Fraud Blocker Skip to main content

Midy Collection

"Exploring the Rich Tapestry of Indian Life: A Glimpse into Midy's Artistic World" Step back in time to 19th century India

Background imageMidy Collection: A View of Tinnevelly, India, 1828. Artist: Marlet et Cie

A View of Tinnevelly, India, 1828. Artist: Marlet et Cie
A View of Tinnevelly, India, 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

Background imageMidy Collection: Oil Merchant, 1828. Artist: Marlet et Cie

Oil Merchant, 1828. Artist: Marlet et Cie
Oil Merchant, 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

Background imageMidy Collection: Chief of the Caste in Pondicherry (Puducherry), India, 1828. Artist: Marlet et Cie

Chief of the Caste in Pondicherry (Puducherry), India, 1828. Artist: Marlet et Cie
Chief of the Caste in Pondicherry (Puducherry), India, 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

Background imageMidy Collection: Female dancer (bayadere), 1828. Artist: Marlet et Cie

Female dancer (bayadere), 1828. Artist: Marlet et Cie
Female dancer (bayadere), 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

Background imageMidy Collection: Marathas, 1828. Artist: Marlet et Cie

Marathas, 1828. Artist: Marlet et Cie
Marathas, 1828. From 1674 until 1818 the Hindu Marathi people of western India ruled an empire centred on what is today the state of Maharashtra. A lithograph from L Inde Francais, 1828

Background imageMidy Collection: Carpenters, 1828. Artist: Marlet et Cie

Carpenters, 1828. Artist: Marlet et Cie
Carpenters, 1828. A lithograph from L Inde Francais, 1828

Background imageMidy Collection: Bracelet Merchant, 1828. Artist: Marlet et Cie

Bracelet Merchant, 1828. Artist: Marlet et Cie
Bracelet Merchant, 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

Background imageMidy Collection: Hardware Merchant, 1828. Artist: Marlet et Cie

Hardware Merchant, 1828. Artist: Marlet et Cie
Hardware Merchant, 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

Background imageMidy Collection: Money Carrier, 1828. Artist: Marlet et Cie

Money Carrier, 1828. Artist: Marlet et Cie
Money Carrier, 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

Background imageMidy Collection: Beggar, 1828. Artist: Marlet et Cie

Beggar, 1828. Artist: Marlet et Cie
Beggar, 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

Background imageMidy Collection: Festival of Fire, India, mid 19th century. Artist: Emmanuel Adolphe Midy

Festival of Fire, India, mid 19th century. Artist: Emmanuel Adolphe Midy
Festival of Fire, India, mid 19th century. Men and a woman walking on hot embers observed by Europeans. From L Inde Francaise

Background imageMidy Collection: Maison Chinoise vue du ote de l Entree au

Maison Chinoise vue du ote de l Entree au
Maison Chinoise vue du cote de l Entree au Midy, Detail des nouveaux jardins a la mode, Le Rouge, Georges-Louis, Engraving, 1776-1787, identified as plate 13, an overall view

Background imageMidy Collection: Noon Personified

Noon Personified
NOON (Le Midy, De Middach) personified as a lady going out in the midday sun, fanning herself with one hand and protecting her complexion with a parasol in the other


All Professionally Made to Order for Quick Shipping

"Exploring the Rich Tapestry of Indian Life: A Glimpse into Midy's Artistic World" Step back in time to 19th century India, as we delve into the captivating works of artist Marlet et Cie. Through their skilled brushstrokes, we are transported to Tinnevelly, where a mesmerizing view unfolds before our eyes. The vibrant colors and intricate details bring alive the bustling streets and enchanting landscapes. In this journey through time, we encounter an oil merchant immersed in his trade. His weathered face tells tales of hard work and dedication, reflecting the spirit of entrepreneurship that thrived during those times. Likewise, the chief of a caste in Pondicherry commands respect with his regal presence, showcasing the diverse social fabric that characterized Indian society. Amidst these portraits capturing human essence, we witness a graceful bayadere dancer adorned in resplendent attire. Her movements seem to transcend reality itself as she captivates audiences with her artistry and skillful expressions. The Marathas depicted by Marlet et Cie offer us a glimpse into warrior culture - proud men donning traditional attire ready for battle or celebration alike. Carpenters diligently shaping wood with their tools remind us of craftsmanship passed down through generations while merchants peddling bracelets and hardware showcase commerce at its finest. Amongst these vivid portrayals emerges Emmanuel Adolphe Midy's depiction of the Festival of Fire - an explosion of color and light illuminating India's cultural festivities. This artwork transports us to a world filled with joyous celebrations where traditions are upheld with great fervor. Not limited solely to scenes from India, it also presents us with Pierre-Alexandre Monsigny's portrait – an homage to one of history’s renowned composers whose melodies continue to resonate across centuries. Through these masterpieces by Marlet et Cie and Emmanuel Adolphe Midy, we are granted a window into the past, where art intertwines with history.