Min Charles Balthazar Julien Fevret Collection
"Charles Balthazar Julien Fevret de Saint-Memin: A Master of Portraiture in the 19th Century" Charles Balthazar Julien Fevret de Saint-Memin, a renowned French artist
James Cuyler, 1796-1797. Creator: Charles Balthazar Julien Fevret de Saint-Mé
James Cuyler, 1796-1797
Chauncey Goodrich, 1799. Creator: Charles Balthazar Julien Fevret de Saint-Mé
Chauncey Goodrich, 1799
John Thurman, 1797-1798. Creator: Charles Balthazar Julien Fevret de Saint-Mé
John Thurman, 1797-1798
Theodore Sedgwick, 1801. Creator: Charles Balthazar Julien Fevret de Saint-Mé
Theodore Sedgwick, 1801
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"Charles Balthazar Julien Fevret de Saint-Memin: A Master of Portraiture in the 19th Century" Charles Balthazar Julien Fevret de Saint-Memin, a renowned French artist, left an indelible mark on the world of portraiture during the 19th century. His skillful hand captured the essence and character of numerous prominent figures from that era. In 1806, he immortalized John Cassin with his meticulous brushstrokes, showcasing both elegance and intelligence. Two years prior, Fevret de Saint-Memin portrayed Thomas Truxtun with great attention to detail, emphasizing his commanding presence as a naval officer. The year 1802 witnessed two remarkable portraits by Fevret de Saint-Memin - Gray and John Savage. The former exuded gracefulness while the latter emanated strength and determination. Similarly, in his depiction of John Richards Triplett in 1808, Fevret de Saint-Memin conveyed a sense of authority befitting a military man. Chanceaume's portrait from 1801 showcased intricate facial features that only an artist like Fevret de Saint-Memin could capture so flawlessly. Meanwhile, his rendering of John Smith in the same year highlighted both confidence and vulnerability. Although Daniel Kemper's portrait was created by an unknown artist in the 19th century, it is believed to have been inspired by Fevret de Saint-Memin's style due to its striking resemblance to his other works. Fevret de Saint-Memin's talent extended beyond individuals; he also depicted Charles Stewart with unparalleled precision in 1802. James Breckinridge became another subject for him in 1808 - a portrayal brimming with dignity and poise. Brumaud's likeness from 1800 demonstrated how Fevret de Saint-Memin could capture not just physical appearances but also inner emotions through art.