Matejcek Collection

Birth of Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Birth of Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Annunciation of the Virgin Mary, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Annunciation of the Virgin Mary, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

Madonna of Most, before 1350 (1955). From the Capuchin Monastery church, Most. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

Vera Icon, back panel of the Viennese Madonna, c1470 (1955). Found in the collection of the Kunsthistorisches Museum Gallery, Vienna

Adoration of the Child, after 1430 (1955). Artist: Master of the Carrying of the Cross, Vyssi Brod
Adoration of the Child, after 1430 (1955). Part of a dismantled alterpiece. Found in the collection of the Szepmuveszeti Museum, Budapest

The Last Supper, after 1420 (1955). Found in the collection of Monastery Gallery, Kremsmunster. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Crucifixion, before 1400 (1955). Artist: Workshop of the Master of the Trebon Altarpiece
Crucifixion, before 1400 (1955). From the workshop of the Master of the Trebon Altarpiece. Found in the collection of The National Gallery in Prague

Madonna of Zlata Koruna, c1410 (1955). Found in the collection of The National Gallery in Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

The Vyssi Brod Crucifixion, before 1400 (1955). Artist: Master of the Vyssi Brod Altar
The Vyssi Brod Crucifixion, before 1400 (1955). Found in the collection of The National Gallery in Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

The Tomb of Christ, Master of the Trebon Altarpiece, about 1380, (1955). Artist: Master of the Trebon Altarpiece
The Tomb of Christ, c1380 (1955). Detail from the Trebon Altarpiece. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

St Giles, St Gregory, and St Jerome, c1380 (1955). Artist: Master of the Trebon Altarpiece
St Giles, St Gregory, and St Jerome, c1380 (1955). Found in the collection of The National Gallery in Prague. A print from Gothic Painting in Bohemia 1350-1450

Painting on the reverse of the Trebon Altarpiece, c1380 (1955). Artist: Master of the Trebon Altarpiece
Painting on the reverse of the Trebon Altarpiece, c1380 (1955). St Catherine of Alexandria, St Mary Magdalene and St Margaret of Antioch

Mulhouse Altarpiece, open, c1385 (1955). St Vitus, St Wenceslas and St Sigismund. Found in the collection of The State Gallery, Stuttgart

St Adalbert, detail, after 1370 (1955). Artist: Master Theodoric
St Adalbert, detail, after 1370 (1955). Adalbert (c956-997), Bishop of Prague, was martyred in the course of his attempt to covert the Baltic Prussians to Christianity

St Vitus, 1365-1367 (1955). Artist: Master Theodoric
St Vitus, 1365-1367 (1955). Born in Sicily, St Vitus was martyred in 303 during the persecution of Christians by the co-Emperors Diocletian and Maximian. Pragues cathedral is named for him

St Mark, 1365-1367 (1955). Artist: Master Theodoric
St Mark, 1365-1367 (1955). Theodorics magnum opus is a collection of panel and wall paintings of saints, prophets and angels

St Hilary, 1365-1367 (1955). Artist: Master Theodoric
St Hilary, 1365-1367 (1955). Hilary (300-367) was bishop of Pictavium (Poitiers) and considered an eminent doctor of the Western Christian Church

St Clara, 1365-1367 (1955). Artist: Master Theodoric
St Clara, 1365-1367 (1955). Portrait of St Clare of Assisi (1194-1253). Theodorics magnum opus is a collection of panel and wall paintings of saints, prophets and angels

Death of the Virgin Mary, c1360 (1955). Morgan panels. Found in the collection of The Morgan Library and Museum. A print from Gothic Painting in Bohemia 1350-1450

Adoration of the Three Kings, c1360 (1955). Morgan panels. Found in the collection of The Morgan Library and Museum. A print from Gothic Painting in Bohemia 1350-1450

The Vysehrad Madonna of the Rains, c1360 (1955). After restoration. Found in the collection of the Collegiate Church of Sts Peter and Paul, third chapel of the southern nave, Prague

Rome Madonna, c1360 (1955). Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

Madonna Between St Catherine and Margaret, c1360 (1955). Middle part of a wing alter-piece. Found in the collection of the Municipal Museum, Ceske Budejovice

The Kaufmann Crucifixion, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Kaufmann Crucifixion, c1350 (1955). Found in the collection of the Gemaldegalerie, Berlin. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Madonna of Kladsko, detail, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Madonna of Kladsko, detail, c1350 (1955). Middle part of a dismantled wing alter-piece. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

Madonna of Veveri, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Madonna of Veveri, c1350 (1955). Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

Ascension, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Ascension, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Descent of the Holy Ghost, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Descent of the Holy Ghost, c1350 (1955).Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

The Resurrection of Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Resurrection of Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

Lament for Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Lament for Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Crucifixion, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Crucifixion, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Jesus in the Olive Grove, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Jesus in the Olive Grove, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

The Adoration of the Magi, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Adoration of the Magi, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

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"Exploring the Masterpieces of Matejcek: A Glimpse into Medieval Art" Step back in time and immerse yourself in the captivating world of Matejcek, a renowned artist from the 14th century. With his exceptional talent, he brought to life iconic religious scenes that continue to mesmerize art enthusiasts today. Witness the divine beauty of "Birth of Christ, " a masterpiece created around 1350. Through delicate brushstrokes, Matejcek captures the humble manger scene, evoking a sense of awe and reverence for the miraculous event that unfolded on that holy night. In "Annunciation of the Virgin Mary, " also crafted around 1350, Matejcek skillfully portrays this pivotal moment when Gabriel delivers God's message to Mary. The ethereal glow surrounding them transports us into this sacred encounter between heaven and earth. Marvel at "Madonna of Most, " an enchanting artwork predating 1350. Here, Matejcek presents a tender depiction of Mother Mary cradling baby Jesus with utmost love and devotion—a timeless symbol of maternal affection transcending centuries. Behold the breathtaking "Vera Icon" adorning the back panel of Viennese Madonna's altarpiece from approximately 1470. This intricate work showcases Matejcek's mastery as he crafts an exquisite representation believed to be an authentic likeness of Christ's face imprinted on Veronica's veil. Experience profound spirituality through "Adoration of the Child. " Painted after 1430 by Master Vyssi Brod himself or under his guidance, it encapsulates pure adoration towards baby Jesus while highlighting intricate details that captivate our gaze. Contemplate upon "The Last Supper, " painted after 1420 by an anonymous artist influenced by Vyssi Brod Altar masterpieces. Witnessing this iconic biblical event unfold before your eyes stirs emotions as you observe each disciple’s reaction to Jesus' revelation.