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Maid Servant Collection (page 6)

"Maid Servant: A Tale of Resilience and Grace" In the heartwarming story of "Maid Servant, " we are introduced to Sara Crewe

Background imageMaid Servant Collection: The Flight of Antony and Cleopatra from the Battle of Actium, 1897 (Oil on canvas)

The Flight of Antony and Cleopatra from the Battle of Actium, 1897 (Oil on canvas)
7291005 The Flight of Antony and Cleopatra from the Battle of Actium, 1897 (Oil on canvas) by Pringle, Agnes (1853-1934); 99.6x198.7 cm; Tyne & Wear Archives & Museums; (add.info.: [TWCMS)

Background imageMaid Servant Collection: The Journey of the Magi, 1459-60 (fresco)

The Journey of the Magi, 1459-60 (fresco)
3493741 The Journey of the Magi, 1459-60 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Palazzo Medici-Riccardi, Florence, Italy; (add.info.: by Benozzo di Lese di Sandro Gozzoli (1420-97))

Background imageMaid Servant Collection: Illustration from Fasciculus medicinae Venice, 15th century (woodcut)

Illustration from Fasciculus medicinae Venice, 15th century (woodcut)
884991 Illustration from Fasciculus medicinae Venice, 15th century (woodcut) by Italian School, (15th century); Biblioteca Civica, Padua

Background imageMaid Servant Collection: Page from The Sorrows of the Young Werther, 1775 (litho)

Page from The Sorrows of the Young Werther, 1775 (litho)
FGL5494020 Page from The Sorrows of the Young Werther, 1775 (litho) by German School, (18th century); (add.info.: Johann Wolfgang GOETHE (1749-1832) page from The Sorrows of the Young Werther drama

Background imageMaid Servant Collection: Il y a recevoir et recevoir. Illustration for Le Pele-Mele, 1902 (colour litho)

Il y a recevoir et recevoir. Illustration for Le Pele-Mele, 1902 (colour litho)
3100596 Il y a recevoir et recevoir. Illustration for Le Pele-Mele, 1902 (colour litho) by French School, (20th century); Private Collection; (add.info.: Il y a recevoir et recevoir)

Background imageMaid Servant Collection: Illustration from Fasciculus medicinae Venice, 15th century (woodcut)

Illustration from Fasciculus medicinae Venice, 15th century (woodcut)
884990 Illustration from Fasciculus medicinae Venice, 15th century (woodcut) by Italian School, (15th century); Biblioteca Civica, Padua

Background imageMaid Servant Collection: A monk exposing himself to maids in a bedroom, 18th century. 1911 (engraving)

A monk exposing himself to maids in a bedroom, 18th century. 1911 (engraving)
7234387 A monk exposing himself to maids in a bedroom, 18th century. 1911 (engraving) by Borel, Antoine (1743-1810) (after); Private Collection; (add.info)

Background imageMaid Servant Collection: Beadwork Mirror, c. 1672-79 (silk, metal and leather threads with glass beads)

Beadwork Mirror, c. 1672-79 (silk, metal and leather threads with glass beads)
7286288 Beadwork Mirror, c. 1672-79 (silk, metal and leather threads with glass beads and spangles on silk-satin ground cased in oak) by English School

Background imageMaid Servant Collection: Frontispiece of the work Gullivers Travels, Macmillan and Co Limited edition, London 1928 (litho)

Frontispiece of the work Gullivers Travels, Macmillan and Co Limited edition, London 1928 (litho)
FGL5494011 Frontispiece of the work Gullivers Travels, Macmillan and Co Limited edition, London 1928 (litho) by British School

Background imageMaid Servant Collection: Fight Of Teseo With The Minotauro (woodcut)

Fight Of Teseo With The Minotauro (woodcut)
7272429 Fight Of Teseo With The Minotauro (woodcut) by Unknown Artist, (15th century); (add.info.: TESEO Fight of Teseo with the Minotauro (in figure of centaur) in a maze

Background imageMaid Servant Collection: Title page of DE RE METALLICA, Georgius Agricola, 1621, dealing with the extraction

Title page of DE RE METALLICA, Georgius Agricola, 1621, dealing with the extraction and shaping of metals
7268496 Title page of DE RE METALLICA, Georgius Agricola, 1621, dealing with the extraction and shaping of metals by Agricola

Background imageMaid Servant Collection: Title page of DE RE METALLICA, Georgius Agricola, 1621, dealing with the extraction

