Matthew Collection (page 10)

Mary and the alabaster box, from The Bible Picture Book published by Thomas Nelson, c
3482265 Mary and the alabaster box, from The Bible Picture Book published by Thomas Nelson, c.1950 (colour litho) by Margetson, William Henry (1861-1940); Private Collection; English, out of copyright

Sir James Matthew Barrie, from the magazine The World and His Wife
1772400 Sir James Matthew Barrie, from the magazine The World and His Wife, published 1907 (litho) by English School, (19th century); Private Collection; (add.info.: Sir James Matthew Barrie)

Matthew Prior - England cricketer Date: 1990s - 2000s

Millwall Athletic Football Team: Lindsay, Gordon, Law, Dewar, Stopher, Kidd, King, Matthew, Graham, Davis, Matthews, Higson, Jones, Whelan, Geddes, McInroy, Saunders, Clark, Rhodes, Leatherbarrow

Matthew Gunner Reilly, Gaelic and Association footballer. 1890s

Jesus enters Jerusalem, from The Bible Picture Book published by Thomas Nelson, c
3482266 Jesus enters Jerusalem, from The Bible Picture Book published by Thomas Nelson, c.1950 (colour litho) by English School, (20th century); Private Collection; English, out of copyright

Clothing the Naked, c. 1661 (oil on canvas)
3615963 Clothing the Naked, c.1661 (oil on canvas) by Sweerts, Michael (1618-64); 81.9x114.3 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Sweerts probably painted this in Amsterdam)

The Calling of Matthew, c. 1524-64 (oil on wood)
3614018 The Calling of Matthew, c.1524-64 (oil on wood) by Hemessen, Jan van Sanders (c.1500-75) (workshop of); 111.4x151.1 cm; Metropolitan Museum of Art, New York

The Pala d Oro, detail of Christ in Majesty with the Evangelists
XIR246483 The Pala d Oro, detail of Christ in Majesty with the Evangelists (gold & enamel inlaid with precious stones) by Byzantine; Basilica di San Marco, Venice

The Three R s, or, Better Late than Never, cartoon from Punch
532254 The Three R s, or, Better Late than Never, cartoon from Punch, showing William Edward Forster as Chairman of a Board School speaking to pupils, March 1870 (engraving) by Tenniel

Title page for the Gospels of Matthew, Mark, Luke and John
485223 Title page for the Gospels of Matthew, Mark, Luke and John, from the Visigothic-Mozarabic Bible of St. Isidore s, fol.402v. A.D

Christ in majesty, the ambulatory (marble)
MAE413547 Christ in majesty, the ambulatory (marble) by French School, (11th century); St. Sernin, Toulouse, France; ePaul Maeyaert; French, out of copyright

Fol. 33v from the Reichenau School Evangeliary, Codex F. II. 1 (vellum)
XOT366480 Fol. 33v from the Reichenau School Evangeliary, Codex F. II. 1 (vellum) by German School; Biblioteca Queriniana, Brescia

An Angel declares that the Lord is risen, Matthew (engraving)
2812919 An Angel declares that the Lord is risen, Matthew (engraving) by Carracci, Annibale (1560-1609) (after); Private Collection; (add.info.: An Angel declares that the Lord is risen, Matthew)

The Heir of the Ages, by James Payn (engraving)
1623340 The Heir of the Ages, by James Payn (engraving) by Furniss, Harry (1854-1925) (after); Private Collection; (add.info.: The Heir of the Ages, by James Payn)

The vault (fresco)
3480268 The vault (fresco) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); (add.info.: The vault, Cappella Niccolina, Palazzi Pontifici, Vatican)

The betrayal, from The Bible Picture Book published by Thomas Nelson, c
3482270 The betrayal, from The Bible Picture Book published by Thomas Nelson, c.1950 (colour litho) by English School, (20th century); Private Collection; English, out of copyright

The Enchanted Castle, c. 1887
HGM78275 The Enchanted Castle, c.1887 by Maris, Matthijs (1839-1917); 21.5x33 cm; Haags Gemeentemuseum, The Hague, Netherlands; eKunstmuseum den Haag; Dutch, out of copyright

The Last Supper, c. 1447 (fresco)
BEN85172 The Last Supper, c.1447 (fresco) by Castagno, Andrea del (1410-57); Cenacolo di Sant Apollonia, Florence, Tuscany, Italy; (add.info.: for details see 29246)

Marriage of Mercy and Matthew from The Pilgrims Progress From This World
5615846 Marriage of Mercy and Matthew from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688) illustration by William Strang (1859-1921)

