Medium Close Up Collection (page 2)

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Mrs Peels seven veils

Emma Peel dances

The Avengers Series 4: Honey for the Prince

Mrs Peel dances for the prince

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Dial A Deadly Number, ave4 ddn bw neg 012

Filming The Avengers

The Avengers Series 4: Castle De ath

The Avengers Series 4: A Sufeit of H2O

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LONG ARM, THE (1956), log1956 bw pri 026 edited-1

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LONG ARM, THE (1956), log1956 bw pri 001 edited-1

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LONG ARM, THE (1956), log1956 bw pri 003 edited-1

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LONG ARM, THE (1956), log1956 bw pri 004 edited-1

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LONG ARM, THE (1956), log1956 bw pri 005 edited-1

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LONG ARM, THE (1956), log1956 bw pri 007 edited-1

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LONG ARM, THE (1956), log1956 bw pri 008 edited-1

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LONG ARM, THE (1956), log1956 bw pri 009 edited-1

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LONG ARM, THE (1956), log1956 bw pri 011 edited-1

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LONG ARM, THE (1956), log1956 bw pri 012 edited-1

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LONG ARM, THE (1956), log1956 bw pri 013 edited-1

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LONG ARM, THE (1956), log1956 bw pri 017 edited-1

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LONG ARM, THE (1956), log1956 bw pri 018 edited-1

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LONG ARM, THE (1956), log1956 bw pri 020 edited-1

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LONG ARM, THE (1956), log1956 bw pri 021 edited-1

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LONG ARM, THE (1956), log1956 bw pri 023 edited-1

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LONG ARM, THE (1956), log1956 bw pri 024 edited-1

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LONG ARM, THE (1956), log1956 bw pri 025 edited-1

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EVIL UNDER THE SUN (1982), evi1964 co tra 133 1

Stanley Holloway as Mr. Hollingsworth in Meet Mr. Lucifer (1953)

Peggy Cummins as Kitty in Meet Mr. Lucifer

A smiling Peggy Cummins as Kitty in Meet Mr. Lucifer

Philip Harben in his appearance in Meet Mr. Lucifer (1953)

Gilbert Harding in his appearance in Meet Mr. Lucifer (1953)

MacDonald Hobley in his appearance in Meet Mr. Lucifer

A smiling Diana Dors during filming of Yield to the Night
sitting next to the actress during a pause of the shoot is director J. Lee Thompson

A portrait of sultry Diana Dors
for the release of Yield to the Night in 1956

Checking the news on the set of Yield to the night
a publicity shot of actress Yvonne Mitchell and producer Kenneth Harper taken at Elstree Studios in 1956

J. Lee Thompson directs Diana Dors
on location at Belgrave Mews in London during the filming of Yield to the Night

Diana Dors at Elstree Studios
with Studio hairdresser A.G. Scott during the filming of Yield to the Night in 1956

Diana Dors chair on the set of Yield to the Night
produced for ABPC at Elstree Studios in 1956

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SPARROWS CAN T SING (1963), spa1962 bw neg pub 021 edited-1

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"Capturing the Essence: Exploring Medium Close-Ups in Iconic Scenes" In the thrilling world of espionage, Mrs. Peel and her Lotus Elan take center stage, as a medium close-up captures their undeniable allure. Steed and Mrs. Peel indulge in a delightful tea session, their expressions perfectly framed by a medium close-up that reveals their chemistry and charm. A scene from the cult classic "The Wicker Man" showcases the power of a medium close-up to intensify emotions and immerse viewers in its eerie atmosphere. Inside Mrs. Peel's flat, we witness an intimate moment between her and Steed, beautifully captured through a medium close-up that highlights their connection. Joseph Tomelty mesmerizes as Mr. Pedelty in "Meet Mr. Lucifer (1953), " his nuanced performance brought to life with the help of well-placed medium close-ups. Hayley Mills shines as Ellie Thomsen, her youthful exuberance radiating through every frame thanks to skillful use of medium close-ups. Jim MacLaine's tireless work with dodgems comes alive in vivid detail through expertly executed medium close-ups that capture his dedication and determination. 8 & 9: The whimsical world of Punch and Judy is immortalized on screen with captivating shots using medium close-ups – transporting audiences into this timeless art form twice over. 10: Steed's flat becomes an intriguing backdrop for another engaging encounter between him and Mrs. Peel - masterfully depicted through precisely placed medium close-ups. 11: Naunton Wayne captivates us as Blakeworth; his commanding presence enhanced by strategic employment of impactful medium-close ups throughout his performance. 12: Hugh Griffith & Edie Martin deliver heartfelt performances that resonate deeply within our souls.