Middle Aged Collection (page 5)

The Arrival of D Artagnon, (oil on canvas)
989516 The Arrival of D Artagnon, (oil on canvas) by Andreis, Alex de (1880-1929); 82.5x101.6 cm; Private Collection; (add.info.: The Arrival of D Artagnon. Alex de Andreis (1880-1929)

An Arab Reading a Letter (oil on canvas)
989492 An Arab Reading a Letter (oil on canvas) by Dubois, Henri Pierre Hippolyte (1837-1909); 64.4x53.3 cm; Private Collection; (add.info.: An Arab Reading a Letter)

At the Souk, (oil on canvas)
989443 At the Souk, (oil on canvas) by Bridgman, Frederick Arthur (1847-1928); 65.5x54.6 cm; Private Collection; (add.info.: At the Souk. Frederick Arthur Bridgman (1847-1928). Oil on canvas

A Rug Bazaar, Tangier, 1878 (oil on canvas)
989321 A Rug Bazaar, Tangier, 1878 (oil on canvas) by Weeks, Edwin Lord (1849-1903); 70.4x91.5 cm; Private Collection; (add.info.: A Rug Bazaar, Tangier. Edwin Lord Weeks (1849-1903). Oil on canvas

The Reverend John Witherington, Vicar of Tetsworth, Oxon, with his Family
989314 The Reverend John Witherington, Vicar of Tetsworth, Oxon, with his Family, 1854 (oil on canvas) by Bridges, John (fl.1818-54); 90.9x137.2 cm; Private Collection; (add.info)

For the King, (oil on canvas)
989282 For the King, (oil on canvas) by Hillingford, Robert Alexander (1825-1904); 43.2x66 cm; Private Collection; (add.info.: For the King. Robert Alexander Hillingford (1825-1904). Oil on canvas

Grandmothers Visit, 1881 (oil on canvas)
989251 Grandmothers Visit, 1881 (oil on canvas) by Vinea, Francesco (1845-1902); 82x149.2 cm; Private Collection; (add.info.: Grandmothers Visit. Francesco Vinea (1845-1902). Oil on canvas

Saint George and the Dragon, 1909-1910 (oil on panel)
988905 Saint George and the Dragon, 1909-1910 (oil on panel) by Redon, Odilon (1840-1916); 48x38.8 cm; Private Collection; (add.info.: Saint George and the Dragon; Saint Georges et le Dragon)

Eugenie Fiocre, study for Mlle Fiocre in the ballet The Source, c
988857 Eugenie Fiocre, study for Mlle Fiocre in the ballet The Source, c.1867 (pencil on paper laid on board) by Degas, Edgar (1834-1917); 45.1x28 cm; Private Collection; (add.info.: Eugenie Fiocre)

Honfleur, Saint-Catherine market place, 1867-1870 (oil on board laid down on cradled
988835 Honfleur, Saint-Catherine market place, 1867-1870 (oil on board laid down on cradled panel) by Boudin, Eugene Louis (1824-98); French cm; Private Collection; (add.info.: Honfleur)

Christ and the Doctors (oil on canvas)
987850 Christ and the Doctors (oil on canvas) by Tito, Diego Quispe (1611-c.1681); 119.2x152.4 cm; Private Collection; (add.info.: Christ and the Doctors; Cristo y les Doctores)

Self Portrait, 1854 (oil on canvas)
987639 Self Portrait, 1854 (oil on canvas) by Pingret, Edouard (1788-1875); 99.7x80.6 cm; Private Collection; (add.info.: Autorretrato. Edouard Henri Theophile Pingret (1788-1875). Oil on canvas

Cafe-Concert Singer, 1879 (oil on canvas)
987538 Cafe-Concert Singer, 1879 (oil on canvas) by Manet, Edouard (1832-83); 56x36.3 cm; Private Collection; (add.info.: Cafe-Concert Singer; Chanteuse de Cafe-concert. Edouard Manet (1832-1883)

Promenade (Esquisse), 1886 (oil on canvas)
987537 Promenade (Esquisse), 1886 (oil on canvas) by Monet, Claude (1840-1926); 112x86.4 cm; Private Collection; (add.info.: Promenade (Esquisse); Promenade (Sketch). Claude Monet (1840-1926)

Woman at a Piano, (oil on panel)
987374 Woman at a Piano, (oil on panel) by Boldini, Giovanni (1842-1931); 14.9x12.8 cm; Private Collection; (add.info.: Woman at a Piano; Femme Jouant au Piano. Giovanni Boldini (1842-1931)

Woman in a Bandana at Prefailles; Femme au Madras a Prefailles, 1922 (oil on canvas)
826217 Woman in a Bandana at Prefailles; Femme au Madras a Prefailles, 1922 (oil on canvas) by Lebasque, Henri (1865-1937); 92x73 cm; Private Collection; (add.info)

Top of the Mooring Mast, Empire State Building (1931), 1931; 1939 (gelatin silver print)
991497 Top of the Mooring Mast, Empire State Building (1931), 1931; 1939 (gelatin silver print) by Hine, Lewis Wickes (1874-1940); 34.29x26.67 cm; Private Collection; (add.info)