Vault frescoes in the Sacristy depicting the Four Evangelists, 1387 (fresco)
BEN130900 Vault frescoes in the Sacristy depicting the Four Evangelists, 1387 (fresco) by Spinello or Spinelli, Aretino Luca (c.1340-1410); San Miniato al Monte, Florence

Lat 9389 f. 18v Symbol of Matthew, Imago Hominus, Lindisfarne
BAL26131 Lat 9389 f.18v Symbol of Matthew, Imago Hominus, Lindisfarne, from the Echternach Gospel Book, c.700 by Frankish School, (8th century); Bibliotheque Nationale, Paris, France; European

Symbols of The Four Evangelists (engraving)
5198344 Symbols of The Four Evangelists (engraving) by English School, (19th century); Private Collection; (add.info.: Symbols of The Four Evangelists)

Shouldest not thou also have had compassion on thy fellow-servant, even as I had pity on thee
5218754 Shouldest not thou also have had compassion on thy fellow-servant, even as I had pity on thee?, Matthew XVIII, 33 (engraving) by English School

Burial of John the Baptist, Matthew XIV, 12 (engraving)
5218751 Burial of John the Baptist, Matthew XIV, 12 (engraving) by English School, (19th century); Private Collection; (add.info.: Burial of John the Baptist, Matthew XIV, 12)

John in Prison, Matthew XIV, 10 (engraving)
5218748 John in Prison, Matthew XIV, 10 (engraving) by English School, (19th century); Private Collection; (add.info.: John in Prison, Matthew XIV, 10)

"A man, named Matthew, sitting at the receipt of custom", St Matthew, ix, 9 (engraving)
2809548 " A man, named Matthew, sitting at the receipt of custom", St Matthew, ix, 9 (engraving) by English School, (19th century); Private Collection; (add.info.: " A man)

Christ in the Temple, c. 1505 (oil on panel)
694302 Christ in the Temple, c.1505 (oil on panel) by Schaufelein, Hans Leonard (c.1480-c.1539); 134.6x132.1 cm; Shipley Art Gallery, Gateshead, Tyne & Wear

High Altar: proposed gold and silver cross, 5 ft high (pencil, ink, brush, w / c
3120469 High Altar: proposed gold and silver cross, 5 ft high (pencil, ink, brush, w/c, silver & gold paint on grey card) by A. Edward Jones & Co

The Four Evangelists, within a Border of Flowers, Birds, and Insects
2972636 The Four Evangelists, within a Border of Flowers, Birds, and Insects, 1572 (tempera & gold paint on vellum, in paper montage with pen & brown ink & touches of w/c) by Clovio

The Christening Gate in Lausanne, c. 1861 (w / c & gouache)
HGM78291 The Christening Gate in Lausanne, c.1861 (w/c & gouache) by Maris, Matthijs (1839-1917); 33.3x52.7 cm; Haags Gemeentemuseum, The Hague, Netherlands; eKunstmuseum den Haag; Dutch

Jesus commanding Matthew, the publican, to follow him
LLM339676 Jesus commanding Matthew, the publican, to follow him by Hole, William Brassey (1846-1917); Private Collection; (add.info.: Jesus commanding Matthew, the publican, to follow him)

Index page for the Gospels of Matthew, Mark and Luke, Ms n. 2
485196 Index page for the Gospels of Matthew, Mark and Luke, Ms n.2. from the Visigothic-Mozarabic Bible of St. Isidore s, A.D

Lamb on Mount Zion, no. 47 from The Apocalypse of Angers, 1373-87 (tapestry)
488903 Lamb on Mount Zion, no.47 from The Apocalypse of Angers, 1373-87 (tapestry) by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers

The Four Evangelists (oil on panel)
AMO96902 The Four Evangelists (oil on panel) by Greek School, (18th century); 24x18 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Greek, out of copyright

The Departure of John and Sebastian Cabot from Bristol on their First Voyage of Discovery
BAG243057 The Departure of John and Sebastian Cabot from Bristol on their First Voyage of Discovery in 1497, 1906 (oil on canvas) (detail of 2072) by Board

Ms EAB 664 The four evangelists, from the Codex Purpureus (vellum) (b / w photo)
XIR252745 Ms EAB 664 The four evangelists, from the Codex Purpureus (vellum) (b/w photo) by Byzantine School, (6th century); Museo Diocesano, Rossano

