126 cm; Musee des Beaux-Arts, Nantes, France; (add.info.: Nature morte au singe)

Entering the Ark (oil on canvas)
XIR899028 Entering the Ark (oil on canvas) by Italian School, (17th century); Musee des Beaux-Arts, Nantes, France; (add.info.: L Entree dans l Arche. Ecole genoise)

Anne Allen after Jean-Baptiste Pillement, French (active 1790s), Chinese Arabesque with a Monkey, early 1760s, color etching on laid paper, printed " a la poupa© e"

The Infallible Mountebank or Quack Doctor, 1688-1705 (engraving)
XJF872713 The Infallible Mountebank or Quack Doctor, 1688-1705 (engraving) by Laroon, Marcellus the Elder (1653-1702) (after); Private Collection; English, out of copyright

Giving a bite
BAL8715 Giving a bite by Mulready, William (1786-1863); Victoria & Albert Museum, London, UK; Irish, out of copyright

The Duchess of Maine (1676-1753) (oil on canvas)
XIR85361 The Duchess of Maine (1676-1753) (oil on canvas) by Troy, Francois de (1645-1730); Musee de l Ile de France, Sceaux, France; French, out of copyright

Beware of Luxury, c. 1663
XAM74873 " Beware of Luxury", c.1663 by Steen, Jan Havicksz. (1625/26-79); 105x145 cm; Kunsthistorisches Museum, Vienna, Austria; Dutch, out of copyright

Two Fools, c. 1600
XAM74802 Two Fools, c.1600 by Netherlandish School, (17th century); 175.5x109 cm; Kunsthistorisches Museum, Vienna, Austria; Netherlandish, out of copyright

Queen Henrietta Maria with Sir Jeffrey Hudson, 1633 (oil on canvas)
XOS746463 Queen Henrietta Maria with Sir Jeffrey Hudson, 1633 (oil on canvas) by Dyck, Anthony van (1599-1641); 219.1x134.8 cm; National Gallery of Art, Washington DC

Tropical Forest with Monkeys, 1910 (oil on canvas)
XOS744803 Tropical Forest with Monkeys, 1910 (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 129.5x162.5 cm; National Gallery of Art, Washington DC

Circle of Jan van Kessel, Study of Birds and Monkey, 1660-1670, oil on copper

Queen Henrietta Maria and her dwarf Sir Jeffrey Hudson, c. 1633
BAL72300 Queen Henrietta Maria and her dwarf Sir Jeffrey Hudson, c.1633 by Dyck, Anthony van (1599-1641); 228.6x129 cm; Private Collection; (add.info.: Henrietta Maria (1609-69): Queen of Charles I

Cimon and Iphigenia, 1617 (oil on canvas)
XAM68665 Cimon and Iphigenia, 1617 (oil on canvas) by Rubens, Peter Paul (1577-1640); 208x282 cm; Kunsthistorisches Museum, Vienna, Austria; Flemish, out of copyright

Maria Theresa and her Husband at the staircase leading from the Great Hall of Schloss
XAM66711 Maria Theresa and her Husband at the staircase leading from the Great Hall of Schloss Schonbrunn into the large courtyard, with their children Joseph II, Karl, Leopold II, Ferdinand

Coryn Boel after David Teniers the Younger (Flemish, 1620 - 1688), Monkey Business in Old Holland, engraving on laid paper

Lazarus and the Rich Mans Table (from Luke XVI) (panel)
BAL64498 Lazarus and the Rich Mans Table (from Luke XVI) (panel) by Hoecke, Kasper or Gaspar van den (1595-1648); 74.5x106 cm; Johnny van Haeften Gallery, London, UK; Flemish, out of copyright

At The Fair, 1877
XKL60238 At The Fair, 1877 by Cabaillot-Lasalle, Camille-Leopold (b.1839); Berko Fine Paintings, Knokke-Zoute, Belgium; French, out of copyright

Allegory of Painting (oil on copper)
BAL59994 Allegory of Painting (oil on copper) by Brueghel, Jan the Younger (1601-78); 47x75 cm; Johnny van Haeften Gallery, London, UK; Flemish, out of copyright

Chimpanzee, 1699 (litho)
BAL5920 Chimpanzee, 1699 (litho) by Gucht, Michael van der (1660-1725); Victoria & Albert Museum, London, UK; Flemish, out of copyright

The Sense of Sight, 1617 (oil on panel)
XIR55897 The Sense of Sight, 1617 (oil on panel) by Brueghel, Jan (1601-78) & Rubens, P.P. (1577-1640); 65x109 cm; Prado, Madrid, Spain; Dutch, out of copyright

Of disordred loue and veneryous, illustration from Alexander Barclays English
XJF486405 Of disordred loue and veneryous, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School