Jacobs Journey into Egypt, (oil on canvas)
991413 Jacobs Journey into Egypt, (oil on canvas) by Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64); 99.5x148.5 cm; Private Collection; (add.info.: Jacobs Journey into Egypt)

Presentation of Christ in the temple, c. 1340 (paint on vellum)
986265 Presentation of Christ in the temple, c.1340 (paint on vellum) by Italian School, (14th century); 11.2x10.2 cm; Private Collection; (add.info.: Presentation of Christ in the temple)

The Duchess, c. 1865 (pen and brown ink)
985962 The Duchess, c.1865 (pen and brown ink) by Tenniel, John (1820-1914); 9.5x7.8 cm; Private Collection; (add.info.: The Duchess)

The Architect in a Greek Style, 1771 (engraving)
985930 The Architect in a Greek Style, 1771 (engraving) by Petitot, Ennemond Alexandre (1727-1801) (after); 39.1x27.6 cm; Private Collection; (add.info)

Descartes Composing His World System, c. 1786-1792 (colour aquatint)
985865 Descartes Composing His World System, c.1786-1792 (colour aquatint) by Desfontaines, (fl.1800) (after); 32x22.5 cm; Private Collection; (add.info.: Descartes Composing His World System)

An Allegory of Winter (oil on canvas)
CH262792 An Allegory of Winter (oil on canvas) by Sweerts, Michael (1618-64); 72.4x58.4 cm; Private Collection; Photo eChristies Images; Flemish, out of copyright

The Sacrifice of Isaac, (oil on canvas)
651228 The Sacrifice of Isaac, (oil on canvas) by Champaigne, Philippe de (1602-74); 179.8x149.5 cm; Private Collection; (add.info.: The Sacrifice of Isaac. Philippe de Champaigne (1602-1624)

The Tall Tale, (oil on canvas)
650686 The Tall Tale, (oil on canvas) by Moeller, Louis Charles (1855-1930); 30.6x41 cm; Private Collection; (add.info.: The Tall Tale. Louis Charles Moeller (1855-1930). Oil on canvas

Fantasies, (oil on canvas)
650433 Fantasies, (oil on canvas) by Ufer, Walter (1876-1936); 106.7x96.5 cm; Private Collection; (add.info.: Fantasies. Walter Ufer (1876-1936). Oil on canvas

Roping A Steer, (watercolour and gouache on paper)
650431 Roping A Steer, (watercolour and gouache on paper) by Borein, Edward (1872-1945); 38.7x51.1 cm; Private Collection; (add.info.: Roping A Steer. Edward Borein (1872-1945)

Portrait of Louis-Marie-Joseph, Comte de Brigode, Pairde France (oil on canvas)
990210 Portrait of Louis-Marie-Joseph, Comte de Brigode, Pairde France (oil on canvas) by Gros, Baron Antoine Jean (1771-1835); 73x59.7 cm; Private Collection; (add.info)

A Rabbinical Disputation, (oil on canvas)
990202 A Rabbinical Disputation, (oil on canvas) by Toorenvliet, Jacob (1635-1719); 42.6x51.5 cm; Private Collection; (add.info.: A Rabbinical Disputation. Jacob Toorenvliet (1635-1719)

Portrait of Edward Cross, half-length, in a black coat and red-check waistcoat holding a
990095 Portrait of Edward Cross, half-length, in a black coat and red-check waistcoat holding a Lion Cub, (oil on canvas) by Agasse

Christ among the Doctors (oil on panel)
990084 Christ among the Doctors (oil on panel) by Wtewael, Joachim (c.1566-1638) & Wtewael, Peter (1596-1660); 35.5x49.3 cm; Private Collection; (add.info.: Christ among the Doctors)

Portrait of General James Stuart standing three-quarter length
990061 Portrait of General James Stuart standing three-quarter length, wearing a red uniform with gold frogging, (oil on canvas) by Lawrence

The Triumph of Emperor Constantine, (black and red chalk)
990040 The Triumph of Emperor Constantine, (black and red chalk) by Le Brun, Charles (1619-90); 34x52 cm; Private Collection; (add.info.: The Triumph of Emperor Constantine)

La Bouillie : Beggars Eating Mash, (black lead, brush and gray wash)
990038 La Bouillie : Beggars Eating Mash, (black lead, brush and gray wash) by Goya y Lucientes, Francisco Jose de (1746-1828); 22.6x14.6 cm; Private Collection; (add.info.: La Bouillie)

Portrait of Pope Gregory XIII, three-quarter length, Seated in an Armchair
990018 Portrait of Pope Gregory XIII, three-quarter length, Seated in an Armchair, (pen and brown ink) by Passarotti, Bartolomeo (1529-92); 45.9x39.6 cm; Private Collection; (add.info)

