Luca Carlevaris Collection

The Entry of the French Ambassador into Venice in 1706, 1706-1708. Creator: Luca Carlevarijs
The Entry of the French Ambassador into Venice in 1706, 1706-1708. Other Title(s): The ceremonial entry of Henri-Charles Arnauld de Pomponne, known as the Abbe de Pomponne

The Molo, Venice, from the Bacino di San Marco, ca. 1709. Creator: Luca Carlevarijs
The Molo, Venice, from the Bacino di San Marco, ca. 1709

Piazza San Marco, Venice, ca. 1709. Creator: Luca Carlevarijs
Piazza San Marco, Venice, ca. 1709

The highly ornamented second gondola of Ambassador Giovanni Battista Colloreado entering Venice, 1720-30

The highly ornamented first gondola of Ambassador Giovanni Battista Colloreado entering Venice, 1720-30

The Piazzetta, Venice, looking towards the Piazza San Marco, (oil on canvas)
991414 The Piazzetta, Venice, looking towards the Piazza San Marco, (oil on canvas) by Carlevaris, Luca (1663-1730/1); 132x165.3 cm; Private Collection; (add.info.: The Piazzetta, Venice)

The Piazzetta, Venice, from the Bacino, (oil on canvas)
990372 The Piazzetta, Venice, from the Bacino, (oil on canvas) by Carlevaris, Luca (1663-1730/1); 73x120.6 cm; Private Collection; (add.info.: The Piazzetta, Venice, from the Bacino)

A Capriccio of a Mediterranean Seaport with Austrian Shipping
827924 A Capriccio of a Mediterranean Seaport with Austrian Shipping, Merchants and Sailors on Quays in the Foreground, a Company of Militia near the Arch of Constantine

The Arrival of the Earl of Manchester in Venice, 1707-1710. Creator: Luca Carlevarijs
The Arrival of the Earl of Manchester in Venice, 1707-1710

The Molo, Venice, Looking West, ca. 1709. Creator: Luca Carlevarijs
The Molo, Venice, Looking West, ca. 1709

The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio, ca. 1709

Plate 91: View of the Mocenigo Palace in Campo San Stae, Venice, 1703, from " The buildings and views of Venice" (Le fabriche e vedute di Venezia), 1703

Plate 38: View of the facade of the church of St. Roch and at left the facade of the School of St. Roch, Venice, 1703, from " The buildings and views of Venice"

Plate 85: View of the Contarini Palace in Campo San Trovaso, Venice, 1703, from " The buildings and views of Venice" (Le fabriche e vedute di Venezia), 1703

Plate 95: View of Campo Santo Stefano with the Loredan Palace and Morosini Palace, Venice, 1703, from " The buildings and views of Venice" (Le fabriche e vedute di Venezia), 1703

Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from " The buildings and views of Venice" (Le fabriche e vedute di Venezia), 1703

Plate 61: View of the customs house (Dogana da Mar) at the confluence of the Grand Canal and Giudecca Canal, Venice, 1703

Plate 37: Side view of the school of St. Roch at left and view of facade of the church of St. Roch, Venice, 1703 from the series The buildings and views of Venice (Le fabriche e vedute di Venezia)

Molo Venice Bacino di San Marco ca 1709 Oil canvas
Artokoloro

Plate 14 View facade St Moses church Venice 1703
Artokoloro

Plate 91 View Mocenigo Palace Campo San Stae
Artokoloro

Plate 63 View gate shipyard armory complex Arsenale
Artokoloro

Plate 85 View Contarini Palace Campo San Trovaso
Artokoloro

Molo Venice Looking West ca 1709 Oil canvas 19 7 / 8 x 47 1 / 8
Artokoloro

Plate 96 View facade Pisani Palace Campo Santo Stefano
Artokoloro

Plate 95 View Campo Santo Stefano Loredan Palace
Artokoloro

Bacino Venice Dogana Distant View Isola di San Giorgio
Artokoloro

Plate 38 View facade church St Roch left School
Artokoloro

Plate 61 View customs house Dogana da Mar confluence
Artokoloro

Plate 37 Side view school St Roch left view facade
Artokoloro

Piazza San Marco Venice ca 1709 Oil canvas 19 7 / 8 x 47 1 / 4
Artokoloro

Venice, Piazza San Marco going towards the Mint, by Luca Carlevaris, 18th Century, engraving
Italy, 18th century. Venice, Piazza San Marco going towards the Mint. Engraving by Luca Carlevaris

Italy, Udine, detail of perspective map by Luca Carlevaris, 17th-18th century
Italy, 17th-18th centuries. Perspective map of Udine by Luca Carlevaris. Detail

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Luca Carlevaris, a renowned Italian painter of the 18th century, captured the essence and beauty of Venice in his exquisite artworks. One such masterpiece is "The Molo, Venice, from the Bacino di San Marco, " painted around 1709. In this painting, Carlevaris skillfully portrays the bustling activity at The Molo - a prominent Venetian pier. Another captivating artwork by Carlevaris is "The highly ornamented second gondola of Ambassador Giovanni Battista Colloreado entering. " This piece showcases the opulence and grandeur associated with Venetian gondolas during that era. The intricate details on the gondola highlight its significance as a symbol of prestige and luxury. Carlevaris also depicted scenes from historical events like "A Sea Battle with Sardinian and Venetian Warships. " Through this artwork, he brings to life naval conflicts between different powers in the Mediterranean region. His attention to detail allows viewers to immerse themselves in these intense battles. "The Piazzetta, Venice" series showcases Carlevaris' talent for capturing architectural beauty. Whether it's looking towards Piazza San Marco or from Bacino di San Marco, his oil paintings transport us to these iconic locations within Venice. The vibrant colors and meticulous brushstrokes create an atmosphere that evokes a sense of awe and admiration. In "A Capriccio of a Mediterranean Seaport with Austrian Shipping, " Carlevaris combines elements from various ports to create an imaginary scene filled with ships and maritime activity. This capriccio style demonstrates his creativity while still maintaining accuracy in depicting seafaring vessels. One notable work by Luca Carlevarijs is "The Arrival of the Earl of Manchester in Venice. " Painted between 1707-1710, it captures an important diplomatic event where English ambassador Charles Montagu arrived in Venice amidst much fanfare.