Maries Collection

Christ on the cross, the Three Marys on mourning by John
Pier Francesco Sacchi, called Il Pavese (1485-1528). Italian Renaissance painter. Christ on the cross, the Three Marys on mourning by John and the Donor or Patron, 1514. Gemaldegalerie. Berlin

Christ on the cross, the Three Marys on mourning by John
Pier Francesco Sacchi, called il Pavese (1485-1528). Italian Renaissance painter. Christ on the cross, the Three Marys on mourning by John and the Donor or Patron, 1514. Detail. Gemaldegalerie

The Three Holy Women, 1896 (wood)
XKH152510 The Three Holy Women, 1896 (wood) by Minne, George (1866-1941); 62x44x24.5 cm; Hamburger Kunsthalle, Hamburg, Germany

The Lamentation (pen and brown ink on white paper)
1216710 The Lamentation (pen and brown ink on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 17.9x20.6 cm; Ashmolean Museum, University of Oxford

The Three Marys, 1633 (oil on canvas)
SCP50286 The Three Marys, 1633 (oil on canvas) by Sacchi, Andrea (1599-1661); 293x197 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; Italian, out of copyright

Window depicting the Crucifixion and Passion scenes, detail of 2921604 (stained glass)
2921605 Window depicting the Crucifixion and Passion scenes, detail of 2921604 (stained glass) by French School, (16th century); Eglise Saint Lo, Bourg-Achard

The Maries at the Sepulchre, St Mark 16, Verse 1-9 (engraving)
3651535 The Maries at the Sepulchre, St Mark 16, Verse 1-9 (engraving) by Smirke, Robert (1752-1845) (after); Private Collection; (add.info.: The Maries at the Sepulchre, St Mark 16, Verse 1-9)

Les Saintes Maries
LES SAINTES MARIES Marie Jacobe (the mother of James) and Marie Salome are wafted by angels across the sea to Provence, where they land at Stes-Marie-de-la-mer Date: 1st century

Marriage photograph Belgian soldier
Photograph taken on the wedding day of Emile Verheyen, Belgian Soldier. On the reverse is written Souvenir affecteurse de Verheyen, Emile & Gabrielle - Soul, maries le 7.6.1916 ࠒ amsgate

Master of Imola (Italian, active 1265 - 1280), The Three Maries at the Tomb with the Angel of the Resurrection, and Isaac Sending Esau Out to Hunt, c

The Deposition, 1503-7 (tempera on panel)
XOT351172 The Deposition, 1503-7 (tempera on panel) by Lippi, F. (c.1457/8-1504) & P.Perugino (1445-1523); 334x225 cm; Galleria dell Accademia, Florence, Italy; Italian, out of copyright

The Marriage of Princess Marie of Edinburgh: 1. Princess Maries Travelling Cloak. 2. Skating Costume. 3. Day Dress. 4. Dinner Gown

Maria Salome, Karel van Mallery, Philips Galle, Cornelis Kiliaan, 1595 - 1599

Picture No. 10754386
Market day in Stes Maries de la mer, Camargue Date:

Picture No. 10782724
Camargue Horse and rider - Saintes Maries de la mer Date:

A prospect of Ora Cabeca in the parish of St. maries the Nor

Queen Marys Coronation gift, Barn House, Whitstable, Kent

All Professionally Made to Order for Quick Shipping

"Maries: A Journey of Faith, Sorrow, and Love" In the realm of art, the name "Maries" echoes through centuries, carrying tales of devotion and emotion. From Christ on the cross to The Three Marys in mourning by John, their stories unfold before our eyes. Les Saintes Maries stand as a symbol of strength and resilience. These three holy women depicted in wood in 1896 remind us that even amidst sorrow, faith can guide us towards solace. The Lamentation captures a moment frozen in time - pen strokes etching grief onto white paper. It speaks volumes about the depth of human emotions when faced with loss. The Three Marys painted on canvas in 1633 invite us into their world. Their tears are mirrored by ours as we witness their anguish at the foot of the cross. Through stained glass windows depicting scenes from Christ's crucifixion and passion, we find ourselves immersed in divine narratives that transcend time itself. Marriage photograph Belgian soldier reminds us that even amid chaos and war, love finds its way to bloom like a fragile flower against all odds. In works attributed to Masters such as Master of Imola or Workshop of Master of Borders with Four Fathers of the Church, The Three Maries emerge as symbols not just for individual suffering but also for collective spiritual awakening. And finally, The Deposition paints an exquisite picture where tempera meets panel. It portrays grief transformed into hope - a testament to resurrection and redemption beyond earthly realms. "Maries" encapsulates more than mere names; it encompasses stories woven together by threads spun from faith, sorrow, and love. As we delve into these artistic masterpieces portraying their journey alongside Christ's sacrifice and triumph over death itself – may we find inspiration to navigate our own paths with unwavering devotion and unyielding hope.