Mocking Of Christ Collection

Mocking of Christ, c. 1630 (etching, engraving)
1070550 Mocking of Christ, c.1630 (etching, engraving) by Dyck, Anthony van (1599-1641); 60.2x20.5 cm; Dallas Museum of Art, Texas, USA; Anonymous Gift; Flemish, out of copyright

Christ Before Pilate (detail), 1400-25 (egg tempera on panel)
5938088 Christ Before Pilate (detail), 1400-25 (egg tempera on panel) by English School, (15th century); 29.8x33 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Pulpit from the south side of the nave, 1460 (bronze) (detail of 237990)
ALG349740 Pulpit from the south side of the nave, 1460 (bronze) (detail of 237990) by Donatello, (c.1386-1466); San Lorenzo, Florence

The Trinity and the Crucifixion with Scenes from the Life of Christ, c
TMK282566 The Trinity and the Crucifixion with Scenes from the Life of Christ, c.1355 (tempera on panel) by Luca di Tomme (1356-89); The Putnam Foundation, Timken Museum of Art, San Diego

Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438)
ALI235966 Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438) by Duccio di Buoninsegna, (c.1278-1318); total:212x425 cm; Museo dell Opera del Duomo, Siena

Pulpit from the south side of the nave, 1460 (bronze)
ALG237990 Pulpit from the south side of the nave, 1460 (bronze) by Donatello, (c.1386-1466); San Lorenzo, Florence, Italy; (add.info)

Crown of Thorns (oil on canvas)
XKH152615 Crown of Thorns (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 79.5x88.5 cm; Hamburger Kunsthalle, Hamburg, Germany; Italian, out of copyright

Christ Before Pilate (detail), 1400-25 (egg tempera on panel)
5938048 Christ Before Pilate (detail), 1400-25 (egg tempera on panel) by English School, (15th century); 29.8x33 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Pulpit from the south side of the nave, 1460 (bronze)
ALG237989 Pulpit from the south side of the nave, 1460 (bronze) by Donatello, (c.1386-1466); San Lorenzo, Florence, Italy; (add.info)

Madonna and Child and Two Angels with Twelve Scenes from the Passion, c
TMK289050 Madonna and Child and Two Angels with Twelve Scenes from the Passion, c.1310 (tempera on panel) by Italian School; 67.3x179.4 cm; The Putnam Foundation, Timken Museum of Art, San Diego

Pulpit from the south side of the nave, 1460 (bronze) (detail of 237990)
ALG349739 Pulpit from the south side of the nave, 1460 (bronze) (detail of 237990) by Donatello, (c.1386-1466); San Lorenzo, Florence

Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438) (detail of 235966)
ALI227172 Maesta: eleven scenes from the Passion, 1308-11 (tempera on panel) (reverse of 55438) (detail of 235966) by Duccio di Buoninsegna

Ecce homo (pen & ink & wash on paper) (b / w photo)
XIR280128 Ecce homo (pen & ink & wash on paper) (b/w photo) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Musee Bonnat, Bayonne, France; Italian, out of copyright

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"Mocking of Christ: A Captivating Depiction of Suffering and Redemption" In the world of art, few subjects have been as deeply explored and passionately portrayed as the Mocking of Christ. This powerful theme has captured the imagination of artists throughout history, resulting in a myriad of stunning artworks that evoke both sorrow and hope. One such masterpiece is "Mocking of Christ, " created around 1630 by an unknown artist using etching and engraving techniques. The artwork vividly depicts the harrowing scene where Jesus endures humiliation at the hands of his tormentors. His face bears a mixture of pain, compassion, and unwavering strength, inviting viewers to reflect on their own capacity for empathy. Another remarkable portrayal can be found in "Christ Before Pilate (detail), " an exquisite egg tempera painting from 1400-25. The artist skillfully captures the tension between Pilate's wavering conscience and Jesus' serene acceptance of his fate. Every brushstroke conveys a sense of profound spirituality that resonates with viewers across centuries. The bronze pulpit from the south side nave, crafted in 1460, offers yet another perspective on this timeless narrative. Its intricate details depict scenes filled with anguish but also moments infused with divine grace. As one gazes upon it closely they can transported back to a time when faith was intertwined with every aspect of life. "The Trinity and Crucifixion with Scenes from the Life of Christ, " painted during an unknown period, further explores this theme through its complex composition. It presents not only Jesus' suffering but also glimpses into various episodes from his life—each serving as a reminder that even amidst darkness, there is always light to guide us forward. A striking example is seen in "Maesta: eleven scenes from Passion" dating back to 1308-11—a panel adorned with tempera paint showcasing multiple stages leading up to Jesus' crucifixion.