Allegorical picture of Excesses said to have been committed by the Huguenots, from Military
KW478269 Allegorical picture of Excesses said to have been committed by the Huguenots, from Military and Religious Life in the Middle Ages by Paul Lacroix

Christophe Huet (French, 1700 - 1759), Singerie: The Concert, c. 1739, oil on canvas

The correspondence between the human and the universe, from Robert Fludds Utriusque
XJF447345 The correspondence between the human and the universe, from Robert Fludds Utriusque Cosmi Historia, 1617-19 (engraving) by English School

Man Monk Monkey (litho)
XJF444339 Man Monk Monkey (litho) by English School, (19th century); Private Collection; (add.info.: A satire of Darwins theory of evolution; Printed by Schenck & McFarlane; ); English

After having a glass of sugar water, the famous orator comes down the platform
XIR442030 After having a glass of sugar water, the famous orator comes down the platform, illustration from Scenes de la Vie Privee et Publique des Animaux (engraving)

Detail of the Return of the English Ambassadors, from the St. Ursula Cycle, c. 1490-96
XIR434160 Detail of the Return of the English Ambassadors, from the St. Ursula Cycle, c.1490-96 (oil on canvas) (detail of 51114) by Carpaccio, Vittore (c.1460/5-1523/6); Galleria dell Accademia

Christ shown to the people, c. 1475-85 (engraving)
XJF417358 Christ shown to the people, c.1475-85 (engraving) by Meckenem, Israhel van, the younger (fl.1445-1503); Private Collection; German, out of copyright

The Good Samaritan, 1861 (litho)
XIR414891 The Good Samaritan, 1861 (litho) by Bresdin, Rodolphe (1822-85); Musee d Art et d Histoire, Meudon, France; (add.info)

Still Life with a Red Deer (oil on canvas)
XIR39449 Still Life with a Red Deer (oil on canvas) by Snyders or Snijders, Frans (1579-1657); 170x242 cm; Musee des Beaux-Arts, Marseille, France; Flemish, out of copyright

The Organ in the Court, illustration from London, a Pilgrimage, 1872 (engraving)
XJF394290 The Organ in the Court, illustration from London, a Pilgrimage, 1872 (engraving) by Dore, Gustave (1832-83); Private Collection; French, out of copyright

Adoration of the Magi, c. 1532-35 (fresco)
XZO387280 Adoration of the Magi, c.1532-35 (fresco) by Ferrari, Gaudenzio (1474/80-1546); Church of San Cristoforo, Vercelli, Italy; Italian, out of copyright

Annah the Javanese, 1893-94 (oil on canvas)
XIR38566 Annah the Javanese, 1893-94 (oil on canvas) by Gauguin, Paul (1848-1903); 116x81 cm; Private Collection; (add.info)

Exeter Change showing the entrance to Edward Crosss Royal Grand National Menagerie, c
XJF377216 Exeter Change showing the entrance to Edward Crosss Royal Grand National Menagerie, c.1829 (engraving) by English School, (19th century); Private Collection; (add.info.: Exeter Exchange)

A Witchs Tavern
BAL35793 A Witchs Tavern by Saftleven, Cornelis (1607-81); Rafael Valls Gallery, London, UK; Dutch, out of copyright

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"Exploring the Fascinating World of Monkeys: From Endangered Monkey Puzzle Trees to Playful Macaques" Monkey puzzle trees, scientifically known as Araucaria imbricata or Araucaria araucana, are captivating evergreens that have survived for millions of years. These ancient trees, native to South America and now endangered, feature sharp and spiky leaves resembling a puzzle. Their unique appearance has earned them the nickname "monkey puzzle tree. " In Southeast Asia's Monkey Forest Sanctuary in Ubud, Bali, visitors can witness the enchanting sight of long-tailed macaques swinging from tree branches. These mischievous primates bring joy to all who encounter them in this sanctuary nestled amidst lush greenery. Picture No. 11014536 captures the playful nature of these macaques as they interact with each other and their surroundings. Picture No. 10909605 showcases their expressive faces filled with curiosity and intelligence. The artistic world also finds inspiration in monkeys' charm and character. Anisetta Evangelisti's poster design featuring a monkey adds a touch of whimsy to any space (Picture No. 10889141). Meanwhile, Picture No. 11675844 portrays an oil painting titled "A Satire of the Folly of Tulip Mania, " where monkeys symbolize human folly through their association with greed. Monkeys hold significant cultural importance too; just look at Gibraltar's Barbary macaque population (Barbary ape). These charismatic creatures roam freely on Europe's only wild primate population habitat (Picture No. 1874 Darwin cartoon by Faustin). Even science recognizes our connection with monkeys through comparative embryology studies conducted by the American Museum of Natural History in 1932 (Picture No. COMPARATIVE EMBRYOLOGY). This chart illustrates how our development shares similarities with various species—from fish embryos to humans—highlighting our shared ancestry.