Title page of DE RE METALLICA, Georgius Agricola, 1621, dealing with the extraction and shaping of metals
7268495 Title page of DE RE METALLICA, Georgius Agricola, 1621, dealing with the extraction and shaping of metals by Agricola, Georgius (1494-1555); Bibliotheque municipale, Carcassonne

Background imageMaid Servant Collection: A Sultana taking Coffee in the Harem, 1742-43 (oil on canvas)

A Sultana taking Coffee in the Harem, 1742-43 (oil on canvas)
5860709 A Sultana taking Coffee in the Harem, 1742-43 (oil on canvas) by Guardi, Giovanni Antonio (1699-1760); 46--63 cm; The Art Institute of Chicago, IL

Background imageMaid Servant Collection: Lady at Her Toilette, 1740-50 (oil on canvas)

Lady at Her Toilette, 1740-50 (oil on canvas)
5860113 Lady at Her Toilette, 1740-50 (oil on canvas) by Longhi, Pietro (c.1701-85); 256.9--43.9 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Pietro Longhi (1701-1785))

Background imageMaid Servant Collection: Praying for Rain Komachi (Amagoi Komachi), 1770 (color woodblock print; chuban)

Praying for Rain Komachi (Amagoi Komachi), 1770 (color woodblock print; chuban)
5859269 Praying for Rain Komachi (Amagoi Komachi), 1770 (color woodblock print; chuban) by Shiba Kokan (1747-1818); The Art Institute of Chicago, IL, USA; (add.info.: by Shiba Kokan (1747-1818))

Background imageMaid Servant Collection: Breakfast after the Bath, 1895-98 (pastel on paper laid down on board)

Breakfast after the Bath, 1895-98 (pastel on paper laid down on board)
5861883 Breakfast after the Bath, 1895-98 (pastel on paper laid down on board) by Degas, Edgar (1834-1917); 92--81 cm; The Art Institute of Chicago, IL

Background imageMaid Servant Collection: The Maid, c. 1875 (oil on canvas)

The Maid, c. 1875 (oil on canvas)
5859641 The Maid, c.1875 (oil on canvas) by Bonvin, Francois (1817-87); 44.5--30.8 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Francois Bonvin (1817-87))

Background imageMaid Servant Collection: Mother Nature (pen, ink and w / c on paper)

Mother Nature (pen, ink and w / c on paper)
CH139963 Mother Nature (pen, ink and w/c on paper) by Barbier, Georges (1882-1932); 35.6x30.2 cm; Private Collection; Photo © Christies Images

Background imageMaid Servant Collection: Cinderella, 1897 (lithography)

Cinderella, 1897 (lithography)
398335 Cinderella, 1897 (lithography) by Hardy, Dudley (1867-1922); JMK Archiv, Bremen, Germany; (add.info.: Affiche de Dudley Hardy, Angleterre and Waterlow & Sons Ltd. Lith)

Background imageMaid Servant Collection: The royal lottery (Engraving, 17th century)

The royal lottery (Engraving, 17th century)
LRI4676087 The royal lottery (Engraving, 17th century) by French School, (17th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageMaid Servant Collection: Silhouettes, 1830 (Watercolour)

Silhouettes, 1830 (Watercolour)
7261322 Silhouettes, 1830 (Watercolour) by Edouart, Augustin Amant Constant Fidele (1789-1861); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Watercolour drawing)

Background imageMaid Servant Collection: Three theatrical figures: King Lear, Cordelia, and Maid, 17th century (Chalk)

Three theatrical figures: King Lear, Cordelia, and Maid, 17th century (Chalk)
7261579 Three theatrical figures: King Lear, Cordelia, and Maid, 17th century (Chalk) by French School, (17th century); 19.5x32 cm; Maidstone Museum and Art Gallery, Kent

Background imageMaid Servant Collection: Procession of Queen Louise de Lorraine-Vaudemont (1553-1601) Leaving the Palais du Louvre for

Procession of Queen Louise de Lorraine-Vaudemont (1553-1601) Leaving the Palais du Louvre for the Maison de Charite
XIR232806 Procession of Queen Louise de Lorraine-Vaudemont (1553-1601) Leaving the Palais du Louvre for the Maison de Charite, 1584 (pen & ink and w/c on paper) by Houel, Nicolas (c.1524-87) (attr)

Background imageMaid Servant Collection: Queen Elizabeth washes her hands in a bowl held by her page boy. 1928 (print)

