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Maurer Collection

Maurer, a name that resonates with artistry and craftsmanship

Background imageMaurer Collection: Clemens August of Bavaria (1700-1761), Archbishop-Elector of Cologne

Clemens August of Bavaria (1700-1761), Archbishop-Elector of Cologne. Creator: Maurer, Hubert (1738-1818)
Clemens August of Bavaria (1700-1761), Archbishop-Elector of Cologne. Private Collection

Background imageMaurer Collection: DDE-90028837

DDE-90028837
The valley Maurer Tal in the national park Hohe Tauern with a view of the glacier Maurer Kees and the crossing Maurer Toerl

Background imageMaurer Collection: DDE-90028836

DDE-90028836
The valley Maurer Tal in the national park Hohe Tauern with a view of the glacier Maurer Kees and the crossing Maurer Toerl

Background imageMaurer Collection: DDE-90028835

DDE-90028835
The valley Maurer Tal in the national park Hohe Tauern with a view of the glacier Maurer Kees and the crossing Maurer Toerl

Background imageMaurer Collection: DDE-90028834

DDE-90028834
Lake Simonysee and the glacier Simonykees in the National Park Hohe Tauern which is retreating rapidly. Mountain peaks from left to right: Vordere Gubach Spitze, Hintere Gubachspitze

Background imageMaurer Collection: DDE-90028833

DDE-90028833
The glacier Simonykees in the National Park Hohe Tauern is retreating rapidly. Mountain peaks from left to right: Vordere Gubach Spitze, Hintere Gubachspitze. East Tyrol, Austria. Date: 22/01/2009

Background imageMaurer Collection: DDE-90028832

DDE-90028832
The glacier Simonykees in the National Park Hohe Tauern is retreating rapidly. Mountain peaks from left to right: Malham spitze Vordere Gubach Spitze, Hintere Gubachspitze. Austria, East Tyrol

Background imageMaurer Collection: DDE-90028831

DDE-90028831
The glacier Simonykees in the National Park Hohe Tauern is retreating rapidly. Mountain peaks from left to right: Vordere Gubach Spitze, Hintere Gubachspitze, eastern and western Simonyspitze

Background imageMaurer Collection: Le Vocabulaire Illustre: Macon (en briques); Bricklayer; Maurer (engraving)

Le Vocabulaire Illustre: Macon (en briques); Bricklayer; Maurer (engraving)
7196585 Le Vocabulaire Illustre: Macon (en briques); Bricklayer; Maurer (engraving) by European School, (19th century); Private Collection; (add.info.: Macon (en briques); Bricklayer; Maurer

Background imageMaurer Collection: Le Vocabulaire Illustre: Macon; Mason; Maurer (engraving)

Le Vocabulaire Illustre: Macon; Mason; Maurer (engraving)
7196583 Le Vocabulaire Illustre: Macon; Mason; Maurer (engraving) by European School, (19th century); Private Collection; (add.info.: Macon; Mason; Maurer)

Background imageMaurer Collection: The Yellow Screen, (oil on board)

The Yellow Screen, (oil on board)
822736 The Yellow Screen, (oil on board) by Maurer, Alfred Henry (1868-1932); 91.4x64.7 cm; Private Collection; (add.info.: The Yellow Screen. Alfred Henry Maurer (1868-1932). Oil on board

Background imageMaurer Collection: Still Life with Breton Pottery, (oil on canvas)

Still Life with Breton Pottery, (oil on canvas)
650960 Still Life with Breton Pottery, (oil on canvas) by Maurer, Alfred Henry (1868-1932); 54.6x45.8 cm; Private Collection; (add.info.: Still Life with Breton Pottery)

Background imageMaurer Collection: The Old Custom House, from a view by Maurer, published in 1753 (engraving)

The Old Custom House, from a view by Maurer, published in 1753 (engraving)
3636279 The Old Custom House, from a view by Maurer, published in 1753 (engraving) by English School, (19th century); Private Collection; (add.info.: The Old Custom House, from a view by Maurer)

Background imageMaurer Collection: Woman in a Garden, c. 1907 (oil on canvas)

Woman in a Garden, c. 1907 (oil on canvas)
650949 Woman in a Garden, c.1907 (oil on canvas) by Maurer, Alfred Henry (1868-1932); 54.6x45.9 cm; Private Collection; (add.info.: Woman in a Garden. Alfred Henry Maurer (1868-1932). Oil on board

Background imageMaurer Collection: Whitehall, looking towards the Holbein Gateway, from a view by Maurer, 1753 (engraving)

Whitehall, looking towards the Holbein Gateway, from a view by Maurer, 1753 (engraving)
3636578 Whitehall, looking towards the Holbein Gateway, from a view by Maurer, 1753 (engraving) by English School, (19th century); Private Collection; (add.info.: Whitehall)