Saint Matthew (oil on canvas)
LRI956792 Saint Matthew (oil on canvas) by Romanino, Girolamo (c.1485-c.1566); Capella del Sacramento, Chiesa di San Giovanni Evangelista, Brescia, Italy; Luisa Ricciarini; Italian, out of copyright

Altarpiece depicting scenes from the Passion and the Evangelists with the arms of Anne de
XIR218215 Altarpiece depicting scenes from the Passion and the Evangelists with the arms of Anne de Montmorency, Limousin Workshop (gold & painted enamel) by Reymond

Ms. 69 fol. 138v The Lamb of God surrounded by the Symbols of the Evangelists (vellum)
XIR156570 Ms. 69 fol.138v The Lamb of God surrounded by the Symbols of the Evangelists (vellum) by French School, (9th century); Bibliotheque Municipale, Valenciennes

Ms. 1 Canon tables of the Evangelists decorated with fantastical animals
XIR156569 Ms. 1 Canon tables of the Evangelists decorated with fantastical animals, from the Gospel of Saint-Michel-de-Cuxa, c.1070-1130 (vellum) by French School; Bibliotheque Municipale, Perpignan

Base of the Cross of St. Bertin, from the Abbaye Saint-Bertin, c
XIR204570 Base of the Cross of St. Bertin, from the Abbaye Saint-Bertin, c.1180 (gilded bronze & champleve enamel) (see also 232624-25 & 232839) by Godefroid de Huy (fl. 1130-50) (attr)

Page from a codex with a portrait of Matthias I (1440-90) Corvinus (vellum)
CHT204561 Page from a codex with a portrait of Matthias I (1440-90) Corvinus (vellum) by Predis, Giovanni Ambrogio de (fl.1472-1506) (attr)

Judas Iscariot bargaining with the Chief Priests, Matthew XXVI, 14, 15 (engraving)
5218762 Judas Iscariot bargaining with the Chief Priests, Matthew XXVI, 14, 15 (engraving) by English School, (19th century); Private Collection; (add.info)

The son of man is Lord even of the Sabbath Day, Matthew XII, 8 (engraving)
5218757 The son of man is Lord even of the Sabbath Day, Matthew XII, 8 (engraving) by English School, (19th century); Private Collection; (add.info.: The son of man is Lord even of the Sabbath Day)

Follow me, and I will make you fishers of men, Matthew IV, 19 (engraving)
5218749 Follow me, and I will make you fishers of men, Matthew IV, 19 (engraving) by English School, (19th century); Private Collection; (add.info.: Follow me, and I will make you fishers of men)

The Call of Matthew or Levi (engraving)
5224154 The Call of Matthew or Levi (engraving) by English School, (19th century); Private Collection; (add.info.: The Call of Matthew or Levi)

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Matthew, the guardian angel of history, has left his mark throughout the ages. In 1897, a stunning illustration in the Book of Kells depicted St. Matthew with intricate detail and devotion. Inspired by faith, he transcribed The Lord's Prayer for all to seek solace in its words. The portrait of Saint Matthew found within the ancient Lindisfarne Gospels showcases his divine presence illuminated around 700 AD. As if transcending time itself, this depiction captures his essence as a guiding force for humanity. In an unexpected twist, Matthew's influence extends beyond religious realms into sports and geography. A group photo immortalizes him as part of the Millwall Athletic football team - showcasing his versatility and love for competition. Matthew Paris' map from 1250 reveals another facet of his character - a cartographer mapping rivers and towns across England and Wales with meticulous precision. His attention to detail is evident even centuries later. But it doesn't stop there; Matthew's impact reaches far beyond borders or fields. Ciro Ferri's artwork "The Guardian Angel" pays homage to Pietro da Cortona while capturing Matthew's watchful eye over mankind. Even technological advancements bear witness to Matthew’s handiwork – Boulton and Watt steam engines equipped with planetary gears revolutionized industry under his guidance. Nature too finds itself blessed by Matthew’s touch; Toulouse geese adorned with dewlaps reflect both beauty and fertility that he bestowed upon them. Yet amidst these diverse influences lies an unwavering commitment to service during times of strife. Father William Corby alongside other chaplains were captured by Mathew Brady during the Civil War – their dedication inspiring countless soldiers on their darkest days. Finally, an Austrian Gospel from the mid-13th century illuminates Saint Matthew once more – reminding us that through artistry and spirituality combined, he continues shaping our collective narrative today. Matthew remains a timeless figure whose legacy spans across centuries, continents, and disciplines.