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Mater Amabilis Collection

"Mater Amabilis: A Timeless Tribute to the Divine Mother" Step into a world of artistic marvels

Background imageMater Amabilis Collection: Our Lady of the Rosary (oil on canvas)

Our Lady of the Rosary (oil on canvas)
7216656 Our Lady of the Rosary (oil on canvas) by Dit─ø, Emanuel (1862-1944); (add.info.: This altarpiece was painted for the Church of St. Giles in Prague, Czech Republic); © Lubomir Synek

Background imageMater Amabilis Collection: The Annunciation (colour litho)

The Annunciation (colour litho)
7172942 The Annunciation (colour litho) by English School, (19th century); Private Collection; (add.info.: The Annunciation (Luke 1:38)

Background imageMater Amabilis Collection: The Adoration of Shepherds (Miniature, 12th century)

The Adoration of Shepherds (Miniature, 12th century)
LRI4670800 The Adoration of Shepherds (Miniature, 12th century) by Armenian School, (12th century); Armenian Museum, Isfahan

Background imageMater Amabilis Collection: Virgin with child and angels, detail (illustrated manuscript, 1330)

Virgin with child and angels, detail (illustrated manuscript, 1330)
LRI4670654 Virgin with child and angels, detail (illustrated manuscript, 1330) by Armenian School, (14th century); Armenian Museum, Isfahan

Background imageMater Amabilis Collection: Painting, Pieta, Flemish school, 17th century

Painting, Pieta, Flemish school, 17th century
7243956 Painting, Pieta, Flemish school, 17th century by Flemish School, (17th century); (add.info.: Parish church, Sint-Maria-Horebeke, parochiekerk Onze-Lieve-Vrouw-Hemelvaart, Horebeke)

Background imageMater Amabilis Collection: Rondanini Pieta, 1552-64 (marble)

Rondanini Pieta, 1552-64 (marble)
7240143 Rondanini Pieta, 1552-64 (marble) by Buonarroti, Michelangelo (1475-1564); Museo del Castello Sforzesco, Milan, Italy; (add.info.: Michelangelo Buonarroti.); Ghigo Roli

Background imageMater Amabilis Collection: Rondanini Pieta, 1552-64 (marble)

Rondanini Pieta, 1552-64 (marble)
7240142 Rondanini Pieta, 1552-64 (marble) by Buonarroti, Michelangelo (1475-1564); Museo del Castello Sforzesco, Milan, Italy; (add.info.: Michelangelo Buonarroti.); Ghigo Roli

Background imageMater Amabilis Collection: Detail of the Adoration of the Shepherds, c. 1588-90 (oil on canvas)

Detail of the Adoration of the Shepherds, c. 1588-90 (oil on canvas)
XAM65682 Detail of the Adoration of the Shepherds, c.1588-90 (oil on canvas) by Bassano, Francesco (Francesco da Ponte) (1549-92); 72.5--99 cm; Kunsthistorisches Museum, Vienna

Background imageMater Amabilis Collection: Rondanini Pieta, 1552-64 (marble)

Rondanini Pieta, 1552-64 (marble)
7240144 Rondanini Pieta, 1552-64 (marble) by Buonarroti, Michelangelo (1475-1564); Museo del Castello Sforzesco, Milan, Italy; (add.info.: Michelangelo Buonarroti.); Ghigo Roli

Background imageMater Amabilis Collection: Adoration of the Shepherds, c. 1588-90 (oil on canvas)

Adoration of the Shepherds, c. 1588-90 (oil on canvas)
XAM65681 Adoration of the Shepherds, c.1588-90 (oil on canvas) by Bassano, Francesco (Francesco da Ponte) (1549-92); 72.5--99 cm; Kunsthistorisches Museum, Vienna

Background imageMater Amabilis Collection: Mary with the Boy Jesus, 1915 (oil on canvas)

Mary with the Boy Jesus, 1915 (oil on canvas)
7063417 Mary with the Boy Jesus, 1915 (oil on canvas) by Giacometti, Augusto (1877-1947); 119x139 cm; Private Collection

Background imageMater Amabilis Collection: The Visitation, c. 1310-20 (walnut, paint, gilding, rock-crystal cabochons inset in gilt-silver)

The Visitation, c. 1310-20 (walnut, paint, gilding, rock-crystal cabochons inset in gilt-silver mounts)
7212544 The Visitation, c.1310-20 (walnut, paint, gilding, rock-crystal cabochons inset in gilt-silver mounts) by Master Heinrich of Constance (fl.1310-20) (attributed to)