A Reclining Bearded Man Sleeping on his Arm, (black and white chalk on brown paper)
990006 A Reclining Bearded Man Sleeping on his Arm, (black and white chalk on brown paper) by Bordone, Paris (1500-71); 23.8x28.8 cm; Private Collection; (add.info)

The Parting of Lord William and Lady Rachel Russell in 1683
989988 The Parting of Lord William and Lady Rachel Russell in 1683 (The Last Interview of Lord and Lady Russell), 1852 (oil on canvas) by Lucy

Return of the Flock, (oil on canvas)
989977 Return of the Flock, (oil on canvas) by Mauve, Anton (1838-88); 65.4x96.5 cm; Private Collection; (add.info.: Return of the Flock. Anton Mauve (1838-1888). Oil on canvas

Homeward Bound, (watercolour and gouache on cream paper)
989976 Homeward Bound, (watercolour and gouache on cream paper) by Mauve, Anton (1838-88); 47.7x69.8 cm; Private Collection; (add.info.: Homeward Bound. Anton Mauve (1838-1888)

In the Studio, 1882 (oil on canvas)
989886 In the Studio, 1882 (oil on canvas) by Tornoe, Wenzel Ulrik (1844-1907); 119.4x96.5 cm; Private Collection; (add.info.: In the Studio. Wenzel Ulrik Tornoe (1844-1907). Oil on canvas

A Sketch for Nameless and Friendless, c. 1857 (oil on panel)
989815 A Sketch for Nameless and Friendless, c.1857 (oil on panel) by Osborn, Emily Mary (1834-93); 22.7x29.3 cm; Private Collection; (add.info.: A Sketch for Nameless and Friendless)

Self Portrait, 1886 (oil on canvas)
989786 Self Portrait, 1886 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 46x38.4 cm; Private Collection; (add.info.: Self Portrait. William Adolphe Bouguereau (1825-1905)

Portrait photograph of William Tecumseh Sherman (1820-1891), signed, W
985759 Portrait photograph of William Tecumseh Sherman (1820-1891), signed, W. Sherman (General), c.1869 (photographic plate) by Brady

Mr. Hobbs, said Cedric, an Earl is sitting on this box now
985724 Mr. Hobbs, said Cedric, an Earl is sitting on this box now!, illustration for Little Lord Fauntleroy by Frances Hodgson Burnett, 1886 (black, grey, tan and white washes) by Birch

A signed carte-de-visite photograph of Abraham Lincoln, 1861 (carte-de-visite)
985677 A signed carte-de-visite photograph of Abraham Lincoln, 1861 (carte-de-visite) by Gardner, Alexander (1821-82); 9.4x6.2 cm; Private Collection; (add.info)

The Visit, (oil on canvas)
985493 The Visit, (oil on canvas) by Stewart, Julius Leblanc (1855-1919); 130.2x96.9 cm; Private Collection; (add.info.: The Visit. Julius Leblanc Stewart (1855-1919). Oil on canvas

Mary Reading, (oil on canvas)
985483 Mary Reading, (oil on canvas) by Tarbell, Edmund Charles (1862-1938); 127.5x102.2 cm; Private Collection; (add.info.: Mary Reading. Edmund Charles Tarbell (1862-1938). Oil on canvas

Among the Laurel Blossoms, 1914 (oil on canvas)
985479 Among the Laurel Blossoms, 1914 (oil on canvas) by Curran, Charles Courtney (1861-1942); 76.2x76.2 cm; Private Collection; (add.info.: Among the Laurel Blossoms)

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"Capturing the Essence of Middle Age: A Glimpse into Art and History" In this captivating collection, we embark on a journey through time and explore the multifaceted nature of middle age. From Sigmund Freud's enigmatic gaze in a sepia-toned photograph to the lively brushstrokes depicting "The Wedding Dance, " each piece offers a unique perspective on this pivotal stage of life. Amidst vibrant blooms portrayed in "Flower Power; Marchande de Fleurs, " we witness the resilience and beauty that often accompany middle age. Meanwhile, "A Peep at the Train, India" transports us to distant lands, reminding us that adventure knows no bounds when it comes to embracing new experiences during this phase. British jockeys immortalized in 1934 reveal an unwavering passion for their craft, showcasing how dedication can endure well into one's mature years. Similarly, Abraham Lincoln's signed carte-de-visite from 1864 serves as a poignant reminder that wisdom and leadership are not limited by age but rather enhanced by experience. "The Jewel Box" invites us to delve into our own inner treasures as we navigate middle age—a period marked by introspection and self-discovery. In contrast, "Naomi and Ruth" captures the enduring bond between generations, highlighting the importance of family ties during this transformative chapter. Charles Regan's depiction reminds us that even within scientific pursuits like ichthyology lies untapped potential for exploration at any stage of life. Meanwhile, "Portrait of Captain Marshall Roberts" portrays strength and authority—qualities often associated with those who have reached middle age—and exemplifies mastery honed over time. As day turns into twilight on Le Boulevard St. Denis in gouache form, figures bustling about symbolize both vibrancy and contemplation—an allegory for navigating change while preserving one's essence amidst shifting times.