Modernism Collection (page 2)

Standing model, 1918-1920. Creator: Karl Isakson
Standing model, 1918-1920

The dance, 1920. Creator: John Sten
The dance, 1920

The Wetterhorn in the Bernese Oberland, undated. Creator: Alexandre Calame
The Wetterhorn in the Bernese Oberland, undated

Above and Beyond
Tom Windeknecht

Above and Beyond
Tom Windeknecht

Yellow Doors in Palm Springs
Tom Windeknecht

Canary Yellow Doors on a Mid-Century Modern
Tom Windeknecht

Saguaro Hotel Pink Building Walls
Tom Windeknecht

Above and Beyond
Tom Windeknecht

Above and Beyond
Tom Windeknecht

Yellow Doors in Palm Springs
Tom Windeknecht

Canary Yellow Doors on a Mid-Century Modern
Tom Windeknecht

Saguaro Hotel Pink Building Walls
Tom Windeknecht

Saguaro Hotel Pink Building Walls
Tom Windeknecht

Canary Yellow Doors on a Mid-Century Modern
Tom Windeknecht

Yellow Doors in Palm Springs
Tom Windeknecht

Above and Beyond
Tom Windeknecht

Birminghams Bull Ring Centre - 1960s
circa 1910s

Stained-glass skylight, Palace of Catalan Music concert hall, Barcelona, Catalonia, Spain

Low angle view of the ceiling in the nave, Sagrada Familia, Barcelona, Catalonia, Spain

Soviet modernist sgraffito, 1970s, Minusinsk, Krasnoyarsk Krai, Russia

Palais du Trocadero, Paris early 20th century (postcard)
6031713 Palais du Trocadero, Paris early 20th century (postcard) by French Photographer, (20th century); Private Collection; (add.info)

American fire brigade vehicle. 1919 (photo)
GIA4715205 American fire brigade vehicle. 1919 (photo) by Unknown photographer, (20th century); Private Collection; (add.info.: American fire brigade vehicle. 1919.); © Giancarlo Costa

Futuristic view of Regent's Park, London, 1831
3793546 Futuristic view of Regent's Park, London, 1831.; (add.info.: Futuristic view of Regent's Park, London, 1831. The progress of steam, Alken's illustration of modern prophecy')

The World's Fair of Paris in 1878 (litho)
UIG5420709 The World's Fair of Paris in 1878 (litho) by French School, (19th century); (add.info.: It was held in the Champ de Mars, Paris, from French Pictures by Rev. Samuel G)

Palais du Trocadero, Paris, early 20th century (postcard)
6031720 Palais du Trocadero, Paris, early 20th century (postcard) by French Photographer, (20th century); Private Collection; (add.info)

Hershey Chocolate Company in USA, early 20th century (print)
3793983 Hershey Chocolate Company in USA, early 20th century (print); (add.info.: Hershey Chocolate Company - Hershey, Pennsylvania, USA. A section of the finishing rooms)

"Glorious leader, righteous people", propaganda poster from the Chinese Cultural Revolution
RDA78528 "Glorious leader, righteous people", propaganda poster from the Chinese Cultural Revolution, 1970 (colour litho) by Chinese School (20th century) ; Private Collection; (add.info)

Central telegraph office Paris, 1870 (engraving)
3480010 Central telegraph office Paris, 1870 (engraving) by French School, (19th century); (add.info.: Central telegraph office Paris, 1870.); Universal History Archive/UIG

Telegraphic office in Paris, 19th century (engraving)
2757938 Telegraphic office in Paris, 19th century (engraving) by French School, (19th century); (add.info.: Sciences. Communication. Coll. Part. Science. Communication)

Scientist Jean Alexandre test his dial telegraph, France, Oct. 1801 (engraving)
2757931 Scientist Jean Alexandre test his dial telegraph, France, Oct. 1801 (engraving) by French School, (19th century); (add.info.: Sciences. Communication. Coll. Part. Science. Communication)

Jean Alexandre demonstrating his electric telegraph, 1870 (engraving)
3479998 Jean Alexandre demonstrating his electric telegraph, 1870 (engraving) by French School, (19th century); (add.info.: Jean Alexandre demonstrating his electric telegraph)

Experiment of telephony by Francois Sudre on the Champ de Mars, Paris, 1829 (engraving)
2757928 Experiment of telephony by Francois Sudre on the Champ de Mars, Paris, 1829 (engraving) by French School, (19th century); (add.info.: Sciences. Communication)