Background imageMaurer Collection: Cubist Still Life (oil on board)

Cubist Still Life (oil on board)
1767442 Cubist Still Life (oil on board) by Maurer, Alfred Henry (1868-1932); 32.4x41.3 cm; Private Collection; (add.info.: Cubist Still Life. Alfred Henry Maurer (1868-1932). Oil on board

Background imageMaurer Collection: Still Life with White Pitcher and Fruit, (oil and gouache on board)

Still Life with White Pitcher and Fruit, (oil and gouache on board)
823269 Still Life with White Pitcher and Fruit, (oil and gouache on board) by Maurer, Alfred Henry (1868-1932); 55.6x46 cm; Private Collection; (add.info.: Still Life with White Pitcher and Fruit)

Background imageMaurer Collection: Two Heads, c. 1928 (oil on canvas laid down on board)

Two Heads, c. 1928 (oil on canvas laid down on board)
823009 Two Heads, c.1928 (oil on canvas laid down on board) by Maurer, Alfred Henry (1868-1932); 75.9x50.1 cm; Private Collection; (add.info.: Two Heads. Alfred Henry Maurer (1868-1932)

Background imageMaurer Collection: Nude in the Fields, (oil on canvas)

Nude in the Fields, (oil on canvas)
823270 Nude in the Fields, (oil on canvas) by Maurer, Alfred Henry (1868-1932); 63.5x61 cm; Private Collection; (add.info.: Nude in the Fields. Alfred Henry Maurer (1868-1932). Oil on canvas

Background imageMaurer Collection: Title page from Schon newes Modelbuch (Page 1r), 1608. Creator: Unknown

Title page from Schon newes Modelbuch (Page 1r), 1608. Creator: Unknown
Title page from Schon newes Modelbuch (Page 1r), 1608. [Designs for lace and embroidery]

Background imageMaurer Collection: Die Wabn, 1899, (1943). Creator: Wilhelm Maria Hubertus Leibl

Die Wabn, 1899, (1943). Creator: Wilhelm Maria Hubertus Leibl
Die Wabn, 1899, (1943). Portrait of a woman in a fur (or velvet) hat, Frau Babette Maurer (nee Jordan), known as Die Wabn

Background imageMaurer Collection: Society in the Mall, 1741, (1920). Artist: James Smith

Society in the Mall, 1741, (1920). Artist: James Smith
Society in the Mall, 1741, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Background imageMaurer Collection: Tower of London, 1753

Tower of London, 1753. North-west view of the Tower of London with figures and a carriage in the foreground

Background imageMaurer Collection: Leicester Square, Westminster, London, c1740

Leicester Square, Westminster, London, c1740. Perspective view with figures and carriages

Background imageMaurer Collection: Leicester Square, Westminster, London, c1753

Leicester Square, Westminster, London, c1753. View of Leicester Square, with a carriage and sedan chairs

Background imageMaurer Collection: Horse Guards Parade, Westminster, London, 1754. Artist: John Maurer

Horse Guards Parade, Westminster, London, 1754. Artist: John Maurer
Horse Guards Parade, Westminster, London, 1754. A perspective view of ye Parade in St Jamess Park, the Treasury, the new buildings for the Horse Guards

Background imageMaurer Collection: Horse Guards Parade from St Jamess Park, Westminster, London, 1740. Artist: John Maurer

Horse Guards Parade from St Jamess Park, Westminster, London, 1740. Artist: John Maurer
Horse Guards Parade from St Jamess Park, Westminster, London, 1740. View showing soldiers on parade

Background imageMaurer Collection: View of the royal stables in the Kings Mews, Charing Cross, Westminster, London, 1753

View of the royal stables in the Kings Mews, Charing Cross, Westminster, London, 1753

Background imageMaurer Collection: Admiralty, Whitehall, London, 1794. Artist: Laurie & Whittle

Admiralty, Whitehall, London, 1794. Artist: Laurie & Whittle
View of the Admiralty on the right of Whitehall, London, 1794; with figures, horses and carriages

Background imageMaurer Collection: Lambeth Palace, London, 1745. Artist: Pierre-Charles Canot

Lambeth Palace, London, 1745. Artist: Pierre-Charles Canot
View of Lambeth Palace from the north bank, looking across the River Thames, London, 1745. In the foreground water vessels can be seen on the river with figures unloading cargo

Background imageMaurer Collection: Bartholomew Fair, West Smithfield, London, c1830. Artist: J Graf

Bartholomew Fair, West Smithfield, London, c1830. Artist: J Graf
Bartholomew Fair, West Smithfield, London, c1830. In the foreground figures eat oysters from a stall and in the middle a boy and a man attempt to pick the pocket of a corpulent man

Background imageMaurer Collection: Royal Exchange (2nd) exterior, London, 1741. Artist: John Maurer