Background imageMater Amabilis Collection: Adoration of the Shepherds, 15th century (tempera)

Adoration of the Shepherds, 15th century (tempera)
7240574 Adoration of the Shepherds, 15th century (tempera) by Granacci, Francesco (1477-1543); Accademia delle Arti del Disegno, Florence, Italy; Ghigo Roli

Background imageMater Amabilis Collection: Madonna with the Child Jesus (tempera on wood)

Madonna with the Child Jesus (tempera on wood)
7227348 Madonna with the Child Jesus (tempera on wood) by Machiavelli, Zanobi (1418-79); Private Collection; (add.info.: Private Collection, Jacopo Machiavelle Zanobi, Madonna with Child Jesus)

Background imageMater Amabilis Collection: Madonna and Child with Saints. 16th century (Oil on Wood)

Madonna and Child with Saints. 16th century (Oil on Wood)
7216082 Madonna and Child with Saints. 16th century (Oil on Wood) by Marti, Agostino (1482-1540); Musei Capitolini, Rome, Italy; (add.info.: Madonna and Child with Saints. Oil on Wood)

Background imageMater Amabilis Collection: Madonna and Child with Saints, 17th century (Oil on canvas)

Madonna and Child with Saints, 17th century (Oil on canvas)
7216076 Madonna and Child with Saints, 17th century (Oil on canvas) by Bonatti, Giovanni (1635-81); Musei Capitolini, Rome, Italy; (add.info.: Madonna and Child with Saints. Oil on canvas)

Background imageMater Amabilis Collection: King David plays a harp to putti and Mary above his head. 1791 (engraving)

King David plays a harp to putti and Mary above his head. 1791 (engraving)
7234837 King David plays a harp to putti and Mary above his head. 1791 (engraving) by Chodowiecki, Daniel Nikolaus (1726-1801); Private Collection; (add.info)

Background imageMater Amabilis Collection: Adoration of the Shepherds, 17th century (painting)

Adoration of the Shepherds, 17th century (painting)
3498499 Adoration of the Shepherds, 17th century (painting) by Fabbrica, Francesco (fl.17th century); Chiesa di San Vittore al Corpo, Milan, Lombardy

Background imageMater Amabilis Collection: The Flight into Egypt (colour litho)

The Flight into Egypt (colour litho)
7185936 The Flight into Egypt (colour litho) by Dudley, Robert Ambrose (1867-1951) (after); Private Collection; (add.info.: The Flight into Egypt)

Background imageMater Amabilis Collection: Flemish tapestry. Triptych of the Birth of Christ (Triptico del Nacimiento de Jesus)

Flemish tapestry. Triptych of the Birth of Christ (Triptico del Nacimiento de Jesus)
7208763 Flemish tapestry. Triptych of the Birth of Christ (Triptico del Nacimiento de Jesus). Models from Cartoonist of the circle of Rogier van der Weyden. Manufacture Southern Netherlands. Ca 1492

Background imageMater Amabilis Collection: Flemish tapestry. Triptych of the Birth of Christ (Triptico del Nacimiento de Jesus)

Flemish tapestry. Triptych of the Birth of Christ (Triptico del Nacimiento de Jesus)
7207323 Flemish tapestry. Triptych of the Birth of Christ (Triptico del Nacimiento de Jesus). Models from Cartoonist of the circle of Rogier van der Weyden. Manufacture Southern Netherlands. Ca 1492

Background imageMater Amabilis Collection: Coronation of the Virgin by Catarino di Marco da Venezia (wood panel)

Coronation of the Virgin by Catarino di Marco da Venezia (wood panel)
7063914 Coronation of the Virgin by Catarino di Marco da Venezia (wood panel) by Catarino Veneziano (1362-82); © Fred de Noyelle/Godong

Background imageMater Amabilis Collection: Milan, Church of San Francesco da Paola, Lombard School of the 700, The Deposition of the Cross

Milan, Church of San Francesco da Paola, Lombard School of the 700, The Deposition of the Cross
7227326 Milan, Church of San Francesco da Paola, Lombard School of the 700, The Deposition of the Cross by Lombard School, (18th century); Chiesa di San Francesco di Paola, Milan, Lombardy

Background imageMater Amabilis Collection: Milan, Church of San Francesco da Paola, Lombard School of the 700, The Deposition of the Cross

Milan, Church of San Francesco da Paola, Lombard School of the 700, The Deposition of the Cross
7227325 Milan, Church of San Francesco da Paola, Lombard School of the 700, The Deposition of the Cross by Lombard School, (18th century); Chiesa di San Francesco di Paola, Milan, Lombardy