MUCHA, Alphonse Maria (1860-1939). Zodiac. 1896. (67 x 48 cm). Poster and calendar advertising the magazine "La
CUL4866398 MUCHA, Alphonse Maria (1860-1939). Zodiac. 1896. (67 x 48 cm). Poster and calendar advertising the magazine "La Plume" (The Feather). Modernism

Samuel Friedes Globe, 1907 (postcard)
3794009 Samuel Friedes Globe, 1907 (postcard); (add.info.: Samuel Friedes Globe Tower, Coney Island, New York. Fun fair. 700 feet high, scheduled to open on 15 May 1907. Postcard); Lebrecht History

Agbar Tower or Torre Agbar building, Barcelona, Spain

Park Guell by Antoni Gaudi, Barcelona, Catalonia, Spain

Rainer Maria Rilke and Clara Westhoff in Rome, 1903 (b/w photo)
XPH330632 Rainer Maria Rilke and Clara Westhoff in Rome, 1903 (b/w photo) by Italian Photographer, (20th century); Rilke Archiv, Gernsbach

Georgia Engelhard, 1920. Creator: Alfred Stieglitz
Georgia Engelhard, 1920. A work made of palladium print

The hall stairway and grilled balcony of Theatre Pigalle, 1920s (b / w photo)
STC439607 The hall stairway and grilled balcony of Theatre Pigalle, 1920s (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: designed by architectus Charles Siclis)

Sculptor Jacob Epstein seen here with one of his works. Circa December 1953

Exterior view of Watneys Brewery in Mortlake, London. 6th August 1975

Western Avenue, on the Gabalfa Estate, a council estate in Cardiff, Wales, shown here when it was newly built. Date: 1960s

Relief by Joost Schmidt 1923. Main building, Bauhaus-University Weimar (1904-1911), 2018
Relief by Joost Schmidt 1923 (reconstructed 1976). Main building, Bauhaus-University Weimar (1904-1911), 2018. Architect: Henry van de Velde. UNESCO World Heritage Site in 1996)

Murals by Oskar Schlemmer in Main building, Bauhaus-University Weimar, (1904-1911)
Murals by Oskar Schlemmer (reconstruction). Main building, Bauhaus-University Weimar (1904-1911), Germany, 2018. Architect: Henry van de Velde. UNESCO World Heritage Site in 1996)

Spain, Catalonia, Tarragona, Montferri, Ceiling of the modernist Montferri sanctuary

Colourful facades of traditional modernism houses in El Cabanyal neighbourhood, Valencia, Valencian Community, Spain

All Professionally Made to Order for Quick Shipping

"Exploring the Marvels of Modernism: From Piccadilly Plaza Hotel to Park Guell" Step into a world where architectural boundaries are shattered, and creativity knows no limits. Modernism, an artistic movement that emerged in the late 19th century, revolutionized the way we perceive art and design. Embark on a journey through some of its most iconic landmarks. In bustling Manchester, the Piccadilly Plaza Hotel stands tall as a testament to modernist architecture. Its sleek lines and geometric shapes epitomize the movement's emphasis on functionality and simplicity. Traveling south to Barcelona, Catalonia, Spain, one cannot miss Antoni Gaudi's masterpiece - Park Guell. This whimsical park transports visitors into a surreal wonderland with its vibrant colors and organic forms inspired by nature itself. Venturing further east to Targu Jiu in Romania, Constantin Brancusi's "The Endless Column" captivates all who lay eyes upon it. Rising towards infinity with its repetitive patterns, this sculpture embodies modernism's pursuit of abstraction and pure form. Closer to home in Birmingham lies another symbol of modernity - the Bull Ring shopping center. With its striking steel facade and innovative design elements, it showcases how they are transform even commercial spaces into works of art. Across the pond in London stands Hoover Building - an Art Deco gem that seamlessly blends elegance with functionality. Its grandeur serves as a reminder that modernism encompasses various styles within its vast umbrella. Artistic expression takes many forms beyond architecture alone; Théophile Steinlen's famous poster for Le Chat Noir captures Parisian nightlife during this era perfectly – bold lines merging with vivid colors create an atmosphere both mysterious and captivating. Returning once more to Brancusi's "The Endless Column, " this time located in Targu Jiu’s cityscape itself – it becomes clear how such abstract sculptures can harmoniously coexist with their surroundings, leaving an indelible mark on the urban fabric.