Magus Collection

Tarot card 1 -- Le Bateleur (The Juggler)
Tarot card 1 -- Le Bateleur (The Magician, Magus or Juggler)

Death of James Sharp, Archbishop of St Andrews, at the hands of militant Covenanters in front of his daughter on Magus Muir, outside St Andrews, on 3 May 1679. 1679

Standing Magus (recto); Sketch of Stable and Trees (verso), n.d. Creators: Domenico Fiasella, Lodovico Carracci
Standing Magus (recto); Sketch of Stable and Trees (verso), n.d

King Melchior (tempera on panel)
XJL215057 King Melchior (tempera on panel) by Spanish School, (13th century); Museu Nacional d'Art de Catalunya, Barcelona, Spain

Fol. 41r The Adoration of the Magi (vellum)
ALI142912 Fol.41r The Adoration of the Magi (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Rinaldo and the Magus of Ascalon, 1742 / 45. Creator: Giovanni Battista Tiepolo
Rinaldo and the Magus of Ascalon, 1742/45

Magi, Persian Zoroastrian priests (engraving)
3647039 Magi, Persian Zoroastrian priests (engraving) by German School, (19th century); Private Collection; (add.info.: Magi, Persian Zoroastrian priests)

Caspar, King of Tarsus, c. 1610 (etching on paper)
996308 Caspar, King of Tarsus, c.1610 (etching on paper) by Bellange, Jacques (c.1575-1616); 28.4x17 cm; Art Gallery of Ontario, Toronto

Melchior kisses the infant Jesus (oil on panel)
REV397392 Melchior kisses the infant Jesus (oil on panel) by German School, (16th century); Museo Franz Mayer, Mexico city

The Adoration of the Magi, 1513-16 (oil on canvas)
BFM286683 The Adoration of the Magi, 1513-16 (oil on canvas) by Cranach, Lucas the Elder (1472-1553); 122x73 cm; Schlossmuseum, Schloss Friedenstein, Gotha

Cathedral, interior, choir screen, Nativity, Adoration of the Magi, c. 1340-51 (polychrome stone)
ALI382743 Cathedral, interior, choir screen, Nativity, Adoration of the Magi, c.1340-51 (polychrome stone) by Ravy, Jean (1318-44) & Jean Le Boutellier (1270-1370); Notre Dame, Paris

The Adoration of the Child Jesus, 1480s (tempera on wood)
BI140181 The Adoration of the Child Jesus, 1480s (tempera on wood) by Rosselli, Cosimo (1439-1507); 177.8x147.3 cm; The Henry Barber Trust, The Barber Institute of Fine Arts

The Magician, facsimile of a tarot card from the Visconti deck
AGD328103 The Magician, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); Private Collection; (add.info)

Merlin, c. 1610 (pen & ink on paper)
CTS407520 Merlin, c.1610 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

Fall of Simon the Magician, 1608 / 1611. Creator: Jacques Callot
Fall of Simon the Magician, 1608/1611

Altarpiece of Bellver de Cerdanya. Painted wood. 14th C. by workshop of Seu D Urgell. Episcopal Museum. Vic. Catalonia. Spain

Half-Length Figure Magus verso Seated Ruler Half-Length
Half-Length Figure of a Magus; verso, A Seated Ruler Half-Length Carrying a Scepter; Giovanni Antonio Guardi (Italian, 1699 - 1760); 1750 - 1760; Red chalk

Abaddon angel of the bottomless pit, Mammon god of this world and personification of wealth and miserliness and Ashtaroth the demon. From Francis Barrett The Magus London 1801

Three Wise Men. Altarpiece of Bellver de Cerdanya. Painted wood. 14th C. by workshop of Seu D Urgell

Conversion Saint Paul Tempera wood 15 5 / 8 x 18
Artokoloro

Totila Saint Benedict Tempera wood 15 1 / 2 x 18
Artokoloro

Magus, Persian priests of Antiquity
Illustration of a Magus, Persian priests of Antiquity

Adoration of the Magi, 1504 (oil on panel)
XJL9627 Adoration of the Magi, 1504 (oil on panel) by DAOErer or Duerer, Albrecht (1471-1528); 100x114 cm; Galleria degli Uffizi, Florence, Italy; German, out of copyright

The Procession of the Magi, detail of the Cavaliers, 1459-62 (fresco)
XAL329485 The Procession of the Magi, detail of the Cavaliers, 1459-62 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Palazzo Medici-Riccardi, Florence

View of Old London Bridge (oil on panel)
XCF286419 View of Old London Bridge (oil on panel) by English School; Private Collection; English, out of copyright

Initial D: The Fall of Simon Magus; Unknown; Hildesheim, Germany, Europe; probably 1170s; Tempera colors, gold leaf, silver leaf, and ink on parchment; Leaf: 28.2 x 18.9 cm (11 1/8 x 7 7/16 in.)

SAINT PAUL. Saint Zenobius;Saint Peter & Simon Magus;Saint Paul, Saint Benedict
SAINT PAUL. Saint Zenobius; Saint Peter & Simon Magus; Saint Paul, Saint Benedict. Oil on panel by Bennozzo Gozzoli, c1458

Jans Floreins Triptych, 1470s. Oil on panel. Hans Memling (1430 / 1440-1494) South
Jans Floreins Triptych, 1470s. Oil on panel. Hans Memling (1430/1440-1494) South Netherlandish painter. Central panel of the Adoration of the Magi

Socrates and Sapientia
socrates, sapientia, philosopher, siena, allegory, wisdom, fortune, knowledge, hill, mount, pinturicchio, betto, sages, wise men, renaissance, iconography, crates, magus, goddess, mosaic, c0147792

Magic Versus Sanctity
A magical contest between Simon Magus, representing magic, and the saints Peter and Paul : the saints won, of course, so Simon converted to Christianity

Boito Nerone Liebig 4
Scene from act three : in the home of the Christians, news comes that Simon Magus plans to betray them

Boito Nerone Liebig 3
Scene from act two : priest/magician Simon Magus seeks to trick Nerone, but his plan backfires

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"Unveiling the Mysteries: Exploring the Enigmatic World of Magus" Step into a realm where ancient wisdom and mystical tales intertwine. The journey begins with Tarot card 1, Le Bateleur (The Juggler), symbolizing skillful manipulation of elements to manifest desires. Amidst historical events, we witness the Death of James Sharp, Archbishop of St Andrews, a pivotal moment that shaped Scotland's religious landscape forever. Yet amidst darkness, light emerges in the form of an exquisite Altarpiece of Bellver de Cerdanya from the 14th century; its painted wood panels depicting scenes that transport us to another time. King Melchior takes center stage in tempera on panel artwork, his regal presence captivating our imagination. And as we turn each page on Fol. 41r, The Adoration of the Magi unfolds before our eyes on delicate vellum pages – a testament to devotion and reverence. Giovanni Battista Tiepolo's masterpiece Rinaldo and the Magus of Ascalon transports us further into fantasy realms where heroes clash with sorcerers in epic battles for glory and power. Delving deeper into history reveals Persian Zoroastrian priests known as Magi through intricate engravings; their knowledge transcending borders and cultures. Caspar, King of Tarsus immortalized in an etching from c. 1610 invites us to ponder upon his role within this grand narrative. Melchior kisses the infant Jesus tenderly in an oil-on-panel painting that evokes emotions beyond words can express - a profound moment frozen in time. In The Adoration of the Magi by an anonymous artist from 1513-16 captured on canvas, we witness humble offerings presented at Christ's feet - a reminder that even kings bow before divinity.