Background imageMater Amabilis Collection: Madonna and Child with Saints. 16th century (Oil on Wood)

Madonna and Child with Saints. 16th century (Oil on Wood)
7216083 Madonna and Child with Saints. 16th century (Oil on Wood) by Marti, Agostino (1482-1540); Musei Capitolini, Rome, Italy; (add.info.: Madonna and Child with Saints. Oil on Wood)

Background imageMater Amabilis Collection: Madonna and Child with Saints. 15th century (Tempera on Wood)

Madonna and Child with Saints. 15th century (Tempera on Wood)
7216080 Madonna and Child with Saints. 15th century (Tempera on Wood) by Pittore Marchigiano, (14th-15th century); Musei Capitolini, Rome, Italy; (add.info.: Madonna and Child with Saints)

Background imageMater Amabilis Collection: Madonna and Child with Saints, 17th century (Oil on canvas)

Madonna and Child with Saints, 17th century (Oil on canvas)
7216077 Madonna and Child with Saints, 17th century (Oil on canvas) by Bonatti, Giovanni (1635-81); Musei Capitolini, Rome, Italy; (add.info.: Madonna and Child with Saints. Oil on canvas)

Background imageMater Amabilis Collection: The young Titian painting (colour litho)

The young Titian painting (colour litho)
7185276 The young Titian painting (colour litho) by Crane, Donn P. (1878-1944); Private Collection; (add.info.: The young Titian painting)

Background imageMater Amabilis Collection: Virgin and Child enthroned with Saints John the Baptist, c. 1548 (pen)

Virgin and Child enthroned with Saints John the Baptist, c. 1548 (pen, black ink & brown wash on paper)
7145317 Virgin and Child enthroned with Saints John the Baptist, c.1548 (pen, black ink & brown wash on paper) by Veronese, (Paolo Caliari) (1528-88) (attr)

Background imageMater Amabilis Collection: The Nativity, c. 1500 (oil on panel)

The Nativity, c. 1500 (oil on panel)
7088897 The Nativity, c.1500 (oil on panel) by Piccinelli, Andrea (c.1487-c.1525); Private Collection

Background imageMater Amabilis Collection: Memorial tablet, c. 1500 (oil on panel)

Memorial tablet, c. 1500 (oil on panel)
6620688 Memorial tablet, c. 1500 (oil on panel) by Master of the Spes Nostra (fl.1490-1520); 88.7--104.3 cm; Rijksmuseum, Amsterdam

Background imageMater Amabilis Collection: Altarpiece of the Visitation, The Virgin meets Elizabeth, detail, c. 1488-1516 (tempera on wood)

Altarpiece of the Visitation, The Virgin meets Elizabeth, detail, c. 1488-1516 (tempera on wood)
AIS5335956 Altarpiece of the Visitation, The Virgin meets Elizabeth, detail, c. 1488-1516 (tempera on wood) by Barcelo, Joan (fl)

Background imageMater Amabilis Collection: The Madonna: a fragment from an altarpiece (oil and gold on panel)

The Madonna: a fragment from an altarpiece (oil and gold on panel)
7212894 The Madonna: a fragment from an altarpiece (oil and gold on panel) by Ridolfo Ghirlandaio (Florence 1483-1561) (attr. to); 38.4 x 28.8 cm; Private Collection; Photo © Christies Images

Background imageMater Amabilis Collection: Saint Joseph des Fins church. Holy Spirit, Virgin Mary and Child. Stained glass Window. Annecy

Saint Joseph des Fins church. Holy Spirit, Virgin Mary and Child. Stained glass Window. Annecy. France
7136488 Saint Joseph des Fins church. Holy Spirit, Virgin Mary and Child. Stained glass Window. Annecy. France. by Bellot, Dom Paul (1876-1944); © Pascal Deloche/Godong

Background imageMater Amabilis Collection: Madonna and Child with Saints and Donors (oil on panel)

Madonna and Child with Saints and Donors (oil on panel)
7076619 Madonna and Child with Saints and Donors (oil on panel) by Master of Saint Anna (fl.15th century); Museo de Arte de Ponce, Puerto Rico

Background imageMater Amabilis Collection: Immaculate Virgin (oil on copper)

Immaculate Virgin (oil on copper)
7227369 Immaculate Virgin (oil on copper) by Conca, Sebastiano (1680-1764); Private Collection; (add.info.: Private Collection, Sebastiano Conca, Our Lady Immaculate)

Background imageMater Amabilis Collection: The Annunciation (demi-lunettes left and right) and the Nativity (central lunette) in one frame

