Minarets Collection (page 7)

The castles on the Bosphorus, ca. 1850 (engraving)
7268728 The castles on the Bosphorus, ca. 1850 (engraving) by Eltzner, Adolf (1816-91); 17.3x23.5 cm; JMK Archiv, Bremen, Germany; (add.info)

Seville, 1838 (engraving)
7268724 Seville, 1838 (engraving) by Rouargue, Emile (c.1795-1865); 19.8x28.2 cm; JMK Archiv, Bremen, Germany; (add.info.: Image caption Sevilla, From art instinct. D. Bibliogr. Inst. in Hildbh)

Yugoslavia: Minaret in Jayce (b / w photo)
6018107 Yugoslavia: Minaret in Jayce (b/w photo) by Hielscher, Kurt (1881-1948); Private Collection; (add.info.: Minaret in Jayce)

Akbars tomb, Sikandra, Agra, India (b / w photo)
7157683 Akbars tomb, Sikandra, Agra, India (b/w photo) by Ponting, Herbert (1870-1935); Private Collection; (add.info.: Tomb of the Mughal Emperor Akbar, Sikandra, Agra, India)

Akbars tomb, Sikandra, Agra, India (b / w photo)
7157684 Akbars tomb, Sikandra, Agra, India (b/w photo) by Ponting, Herbert (1870-1935); Private Collection; (add.info.: Tomb of the Mughal Emperor Akbar, Sikandra, Agra, India)

Al-Musta sim Billah trapped by Hulegu, illustration from Books of the Marvels of the World
829802 Al-Musta sim Billah trapped by Hulegu, illustration from Books of the Marvels of the World, by Rustichello da Pisa (vellum) by Italian School

St. James. Etching by Bernatz et alii - Eisenblatter, R. Editore
3572481 St. James. Etching by Bernatz et alii - Eisenblatter, R. Editore by Bernatz, Johann Martin (1802-1878); (add.info.: Note)

Church of the Holy Sepulcher in Jerusalem. Etching by Stelzner - Steinkopk J. F. Editore
3572470 Church of the Holy Sepulcher in Jerusalem. Etching by Stelzner - Steinkopk J.F. Editore by Stelzner, H. (19th century); (add.info.: Note)

Two muezzin are calling the faithful to prayer from the top of a minaret
3572312 Two muezzin are calling the faithful to prayer from the top of a minaret by Bonfils, Felix (1831-1885); (add.info.: Egypt 1870-1880 ca. Photographer: Bonfils); Alinari Archives, Florence

Benares, India (coloured engraving)
5233497 Benares, India (coloured engraving) by Carpenter, William (1818-99) (after); Private Collection; (add.info.: Benares, India.); Look and Learn / Elgar Collection

Tunisia, Exposition Universelle 1889, Paris (chromolitho)
1093499 Tunisia, Exposition Universelle 1889, Paris (chromolitho) by French School, (19th century); Private Collection; (add.info.: Tunisia, Exposition Universelle 1889, Paris)

Tile with a representation of Mecca, 16th-17th century (ceramic)
473659 Tile with a representation of Mecca, 16th-17th century (ceramic) by Arabic School, (16th-17th century); Museum of Islamic Art, Cairo

A Bride in Kabul (chromolitho)
735142 A Bride in Kabul (chromolitho) by European School, (19th century); Private Collection; (add.info.: A Bride in Kabul)

A Minaret in the North West Corner of the Temple Area (colour litho)
2795071 A Minaret in the North West Corner of the Temple Area (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: A Minaret in the North West Corner of the Temple Area)

Royal Pavilion, Brighton (colour photo)
3094873 Royal Pavilion, Brighton (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Royal Pavilion, Brighton. Postcard, early 20th century.); © Look and Learn

Entrance, Burghley House, Stamford, Lincolnshire (colour photo)
3094843 Entrance, Burghley House, Stamford, Lincolnshire (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Entrance, Burghley House, Stamford, Lincolnshire)

Brighton Royal Pavilion (photo)
XCF274398 Brighton Royal Pavilion (photo) by Nash, John (1752-1835); Royal Pavilion, Brighton, East Sussex, UK; (add.info.: built by John Nash (1752-1835); for George IV; ); English, out of copyright

View of the Golden Horn, c. 1840 (w / c on paper)
STC184891 View of the Golden Horn, c.1840 (w/c on paper) by English School, (19th century); Private Collection; (add.info)

Jerusalem, April 9th 1839, plate 16 from Volume I of The Holy Land
STC87264 Jerusalem, April 9th 1839, plate 16 from Volume I of The Holy Land, engraved by Louis Haghe (1806-85) pub. 1842 (litho) by Roberts

St. Jean d Acre, April 24th 1839, plate 65 from Volume II of The Holy Land
STC87262 St. Jean d Acre, April 24th 1839, plate 65 from Volume II of The Holy Land, engraved by Louis Haghe (1806-85) pub

Jerusalem from the Mount of Olives, April 8th 1839, plate 6 from Volume I of
STC87241 Jerusalem from the Mount of Olives, April 8th 1839, plate 6 from Volume I of The Holy Land engraved by Louis Haghe (1806-85) pub

Minar at Futtypore Sicri (engraving)
819418 Minar at Futtypore Sicri (engraving) by Daniell, William (1769-1837) (after); Private Collection; (add.info.: Minar at Futtypore Sicri. After William Daniell, engraved by J Redaway)

Entrance to Nablous, April 17th 1839, plate 41 from Volume I of The Holy Land
STC87229 Entrance to Nablous, April 17th 1839, plate 41 from Volume I of The Holy Land, engraved by Louis Haghe (1806-85) pub

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Minarets, the iconic architectural features that grace the skylines of cities around the world. From Aya Sofya (Hagia Sophia) Sultanahmet in Istanbul to Mitchell's Corn Palace in South Dakota, they have a rich history and cultural significance. In Constantinople, now known as Istanbul, stands Ayasofya Mosque with its majestic minarets reaching towards the heavens. This symbol of religious harmony showcases the city's diverse heritage. Sevilla's most beautiful building, Giralda, boasts an enchanting Moorish minaret illuminated at dusk. It stands as a testament to Spain's captivating past and architectural prowess. Jerusalem offers a breathtaking view of the Muslim Quarter with its intricate minarets dotting the skyline. The city is a melting pot of cultures and religions where ancient traditions meet modernity. The Shrine of Husayn ibn Ali in Karbala holds great significance for Muslims worldwide. Its towering minaret serves as a beacon for pilgrims seeking solace and spiritual enlightenment. Hyderabad's Bara Bazaar and Charminar are inseparable from their ornate minarets that dominate the bustling streets below. These vibrant landmarks reflect India's rich cultural tapestry. Dolmabahce Mosque in Istanbul graces the shores of Turkey with its elegant design and commanding presence. Its minaret overlooks both land and sea, offering visitors panoramic views they will never forget. Muscat's Grand Mosque in Oman captivates all who visit with its grandeur and serenity. The gleaming white structure adorned with delicate a true masterpiece of Islamic architecture. As night falls over Istanbul, its skyline becomes an enchanting sight to behold. Minarets pierce through hues of orange during sunset, creating a mesmerizing backdrop against which memories are made. Within Sultanahmet lies Blue Mosque (Sultan Ahmet Camii), whose inner courtyard is adorned with stunning minarets.