Marmion Collection

The Trial of Constance de Beverly, between 1880 and 1883. Creator: Toby E Rosenthal
The Trial of Constance de Beverly, between 1880 and 1883

Marmion, Comorn vicinity, King George County, Virginia, 1935. Creator: Frances Benjamin Johnston
Marmion, Comorn vicinity, King George County, Virginia, 1935

Marmion, Comorn vicinity, King George County, Virginia. 1935. Creator: Frances Benjamin Johnston
Marmion, Comorn vicinity, King George County, Virginia. 1935. Carter Grymes House, interior with fireplace and open cupboard containing glass and metal dinnerware. Built circa 1758 for Fitzhugh family

The Soul of Saint Bertin carried up to God (from the St Bertin Altarpiece), ca 1459. Found in the collection of the National Gallery, London

A Choir of Angels (from the St Bertin Altarpiece), ca 1459. Artist: Marmion, Simon (ca 1425-1489)
A Choir of Angels (from the St Bertin Altarpiece), ca 1459. Found in the collection of the National Gallery, London

Clare on the battlements of Tantallon (colour litho)
3648472 Clare on the battlements of Tantallon (colour litho) by Price, Norman Mills (1877-1951) (after); Private Collection; (add.info.: Clare on the battlements of Tantallon)

The Vikings New Year (engraving)
1629888 The Vikings New Year (engraving) by Stewart, Allan (1865-1951); Private Collection; (add.info.: The Vikings New Year. Illustration for The Illustrated London News, 4 January 1902)

With all their banners bravely spread, 1878 (oil on canvas)
LMG109200 With all their banners bravely spread, 1878 (oil on canvas) by Gilbert, John (1817-97); 71.1x91.4 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; (add.info)

Constance de Bererley (gravure)
671918 Constance de Bererley (gravure) by Rosenthal, Toby (Tobias) Edward (1848-1917) (after); Private Collection; (add.info.: Constance de Bererley)

With all their banners bravely spread (engraving)
729560 With all their banners bravely spread (engraving) by Gilbert, John (1817-97); Private Collection; (add.info.: With all their banners bravely spread, and all their armour flashing high)

Marmions Defiance to Douglas (engraving)
1623857 Marmions Defiance to Douglas (engraving) by Gilbert, John (1817-97) (after); Private Collection; (add.info.: Marmions Defiance to Douglas)

Frescoes Illustrative of British Poets, for the New Houses of Parliament (engraving)
1602139 Frescoes Illustrative of British Poets, for the New Houses of Parliament (engraving) by English School, (19th century); Private Collection; (add.info.: Frescoes Illustrative of British Poets)

The Holy Virgins Greeted by Christ as They Enter the Gates of Paradise, ca. 1467-70

The Lamentation of Christ, ca. 1473. Creator: Simon Marmion
The Lamentation of Christ, ca. 1473

The Earthly Paradise, ca 1460. Found in the Collection of Bibliothe que royale de Belgique

The Mass of Saint Gregory, ca 1460. Artist: Marmion, Simon (ca 1425-1489)
The Mass of Saint Gregory, ca 1460. Found in the collection of the Art Gallery of Ontario

Norham Castle Moat and Marmion Gate, Northumberland Date: 1944

Christ Bearing Cross Oil wood 14 3 / 4 x 10 5 / 8
Artokoloro

SIR WALER SCOTT, MARMION, An angry brook, it sweeps the glade, Brawls over rock and wild cascade, And, foaming brown with doubled speed, Hurries its waters to the Tweed

SIR WALER SCOTT, MARMION, Where the huge Castle holds its state, engraving 1884, UK, britain, british, europe, united kingdom, great britain, european

SIR WALER SCOTT, MARMION, On Derby hills the paths are steep, In Ouse and Tyne the fords are deep, Ana many a banner will be torn, And many a knight to earth be borne

