Matsys Collection

The Tax Collectors, 1520s. Artist: Massys, Quentin (1466?1530)
The Tax Collectors, 1520s. Found in the collection of the Liechtenstein Museum

Self portrait of Quintin Matsys or the Blacksmith of Antwerp
5854997 Self portrait of Quintin Matsys or the Blacksmith of Antwerp; (add.info.: Self portrait of Quintin Matsys or the Blacksmith of Antwerp (1460-1529), Flemish history and portrait artist

Quentin Matsys received by the Guild of St. Luke at Antwerp, from 'Hutchinson's History of the Nations'
3506165 Quentin Matsys received by the Guild of St. Luke at Antwerp, from 'Hutchinson's History of the Nations', pub. 1915 (print) by English School, (20th century).

Triptych of the Descent. Descent from the Cross by Matsys
Quentin Matsys (circa 1466-1530). Flemish painter. Triptych of the Descent. Descent from the Cross. Lazaro Galdiano Museum. Madrid. Spain

The Ill-matched Pair, 1566 (oil on wood)
3588384 The Ill-matched Pair, 1566 (oil on wood) by Massys or Metsys, Jan (1509-75); 97x134 cm; National Museum, Stockholm, Sweden

A Merry Company (oil on panel)
3930819 A Merry Company (oil on panel) by Massys or Metsys, Jan (1509-75); 91x128 cm; National Museum, Stockholm, Sweden

Portrait of Quentin Matsys, Flemish painter in the Netherlandish tradition, 1466-1530
6338800 Portrait of Quentin Matsys, Flemish painter in the Netherlandish tradition, 1466-1530 by Corner, John (fl.1788-1825); (add.info.: Portrait of Quentin Matsys)

The Money Changers, c. 1530 (oil on panel)
897330 The Money Changers, c.1530 (oil on panel) by Massys or Metsys, Quentin (c.1466-1530) (workshop of); 122x98 cm; Musee d Art et d Histoire, Geneva, Switzerland; Netherlandish, out of copyright

Portrait of Erasmus of Rotterdam (oil on panel)
ALI314599 Portrait of Erasmus of Rotterdam (oil on panel) by Massys or Matsys, Quentin (c.1466-1530); 59x46.5 cm; Palazzo Barberini, Gallerie Nazionali Barberini Corsini, Rome

The Misers, at Windsor Castle, by Quintin Messys, or Matsys (engraving)
2792396 The Misers, at Windsor Castle, by Quintin Messys, or Matsys (engraving) by English School, (19th century); Private Collection; (add.info.: The Misers, at Windsor Castle, by Quintin Messys)

The Rent Receivers Office, 1514 (oil on canvas transferred from wood)
3588416 The Rent Receivers Office, 1514 (oil on canvas transferred from wood) by Massys or Metsys, Jan (1509-75); 70x106 cm; National Museum, Stockholm, Sweden; Dutch, out of copyright

Quentin Matsys (engraving)
820830 Quentin Matsys (engraving) by German School, (19th century); Private Collection; (add.info.: Quentin Matsys. Painter in the Flemish tradition and a founder of the Antwerp school (1466-1529)

The Adoration of the Magi, 1526. Creator: Quentin Metsys I
The Adoration of the Magi, 1526

Portrait of a Woman, ca. 1520. Creator: Quentin Metsys I
Portrait of a Woman, ca. 1520

The Virgin and Child with Saints Barbara and Catherine, c. 1518-1525. Artist: Massys, Quentin (1466?1530)
The Virgin and Child with Saints Barbara and Catherine, c. 1518-1525. Found in the collection of the National Gallery, London

An Old Woman (The Ugly Duchess), c. 1513. Artist: Massys, Quentin (1466?1530)
An Old Woman (The Ugly Duchess), c. 1513. Found in the collection of the National Gallery, London

The Crucifixion, ca 1515. Artist: Massys, Quentin (1466?1530)
The Crucifixion, ca 1515. Found in the collection of the National Gallery, London

The Moneylenders, c1515, (1912). Artist: Quentin Metsys I
The Moneylenders, c1515, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

The Moneylender and his Wife, 1514. Artist: Quentin Metsys I
The Moneylender and his Wife, 1514. Painting housed in the Louvre, Paris. From A History of Painting, Volume IV by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]

Head of Christ, c15th century, (1905). Artist: Quentin Metsys I
Head of Christ, c15th century. From The Connoisseur Vol XL [Otto Limited, London, 1905.]