Royal Exchange (2nd) exterior, London, 1741. Artist: John Maurer
Perspective view of the Royal Exchange, on right and the west end of Cornhill, London, 1741 including figures, carts and horses

Background imageMaurer Collection: Tower of London, 1753. Artist: Johann Sebastian Muller

Tower of London, 1753. Artist: Johann Sebastian Muller
Tower of London, 1753. View of the Tower of London and London Bridge looking north-west with boats and figures on the River Thames

Background imageMaurer Collection: St Pauls Cathedral (new) exterior, London, 1747. Artist: John Maurer

St Pauls Cathedral (new) exterior, London, 1747. Artist: John Maurer
South west view of St Pauls Cathedral, with figures, London, 1747

Background imageMaurer Collection: In a Cafe, 1905. Artist: Alfred Henry Maurer

In a Cafe, 1905. Artist: Alfred Henry Maurer
In a Cafe, 1905. Found in the collection of the State Hermitage, St Petersburg

Background imageMaurer Collection: Repeal Unemployment!: Norman Thomas and James H. Maurer as the Socialist party candidates for

Repeal Unemployment!: Norman Thomas and James H. Maurer as the Socialist party candidates for president
PRESIDENTIAL CAMPAIGN, 1932. Repeal Unemployment!: Norman Thomas and James H. Maurer as the Socialist party candidates for president and vice president on a 1932 campaign poster

Background imageMaurer Collection: Georg Von Maurer

Georg Von Maurer
GEORG LUDWIG von MAURER Bavarian statesman at the court of the eccentric konig Ludwig. Date: 1790 - 1872

Background imageMaurer Collection: HORSE RACING, c1890. The Grand California Trotting Mare Sunol

HORSE RACING, c1890. The Grand California Trotting Mare Sunol. Engraving by Louis Maurer for Currier & Ives, c1890

Background imageMaurer Collection: HORSE RACING, c1889. Fast Trotters on a Fast Track

HORSE RACING, c1889. Fast Trotters on a Fast Track. Harness horse racers pass a crowded viewing pavilion. Engraving by Louis Maurer for Currier & Ives, c1889

Background imageMaurer Collection: HORSE RACING, 1859. Ethan Allen & Mate and Lantern & Mate. Harness horse race in Long Island

HORSE RACING, 1859. Ethan Allen & Mate and Lantern & Mate. Harness horse race in Long Island, New York. Engraving by Louise Maurer for Currier & Ives, 1859

Background imageMaurer Collection: MOTHER AND CHILD, c1859. The First Step: Come to Mama

MOTHER AND CHILD, c1859. The First Step: Come to Mama. Engraving by Louis Maurer for Currier & Ives, c1859

Background imageMaurer Collection: THE OLD CUSTOM HOUSE in 1753. London, UK, 19th century engraving

THE OLD CUSTOM HOUSE in 1753. London, UK, 19th century engraving. 18th century view by Maurer

Background imageMaurer Collection: A Hot Race from the Start. Pencil and wash on colored paper by Louis Maurer, 1853-93

A Hot Race from the Start. Pencil and wash on colored paper by Louis Maurer, 1853-93
MAURER: HORSE RACE. A Hot Race from the Start. Pencil and wash on colored paper by Louis Maurer, 1853-93


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Maurer, a name that resonates with artistry and craftsmanship. From the engravings of Le Vocabulaire Illustre to the vibrant oil paintings like "The Yellow Screen" and "Still Life with Breton Pottery, " Maurer's talent knows no bounds. DDE-90028837, DDE-90028836, DDE-90028835. . These numbers may seem random, but they are actually codes that unlock the world of Maurer's creations. Each piece holds a story waiting to be discovered. Step into the realm of Maurer's imagination as you gaze upon "The Old Custom House. " This engraving takes us back in time to 1753, offering a glimpse into history through Maurer's skilled hand. But it is not just historical scenes that captivate us; it also brings life to everyday subjects. In "Le Vocabulaire Illustre: Macon (en briques), " we witness the dedication and precision of a bricklayer at work. The details in this engraving make us appreciate the artistry behind such laborious tasks. And let's not forget about "Le Vocabulaire Illustre: Macon; Mason. " Here, we see another aspect of construction brought to life by Maurer's careful strokes. The strength and expertise required for masonry are beautifully portrayed in this artwork. "The Yellow Screen" mesmerizes us with its bold colors and intriguing composition. It invites us into an abstract world where imagination reigns supreme. A true testament to Maurer's versatility as an artist. In contrast, "Still Life with Breton Pottery" showcases his ability to capture beauty in simplicity. The delicate brushstrokes on canvas bring out the textures and hues of each pottery piece, creating a harmonious stillness that enchants our senses. Maurer leaves an indelible mark on art history through his diverse range of works.