SIR WALER SCOTT, MARMION, And, after many wanderings past, He chose his lordly seat at last, , engraving 1884, UK, britain, british, europe, united kingdom, great britain, european

The Death of Marmion. (Scott. ) Painted by Edward Armitage
THE DEATH OF MARMION. (SCOTT.) PAINTED BY EDWARD ARMITAGE. Marmion is an epic poem by Walter Scott about the Battle of Flodden Field (1513)

Two Kings of Ireland; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Wall of Heaven Where the Bad but Not Very Bad Are in Temporary Discomfort; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

Tondals Soul Enters Hell, Accompanied by his Guardian Angel; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

The Good But Not Very Good are Nourished by a Fountain; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Torment of the Proud - Valley of Burning Sulphur; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

The Beast Acheron; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

Tondal Appears to be Dead; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

Tondal Suffers a Seizure at Dinner; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

The Torment of Unbelievers and Heretics; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment

The Gates of Hell and Lucifer; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

Demons Dragging Tondal into the Infernal Cistern; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Torment of Unchaste Monks and Nuns; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The House of Phristinus; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Forge of Vulcan; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 36.3 x 26.2 cm (14 5/16 x 10 5/16 in.)

The Torment of Thieves: Tondal Leads a Cow Across a Nail-studded Bridge; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Happy Crowds of the Faithfully Married; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Glory of Good Monks and Nuns; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Wall of Metals and Jewels Surrounding Angels and Saints; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

The Glory of Martyrs and the Pure; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf, gold paint

Saint Bernards Vision of the Virgin and Child; Simon Marmion, Flemish, active 1450 - 1489; France, Northern France, Europe; about 1475 - 1480; Tempera colors and gold on parchment; Leaf

Walter Scott (1771-1832) Scottish poet and novelist: seated on stone, accompanied by dog, in 1808, the year his poem Marmion was published. Steel engraving after portrait by Raeburn

Sir Waler Scott, Marmion, An Angry Brook, It Sweeps The Glade, Brawls Over Rock And Wild Cascade, And, Foaming Brown With Doubled Speed, Hurries Its Waters To The Tweed

The Death of Marmion. (Scott. ) Painted by Edward Armitage. Marmion is an Epic Poem
THE DEATH OF MARMION. (SCOTT.) PAINTED BY EDWARD ARMITAGE. Marmion is an epic poem by Walter Scott about the Battle of Flodden Field (1513)

Marmion
A scene from Marmion by Sir Walter Scott Date: 1905

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"Marmion: A Master of Artistic Expression" Simon Marmion, a renowned artist from the 15th century, left an indelible mark on the world of art with his exquisite creations. From religious masterpieces to historical engravings, Marmion's talent knew no bounds. In "A Choir of Angels, " painted around 1459, Marmion transports us to celestial realms as heavenly beings serenade our senses. The ethereal beauty captured in this altarpiece is a testament to his skill and devotion. On the battlements of Tantallon Castle, we find Clare gazing into the distance in vibrant color lithography. Marmion's attention to detail brings life and depth to this scene, evoking a sense of mystery and intrigue. Venturing further back in time, "The Vikings New Year" engraving immerses us in an era long gone. With meticulous precision, Marmion recreates these fierce warriors' spirit and strength through intricate lines etched onto paper. Majestic banners unfurl proudly in "With all their banners bravely spread. " Painted on canvas in 1878 by Simon Marmion himself (or so it seems), this oil masterpiece captures the essence of valor and honor displayed by knights adorned with heraldry. Delving into portraiture, Constance de Bererley emerges from history's shadows through an elegant gravure. Every delicate stroke reveals her grace and poise while showcasing Marmion's ability to capture human emotion with finesse. In another rendition titled "Marmions Defiance to Douglas, " we witness a clash between two legendary figures frozen forever within an engraving. The intensity emanating from their gazes speaks volumes about both their characters and Marmion's artistic prowess. Moving towards political illustrations found within Parliament House frescoes comes "Frescoes Illustrative of British Poets.