Queen Elizabeth washes her hands in a bowl held by her page boy. 1928 (print)
7237138 Queen Elizabeth washes her hands in a bowl held by her page boy. 1928 (print) by Barbier, Georges (1882-1932); Private Collection; (add.info)

Background imageMaid Servant Collection: Costume of a page to King Henry III of France, 1580. 1825 (lithograph)

Costume of a page to King Henry III of France, 1580. 1825 (lithograph)
7236850 Costume of a page to King Henry III of France, 1580. 1825 (lithograph) by Lecomte, Hippolyte (1781-1857) (after); Private Collection; (add.info)

Background imageMaid Servant Collection: Page of the French Royal Bedchamber to King Louis XVIII. 1825 (lithograph)

Page of the French Royal Bedchamber to King Louis XVIII. 1825 (lithograph)
7236944 Page of the French Royal Bedchamber to King Louis XVIII. 1825 (lithograph) by Lecomte, Hippolyte (1781-1857); Private Collection; (add.info)

Background imageMaid Servant Collection: A noble woman at her toilette in 18th century France. 1928 (print)

A noble woman at her toilette in 18th century France. 1928 (print)
7237139 A noble woman at her toilette in 18th century France. 1928 (print) by Barbier, Georges (1882-1932); Private Collection; (add.info)

Background imageMaid Servant Collection: A noble woman burns incense in a palanquin, ancient India 1928 (print)

A noble woman burns incense in a palanquin, ancient India 1928 (print)
7237136 A noble woman burns incense in a palanquin, ancient India 1928 (print) by Barbier, Georges (1882-1932); Private Collection; (add.info)

Background imageMaid Servant Collection: Woman at her toilette (colour litho)

Woman at her toilette (colour litho)
7150509 Woman at her toilette (colour litho) by Dufaux, Frederic (1852-1943); Private Collection; (add.info.: Woman at her toilette)

Background imageMaid Servant Collection: Laundry Maids, 1926 (oil on canvas)

Laundry Maids, 1926 (oil on canvas)
7216659 Laundry Maids, 1926 (oil on canvas) by Vejrych, Rudolf (1882-1939); (add.info.: Rudolf Vejrych was a Czech painter)

Background imageMaid Servant Collection: A young girl cries over a dirty bonnet in a room. 1791 (engraving)

A young girl cries over a dirty bonnet in a room. 1791 (engraving)
7234854 A young girl cries over a dirty bonnet in a room. 1791 (engraving) by Chodowiecki, Daniel Nikolaus (1726-1801); Private Collection; (add.info)

Background imageMaid Servant Collection: Benin Plaque, Nigeria (brass)

Benin Plaque, Nigeria (brass)
XCF306875 Benin Plaque, Nigeria (brass) by Benin; British Museum, London, UK; (add.info.: plaques adorned wooden pillars of the Obas palace in Benin city; probably 16th century AD; )

Background imageMaid Servant Collection: Kanishka inaugurates Mahyana Buddhism, illustration from Hutchinsons History of the Nations, c

Kanishka inaugurates Mahyana Buddhism, illustration from Hutchinsons History of the Nations, c. 1910 (litho)
STC357927 Kanishka inaugurates Mahyana Buddhism, illustration from Hutchinsons History of the Nations, c.1910 (litho) by Dudley

Background imageMaid Servant Collection: Costume of a Timucua fan bearer, Florida. 1859-1860 (engraving)

Costume of a Timucua fan bearer, Florida. 1859-1860 (engraving)
7234173 Costume of a Timucua fan bearer, Florida. 1859-1860 (engraving) by Bry, Th. (1528-98), after Le Moyne, J.(de Morgues) (1533-88); Private Collection; (add.info)

Background imageMaid Servant Collection: Chinese domestic servant, 18th century. 1822 (engraving)

Chinese domestic servant, 18th century. 1822 (engraving)
7234137 Chinese domestic servant, 18th century. 1822 (engraving) by Alexander, William (1767-1816) (after); Private Collection; (add.info.: Chinese domestic servant, 18th century)

Background imageMaid Servant Collection: Preparing for the Ball, 1875 (oil on panel)

Preparing for the Ball, 1875 (oil on panel)
823549 Preparing for the Ball, 1875 (oil on panel) by Ducros, Antoine (19th Century); 50.8x39.5 cm; Private Collection; (add.info.: Preparing for the Ball. Antoine Ducros (19th Century)

Background imageMaid Servant Collection: Bourgeois lady of Venice and her maids, 16th century. 1867 (engraving)