St Mary Magdalene, (1927). Artist: Quentin Metsys I
St Mary Magdalene, (1927). Found in the collection of the Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium. A print from Flemish and Belgian art 1300-1900

Petrus Aegidius, (1927). Artist: Quentin Metsys I
Petrus Aegidius, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

The Misers, c1480-1530 (1843). Artist: J Jackson
The Misers, c1480-1530 (1843). An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Quentin Matsys, painter in the Flemish tradition, (1825). Artist: John Corner
Quentin Matsys, painter in the Flemish tradition, (1825). An engraving of Matsys (1466-1530) from John Corners Portraits of Celebrated Painters, (London, 1825)

The Adoration of the Magi, 1526. Artist: Quentin Metsys I
The Adoration of the Magi, 1526. Located in the collection at, Metropolitan Museum of Art, New York

The Vision of the Prophet Ezekiel. Artist: Massys, Quentin (1466?1530)
The Vision of the Prophet Ezekiel. From a private collection

Paracelsus Aracelsus (1493-1541), Swiss-born German physician and alchemist
Paracelsus Aracelsus (Theophrastus Bombastus Von Hohenheim) (1493-1541), Swiss-born German physician and alchemist. Paracelsus studied at Vienna University before becoming a military surgeon in

Triptych, c1486-1530. Artist: Quentin Metsys I
Triptych, c1486-1530. A triptych with the Crucifixion as the main panel flanked by panels of donors and saints

Alice in Wonderland, Duchess, cook and baby
Alice in Wonderland, Alice meets the Duchess, her cook and a screaming baby. Date: early 20th century

Quintin Massys 1465 Or 1456 - 1530 Flemish Artist From 75 Portraits Of Celebrated Painters From Authentic Originals Etched By James Girtin Published London 1817

The Misers, at Windsor Castle: by Quentin Messys, or Matsys

Antwerp, Belgium - Well by Quentin Matsys
A well with a wrought iron covereing which (legend has it) was designed by one of Antwerps most famous sons, the painter Quentin Matsys (14661529)

The Adoration of the Magi, 1526. Oil on wood. Quentin Metsys (also Matsys or Massys - 1465-1530) Netherlandish painter. Antwerp Mannerist

Quentin Massys
QUENTIN MASSYS (or Matsys, Metsys etc) Flemish artist from Antwerp fiddling with his ring. Date: 1466? - 1530

Massys / Quentin / Academie
QUENTIN MASSYS or MATSYS, MESSYS or METSYS Flemish painter

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Quentin Matsys, a renowned Flemish painter in the Netherlandish tradition, left an indelible mark on art history with his captivating works. Born around 1466 and passing away in 1530, Matsys's talent spanned various genres and subjects. One of his notable pieces is "The Tax Collectors" from the 1520s. In this painting, Matsys skillfully portrays the tension between tax collectors and their weary subjects. The meticulous attention to detail brings each character to life, revealing the complexities of human interaction during that era. Another masterpiece by the "Triptych of the Descent. " This triptych depicts the poignant scene of Christ's descent from the cross. Through his use of color and composition, Matsys captures both sorrow and hope in this religious narrative. It also ventured into illustrating literary works like "Alice in Wonderland. " His portrayal of characters such as Duchess, cook, and baby showcases his ability to bring fantasy worlds to life through art. In "The Ill-matched Pair, " an oil painting from 1566, Matsys explores themes of love and companionship. The contrasting personalities depicted reveal a deeper understanding of human relationships beyond mere appearances. "A Merry Company, " another one of his oil paintings on panel, exudes joyous energy as it portrays a group engaged in lively conversation and revelry. This work reflects Matsys's ability to capture fleeting moments filled with laughter and camaraderie. Not only did he excel at capturing people's emotions but also painted remarkable portraits like that of Erasmus Rotterdam. With every brushstroke meticulously placed on panel or canvas transferred from wood, he immortalized influential figures for generations to admire. "The Money Changers" offers a glimpse into society's financial dealings during that time period while "The Misers" presents a satirical commentary on greediness within Windsor Castle walls—both engravings showcasing Matsys's keen eye for social critique.