Low Reliefhigh Renaissance Collection

Detail of the open arcade in the courtyard of Palazzo della Cancelleria, Rome (photo attributed to Simelli - printed in the Chauffourier laboratory which processed Simelli's plates)

Shell-like niches collocated in the walls of the chapel of the Marinai (Sailors) in the sanctuary of the Annunziata, in Trapani

Lectern. Wooden work collocated in the apse of the Cathedral of Siena, made under the direction of Riccio. Siena Cathedral, apse Reading Stand High Renaissance, Renaissance

Loggetta at the base of the Saint Mark's Bell Tower in Venice. Venice Saint Mark's Square Loggia High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Architectural drawing by Giuliano da Sangallo. Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence Florence Uffizi Gallery, Gabinetto dei Disegni e delle Stampe Drawing High Renaissance

Giuliano da Sangallo's plan for a church faade. Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence Florence Uffizi Gallery

The Cortile della Pigna, or Courtyard of the Pinecone, in the Vatican Museums, Vatican City State of the Vatican City The Vatican, Cortile della Pigna

Detail of the portico overlooking Via Zamboni by the Church of S. Giacomo Maggiore in Bologna. Bologna Portico High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Two arches of the Government Palace in Ancona, Marche. The Architecture by Pietro Amoroso and matteo Antongiacomo Ancona Arch High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Fountain in the garden of Palazzo Cornelio Clementini in Orvieto Orvieto Palazzo Cornelio Clementini, garden Monumental Fountain High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Organ carved in wood. Work by Ventura di Ser Giuliano Turapilli, situated in the Church of Santa Maria della Scala, in Siena Siena Santa Maria della Scala Church Organ High Renaissance, Renaissance

Lectern. Wooden work positioned in the apse of Siena Cathedral and carried out under the direction of Riccio Siena Cathedral, apse Reading Stand High Renaissance, Renaissance

The faade of the Scuola Dalmata dei SS. Giorgio e Trifone, also known as Scuola di San Giorgio degli Schiavoni, designed by Giovanni de Zan in Venice Venice Building - Facade High Renaissance

Loggetta at the base of St. Mark's bell tower in Venice Venice St. Mark's Square Loggia High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Courtyard of the Pine Cone in the Vatican Museums, in Vatican City State of the Vatican City Palazzo Vaticanno, Courtyard of the Pine Cone Courtyard High Renaissance, Renaissance

Detail of the Third Cloister of the Basilica of S. Croce, Florence Florence Basilica of S. Croce Cloister High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

The entrance door of the Palazzetto Bonaparte, Ascoli Piceno Ascoli Piceno Door High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Lectern of choir. Work by Battista Bolognese assisted by Master Ambrogio Francese and by Master Lorenzo. Basilica of San Pietro, Perugia Perugia Basilica of San Pietro

The third cloister of the Church of Santa Croce in Florence. Florence Convent of Santa Croce Cloister High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

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The Low Relief High Renaissance, a period of artistic excellence and architectural innovation, is beautifully showcased in various masterpieces across Italy. In the chapel of the Marinai (Sailors) in the sanctuary of the Annunziata, Trapani, one can marvel at shell-like niches intricately carved into the walls. These delicate details add depth and texture to the sacred space. Moving to Siena Cathedral, we encounter a remarkable wooden lectern positioned in its apse. Crafted under Riccio's guidance, this exquisite piece exemplifies the mastery of woodworking during this era. Its intricate design captivates visitors as they witness artistry merging with functionality. Venturing further north to Venice, we find ourselves admiring the loggetta at the base of Saint Mark's Bell Tower. This architectural gem showcases elegant archways and ornate decorations that epitomize Venetian grandeur. An architectural drawing by Giuliano da Sangallo displayed at Florence's Gabinetto dei Disegni e delle Stampe offers insight into his visionary mind. His plan for a church façade demonstrates meticulous attention to detail and an innovative approach to spatial composition. In Vatican City's Cortile della Pigna or Courtyard of the Pinecone within Vatican Museums lies another masterpiece worth beholding. The courtyard's harmonious blend of classical elements creates a serene atmosphere that transports visitors back in time. Traveling southwards to Bologna reveals yet another treasure: a portico overlooking Via Zamboni near the Church of S. Giacomo Maggiore. This stunning architectural feature enchants passersby with its graceful arches and timeless beauty. The Government Palace in Ancona proudly displays two magnificent arches designed by Pietro Amoroso and Matteo Antongiacomo—an impressive testament to their skillful craftsmanship and creative vision. Palazzo Cornelio Clementini's garden fountain in Orvieto adds a touch of elegance to its surroundings.