The Annunciation (demi-lunettes left and right) and the Nativity (central lunette) in one frame, c. 1480 (oil on panel)
7240852 The Annunciation (demi-lunettes left and right) and the Nativity (central lunette) in one frame, c.1480 (oil on panel) by Italian School

Background imageMater Amabilis Collection: The Madonna Showing a Small Cross to Jesus (oil on canvas)

The Madonna Showing a Small Cross to Jesus (oil on canvas)
7227362 The Madonna Showing a Small Cross to Jesus (oil on canvas) by Franceschini, Marco Antonio (1648-1729); Private Collection; (add.info.: Private Collection, Marco Antonio Franceschini)

Background imageMater Amabilis Collection: Immaculate Madonna with the Child Jesus and Saints (oil on canvas)

Immaculate Madonna with the Child Jesus and Saints (oil on canvas)
7227365 Immaculate Madonna with the Child Jesus and Saints (oil on canvas) by Giolfino, Niccolo the Younger (1476-1555); Private Collection; (add.info.: Private Collection, Niccolo Giolfino)

Background imageMater Amabilis Collection: Madonna and Child with Saint Anne (oil on canvas)

Madonna and Child with Saint Anne (oil on canvas)
7227349 Madonna and Child with Saint Anne (oil on canvas) by Verona, Liberale da (c.1445-c.1525); Private Collection; (add.info.: Private Collection, Liberale da Verona)

Background imageMater Amabilis Collection: Virgin Mary, Christ and Saint Anne, c. 1500-1600 (oil and panel)

Virgin Mary, Christ and Saint Anne, c. 1500-1600 (oil and panel)
7240969 Virgin Mary, Christ and Saint Anne, c.1500-1600 (oil and panel) by Northern Italian School, (16th century); 12.5x10.5 cm; The Weston Park Foundation, Shropshire

Background imageMater Amabilis Collection: The Madonna and Child, c. 1509-34 (oil on canvas)

The Madonna and Child, c. 1509-34 (oil on canvas)
7240903 The Madonna and Child, c.1509-34 (oil on canvas) by Correggio, (Antonio Allegri) (c.1489/94-1534) (attr. to); 33.6X26.7 cm; The Weston Park Foundation, Shropshire

Background imageMater Amabilis Collection: The Virgin at Prayer, c. 1629-85 (oil on canvas)

The Virgin at Prayer, c. 1629-85 (oil on canvas)
7240835 The Virgin at Prayer, c.1629-85 (oil on canvas) by Sassoferrato, Il (Giovanni Battista Salvi) (1609-85) (after); 76.2x62.2 cm; The Weston Park Foundation, Shropshire

Background imageMater Amabilis Collection: Madonna and Child, c. 1450-1516 (oil on panel)

Madonna and Child, c. 1450-1516 (oil on panel)
7240687 Madonna and Child, c.1450-1516 (oil on panel) by Bellini, Giovanni (c.1430-1516) (style of); 20.3x15.9 cm; The Weston Park Foundation, Shropshire



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"Mater Amabilis: A Timeless Tribute to the Divine Mother" Step into a world of artistic marvels, where brushstrokes and chisels bring forth the ethereal beauty of Mater Amabilis, Our Lady of the Rosary. From oil on canvas to marble sculptures, each piece captures the essence of devotion and love. In "The Annunciation, " vibrant colors dance across lithographic prints, depicting the sacred moment when Mary receives tidings from above. The Adoration of Shepherds in its miniature form transports us back to the 12th century, where intricate details tell a tale of humble reverence. Virgin with child and angels grace an illustrated manuscript from 1330; their celestial presence emanates through delicate strokes. As we gaze upon "The Lamentation of Christ, " sorrow seeps through every brushstroke in this hauntingly beautiful portrayal. Pieta paintings by Flemish masters evoke deep emotions as we witness Mary cradling her son's lifeless body. The Rondanini Pieta stands tall in timeless marble glory, capturing Michelangelo's mastery over stone and his ability to convey profound grief. Detail after detail unfolds before our eyes in "The Adoration of the Shepherds. " Each stroke tells a story within itself—a testament to human hands guided by divine inspiration. And once again, we encounter the Rondanini Pieta—its power transcending time as it captivates hearts with its raw emotion. Within these works lies an unwavering theme—the adoration bestowed upon Mary throughout centuries. In "Mary with the Boy Jesus, " painted in 1915, modernity meets tradition as oil on canvas immortalizes their bond for generations to come. Mater Amabilis serves as a reminder that art is not merely pigment on surfaces or shapes carved into stone—it is an expression that connects souls across time and space.