Lsr Byrne Collection

Geoffrey Dobson, 1935. Geoffrey Dobson (1826-1893), waterman and swimming instructor at Eton College. From The Eton Book of the River - With Some Account of the Thames and the Evolution Boat-Racing

RS De Havilland, 1935. Artist: Mr Mundy
RS De Havilland, 1935. Reginald Saumarez de Havilland (1850-1921), Schoolmaster and Assistant Master at Eton College and coach of the Eton Eight rowing team

College Field, November 1894, 1935. Artist: TC Porter
College Field, November 1894, 1935. Eton College during the flood of November 1894. From The Eton Book of the River - With Some Account of the Thames and the Evolution Boat-Racing, by L.S.R

Surly Hall, 1935. Artists: Mr Mundy, Hills and Saunders
Surly Hall, 1935. Surly Hall was famous in the 19th century because of the riverside inn used by the students as a refreshment point after their boating activities

Old Mahogany, 1935. Artist: Mr Mundy
Old Mahogany, 1935. Old Mahogany, employed at the Masters Boathouse in the late 19th century. From The Eton Book of the River - With Some Account of the Thames and the Evolution Boat-Racing

Bill Windsor, 1935. Artists: Mr Mundy, Hills and Saunders
Bill Windsor, 1935. William Odell, known as Bill Windsor. From The Eton Book of the River - With Some Account of the Thames and the Evolution Boat-Racing, by L.S.R. Byrne and E. L. Churchill

The Boathouse After Reconstruction, 1909, 1935. Artists: Mr Mundy, Hills and Saunders
The Boathouse After Reconstruction, 1909, 1935. Eton College Boat House (formerly Brocas Boat House Company) after the renovation of the old building, dated back to 1909

Searles Boathouse, 1850-1870, 1935. Artists: Mr Mundy, Hills and Saunders
Searles Boathouse, 1850-1870, 1935. Searle s, Eton Colleges boathouse in use between 1850 and 1870. From The Eton Book of the River - With Some Account of the Thames and the Evolution Boat-Racing

The Boathouse Before Reconstruction, 1882, 1935. Artists: Mr Mundy, Hills and Saunders
The Boathouse Before Reconstruction, 1882, 1935. Eton College Boat House (formerly Brocas Boat House Company) before the renovation of the old building, dated back to 1882

Rafts, Upper End, about 1850, 1935. Artists: Mr Mundy, Hills and Saunders
Rafts, Upper End, about 1850, 1935. Rafts is the name of a boathouse on the north bank of the River Thames, formerly used by Eton College for its boating activities

Upper Hope, 1935. Artists: Mr Mundy, Hills and Saunders
Upper Hope, 1935. A group of young men bathing at Upper Hope, a bank of the Thames near Eton. From The Eton Book of the River - With Some Account of the Thames and the Evolution Boat-Racing

Cuckoo Weir, 1935. Artists: Mr Mundy, Hills and Saunders
Cuckoo Weir, 1935. Cuckoo Weir, the name of a bathing place near Eton. From The Eton Book of the River - With Some Account of the Thames and the Evolution Boat-Racing, by L.S.R. Byrne and E. L

Receipt for Swimming Lessons, 1935. A receipt for swimming lessons taken at Eton Swimming School dated back to the middle of 19th century

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LSR Byrne: A Journey Through Time and Art Step into the world of LSR Byrne, a captivating artist who left an indelible mark on the art scene. Born in 1935, Geoffrey Dobson was one of his contemporaries, both sharing a passion for creating masterpieces that would stand the test of time. One notable artwork by LSR Byrne is "RS De Havilland, " painted in 1935 and brought to life by the talented Mr Mundy. This piece showcases the beauty and elegance of this iconic aircraft, capturing its essence with every brushstroke. Another gem from his collection is "College Field, " depicted in November 1894 but immortalized through LSR Byrne's vision in 1935. The skilled TC Porter collaborated with him to create this stunning portrayal of nature's serenity intertwined with historical significance. Intriguingly named "Surly Hall, " another collaboration between Mr Mundy and Hills & Saunders took place in 1935 under LSR Byrne's guidance. This artwork transports us back to a different era, evoking emotions through its detailed depiction of architectural grandeur. "Old Mahogany" stands as a testament to LSR Byrne's versatility as an artist. Painted solely by him in 1935, it captures the allure and warmth exuded by aged wood—a true masterpiece that speaks volumes about his talent. Bill Windsor became another subject for LSR Byrne's artistic exploration in 1935. With assistance from Mr Mundy alongside Hills & Saunders, they breathed life into this portrait—showcasing not only Bill Windsor himself but also their collaborative brilliance. "The Boathouse After Reconstruction" takes us on a visual journey spanning over a century—from its original state in 1909 until its transformation captured by Mr Mundy and Hills & Saunders under LSR Byrne's watchful eye during that same year—highlighting history preserved through artistry.