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Miereveld Collection

"Miereveld: Capturing the Essence of Time in Portraits" Step into the world of Miereveld

Background imageMiereveld Collection: Michiel Jansz. van Mierevelt, Dutch painter

Michiel Jansz. van Mierevelt, Dutch painter
5893341 Michiel Jansz. van Mierevelt, Dutch painter.; (add.info.: Portrait of Michiel Jansz. van Mierevelt, Dutch painter and draughtsman 1566-1641. Michel Janson Mirevelt)

Background imageMiereveld Collection: Portrait of a Lady, 1615 (oil on panel)

Portrait of a Lady, 1615 (oil on panel)
5938259 Portrait of a Lady, 1615 (oil on panel) by Miereveld, Michiel Jansz. van (1567-1641); 65.4x55 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Dutch, out of copyright

Background imageMiereveld Collection: Portrait of a Young Woman (oil on wood)

Portrait of a Young Woman (oil on wood)
3959986 Portrait of a Young Woman (oil on wood) by Miereveld, Michiel Jansz. van (1567-1641); 62 x 49.5 cm; Kunstmuseum, Basel, Switzerland; Dutch, out of copyright

Background imageMiereveld Collection: Portrait of Ambrogio Spinola, c. 1609-33 (oil on panel)

Portrait of Ambrogio Spinola, c. 1609-33 (oil on panel)
1765810 Portrait of Ambrogio Spinola, c.1609-33 (oil on panel) by Miereveld, Michiel Jansz. van (1567-1641) (after); 29.6A--24 cm; Rijksmuseum, Amsterdam

Background imageMiereveld Collection: Queen Maria Eleonora, 1619 (oil on canvas)

Queen Maria Eleonora, 1619 (oil on canvas)
3930937 Queen Maria Eleonora, 1619 (oil on canvas) by Miereveld, Michiel Jansz. van (1567-1641) (after); 121x95 cm; National Museum, Stockholm

Background imageMiereveld Collection: Prince Maurits of Orange, 1608. Creator: Michiel Jansz van Miereveld

Prince Maurits of Orange, 1608. Creator: Michiel Jansz van Miereveld
Prince Maurits of Orange, 1608

Background imageMiereveld Collection: Henry Wriothesley, Earl of Southampton, c1610s, (early-mid 19th century). Creator

Henry Wriothesley, Earl of Southampton, c1610s, (early-mid 19th century). Creator
Henry Wriothesley, Earl of Southampton, c1610s, (early-mid 19th century). Portrait of English aristocrat Henry Wriothesley, 3rd Earl of Southampton (1573-1624)

Background imageMiereveld Collection: Sr. Dudley Carleton, Viscount Dorchester, (1807). Creator: Unknown

Sr. Dudley Carleton, Viscount Dorchester, (1807). Creator: Unknown
Sr. Dudley Carleton, Viscount Dorchester, (1807). Portrait of Dudley Carleton, 1st Viscount Dorchester (1573-1632), English art collector, diplomat and Secretary of State. [John Scott, London, 1807]

Background imageMiereveld Collection: Maurice of Nassau, Prince of Orange, early 17th century (1894). Artist: Jan Muller

Maurice of Nassau, Prince of Orange, early 17th century (1894). Artist: Jan Muller
Maurice of Nassau, Prince of Orange, early 17th century (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose

Background imageMiereveld Collection: Ambrogio Spinola, Genoese soldier in the service of Spain, mid to late 17th century (1894)

Ambrogio Spinola, Genoese soldier in the service of Spain, mid to late 17th century (1894). Artist: Jan Muller
Ambrogio Spinola (1569-1630), Marques de los Balbases, Genoese soldier in the service of Spain, mid to late 17th century (1894)

Background imageMiereveld Collection: Nathaniel Fiennes, (c1608-1669), English politician, 17th century, (1899)

Nathaniel Fiennes, (c1608-1669), English politician, 17th century, (1899)
Nathaniel Fiennes, (c1608-1669), English politician, Commissioner of the Great Seal, 17th century, (1899). Illustration from Samuel Rawson Gardiners Oliver Cromwell, (Goupil & Co, London, Paris)

Background imageMiereveld Collection: Gustavus Adolphus, 17th century King of Sweden, c1880

Gustavus Adolphus, 17th century King of Sweden, c1880. Gustav II Adolf (1594-1632) became King of Sweden in 1611. He was the leader of the Protestants in the Thirty Years War (1618-1648) in Europe

Background imageMiereveld Collection: Portrait elderly woman 1632 oil oak 113 x 86. 2 cm

Portrait elderly woman 1632 oil oak 113 x 86. 2 cm
Portrait of an elderly woman, 1632, oil on oak, 113 x 86.2 cm, signed and dated halfway up the right margin: AEtatis. 50. [AE ligated], A. J632. M. Miereveld. Michiel Jansz

Background imageMiereveld Collection: Portrait of Joannes Neyen, General of the Order of Franciscan Friars, Ambassador in Trier

Portrait of Joannes Neyen, General of the Order of Franciscan Friars, Ambassador in Trier, 1608

Background imageMiereveld Collection: Michiel van Miereveld, Portrait of a Lady with a Ruff, Dutch, 1567-1641, 1638, oil

Michiel van Miereveld, Portrait of a Lady with a Ruff, Dutch, 1567-1641, 1638, oil on panel

Background imageMiereveld Collection: Willem Jacobsz Delff after Michiel van Miereveld (Dutch, 1580 - 1638), Catherine

Willem Jacobsz Delff after Michiel van Miereveld (Dutch, 1580 - 1638), Catherine, Countess of Pallandt, in or after 1636, engraving

Background imageMiereveld Collection: Mierevelt / Boulonois

Mierevelt / Boulonois
Michiel Janszoon Van Mierevelt or Miereveld Dutch Painter


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"Miereveld: Capturing the Essence of Time in Portraits" Step into the world of Miereveld, a renowned Dutch painter whose masterful brushstrokes immortalized the faces of his subjects. With each stroke, he revealed their innermost thoughts and emotions, leaving us captivated by their stories. In "Portrait of a Lady, " painted in 1615 with oil on panel, Miereveld skillfully captures the grace and elegance of a noblewoman. Her eyes sparkle with intelligence while her delicate smile hints at hidden secrets. Another masterpiece is "Portrait of a Young Woman, " an exquisite portrayal on wood that showcases Miereveld's attention to detail. The young woman's innocence shines through her expressive eyes, inviting us to ponder upon her dreams and aspirations. One cannot overlook Miereveld's talent for capturing military figures like Ambrogio Spinola in his painting from c. 1609-33. Through meticulous brushwork on panel, Spinola emerges as both powerful and enigmatic - a testament to his role as a Genoese soldier serving Spain. It also ventured into royal portraiture with "Queen Maria Eleonora" (1619), where he portrays regal majesty using vibrant colors on canvas. Her commanding presence emanates from every inch of this remarkable piece. Prince Maurits of Orange comes alive under Miereveld's skilled hand in his 1608 portrait. This work exemplifies the artist's ability to capture not only physical likeness but also the essence of character within each subject. Moving beyond time itself, we find Henry Wriothesley depicted in the early-mid 19th century by an unknown creator who sought inspiration from Miereveld’s style. This portrait preserves Wriothesley’s aristocratic allure for future generations to admire. Sr. Dudley Carleton stands before us through an anonymous artist’s interpretation dating back to 1807.