Master Of The Vyssi Brod Altar Collection

Birth of Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Birth of Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Annunciation of the Virgin Mary, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Annunciation of the Virgin Mary, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

The Vyssi Brod Crucifixion, before 1400 (1955). Artist: Master of the Vyssi Brod Altar
The Vyssi Brod Crucifixion, before 1400 (1955). Found in the collection of The National Gallery in Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

The Kaufmann Crucifixion, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Kaufmann Crucifixion, c1350 (1955). Found in the collection of the Gemaldegalerie, Berlin. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Madonna of Kladsko, detail, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Madonna of Kladsko, detail, c1350 (1955). Middle part of a dismantled wing alter-piece. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

Madonna of Veveri, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Madonna of Veveri, c1350 (1955). Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

Ascension, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Ascension, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Descent of the Holy Ghost, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Descent of the Holy Ghost, c1350 (1955).Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

The Resurrection of Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Resurrection of Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

Lament for Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Lament for Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Crucifixion, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Crucifixion, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Jesus in the Olive Grove, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Jesus in the Olive Grove, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

The Adoration of the Magi, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Adoration of the Magi, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

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The Master of the Vyssi Brod Altar, a renowned artist from the 14th century, has left behind an extraordinary collection of religious artworks that continue to captivate viewers even today. With his remarkable attention to detail and skillful technique, this master craftsman brings to life various scenes from biblical narratives. In "Birth of Christ, " we witness the humble beginnings of Jesus as he enters the world in a manger surrounded by adoring figures. The delicate brushstrokes and vibrant colors evoke a sense of joy and wonderment. Moving on to "Annunciation of the Virgin Mary, " we are transported back in time as we witness the angel Gabriel delivering news of Mary's divine pregnancy. The artist's ability to capture emotions is evident in Mary's expression, filled with both awe and trepidation. "The Vyssi Brod Crucifixion" portrays one of Christianity's most significant events with solemnity and reverence. The intricate details on each figure highlight their pain and suffering while conveying a message of hope through Christ's sacrifice. In "The Kaufmann Crucifixion, " another powerful depiction emerges, showcasing Christ hanging on the cross against a dramatic backdrop. The use of light and shadow adds depth to this poignant scene, evoking contemplation among its viewers. With "Madonna of Kladsko, " our attention is drawn towards Mary cradling baby Jesus tenderly. This intimate portrayal exudes maternal love while emphasizing her role as the mother figure for all believers. Similarly, in "Madonna Veveri, " we encounter another representation where Mary holds Jesus close to her heart—a symbol not only for devotion but also protection amidst worldly challenges. As we explore further into this collection, themes such as resurrection become apparent through pieces like "Ascension" and "Descent Holy Ghost. " These works depict pivotal moments after Christ's death—his triumphant return to heaven followed by the arrival of Holy Spirit upon his disciples.