Bourgeois lady of Venice and her maids, 16th century. 1867 (engraving)
7234921 Bourgeois lady of Venice and her maids, 16th century. 1867 (engraving) by Lechevallier-Chevignard, Edmond (1825-1902); Private Collection; (add.info.: Bourgeois lady of Venice, 16th century)

Background imageMaid Servant Collection: German pikeman and servant girl, 16th century. 1867 (engraving)

German pikeman and servant girl, 16th century. 1867 (engraving)
7234880 German pikeman and servant girl, 16th century. 1867 (engraving) by Guldenmundt, Hans (fl.1526-1560); Private Collection; (add.info.: German Landsknechte pikeman and servant girl)

Background imageMaid Servant Collection: A Georgian commercial traveller arriving at an inn. 1831 (engraving)

A Georgian commercial traveller arriving at an inn. 1831 (engraving)
7234810 A Georgian commercial traveller arriving at an inn. 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

Background imageMaid Servant Collection: Maharana Amar Singh II smoking a sheep-shaped hookah, c. 1705 (opaque w / c and gold on paper)

Maharana Amar Singh II smoking a sheep-shaped hookah, c. 1705 (opaque w / c and gold on paper)
6040479 Maharana Amar Singh II smoking a sheep-shaped hookah, c.1705 (opaque w/c and gold on paper) by Stipple Master (fl.c.1705); 23x17.9 cm; San Diego Museum of Art

Background imageMaid Servant Collection: Title page of the book 'Commentary on Malachi'translated by Francois Vatable (Francisco Vatablo)

Title page of the book "Commentary on Malachi"translated by Francois Vatable (Francisco Vatablo), 1540
7243321 Title page of the book " Commentary on Malachi" translated by Francois Vatable (Francisco Vatablo), 1540 by French School

Background imageMaid Servant Collection: Autumn Roses (pen, ink and w / c on paper)

Autumn Roses (pen, ink and w / c on paper)
CH139964 Autumn Roses (pen, ink and w/c on paper) by Barbier, Georges (1882-1932); 38.4x28.5 cm; Private Collection; Photo © Christies Images

Background imageMaid Servant Collection: R (letter shown by a lady and a valet on his knees)

R (letter shown by a lady and a valet on his knees)
6523520 R (letter shown by a lady and a valet on his knees) by Appel, Francois Antoine (1821-1882); Private Collection; (add.info.: in " Alphabet Figure Call. G)

Background imageMaid Servant Collection: Costume of a page of legendary Christian patriarch Prester John. 1859-1860 (engraving)

Costume of a page of legendary Christian patriarch Prester John. 1859-1860 (engraving)
7234049 Costume of a page of legendary Christian patriarch Prester John. 1859-1860 (engraving) by Krieger, Christoph (d.c.1590); Private Collection; (add.info)



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"Maid Servant: A Tale of Resilience and Grace" In the heartwarming story of "Maid Servant, " we are introduced to Sara Crewe, a young girl whose life takes an unexpected turn when she finds herself working as a maid servant. Alongside her loyal friend Becky, they navigate the challenges that come with their new roles. Inspired by Moliere's play "Malade Imagin, " where characters disguise themselves as servants, Sara embraces her duties with determination and kindness. From vacuuming delicate ornaments to meticulously cleaning precious artworks like "The Coach of Mangkoe Nagoro IV" or "The Crane on the Antwerp quay by the frozen Scheldt, " she treats each task with utmost care. Amidst their daily chores, Sara and Becky find solace in baking muffins and crumpets for those around them. These sweet treats become symbols of comfort amidst their demanding lives, reminding us that even in difficult times, small gestures can bring joy. As we delve deeper into this captivating narrative, we witness how art transcends time through paintings such as "Wedding Feast of Saint Elizabeth of Hungary and Louis of Thuringia in the Wartburg" or "Yang Guifei Leaving the Bath. " Through these masterpieces hanging on walls or displayed on scrolls, our maid servant discovers inspiration beyond her everyday reality. Just like Don Quixote fighting windmills for an advertisement promoting fortifying Globeol or witnessing poignant scenes depicted in "The Marriage of Convenience, " Sara learns that strength lies within oneself. She realizes that despite societal expectations and limitations imposed upon her due to her role as a maid servant, she possesses an indomitable spirit capable of overcoming any obstacle. Through it all - from scrubbing floors to tending gardens - our protagonist remains resilient. She embodies perseverance while challenging stereotypes associated with being a maid servant.