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Louise Dorleans Collection

Louise Dorleans, a talented artist known for her exquisite botanical illustrations, has left an indelible mark on the world of art

Background imageLouise Dorleans Collection: Three Lily Tulips (w / c with some bodycolour on vellum)

Three Lily Tulips (w / c with some bodycolour on vellum)
615563 Three Lily Tulips (w/c with some bodycolour on vellum) by D Orleans, Louise (1812-52); 25.6x20.3 cm; Fitzwilliam Museum, University of Cambridge

Background imageLouise Dorleans Collection: Red Primula Auricula, 1830 (w / c & bodycolour on paper with a prepared ground)

Red Primula Auricula, 1830 (w / c & bodycolour on paper with a prepared ground)
615558 Red Primula Auricula, 1830 (w/c & bodycolour on paper with a prepared ground) by D Orleans, Louise (1812-52); 16x12.8 cm; Fitzwilliam Museum, University of Cambridge

Background imageLouise Dorleans Collection: Two Hybrid Peliagoniums, 1828 (w / c with some bodycolour on vellum)

Two Hybrid Peliagoniums, 1828 (w / c with some bodycolour on vellum)
615550 Two Hybrid Peliagoniums, 1828 (w/c with some bodycolour on vellum) by D Orleans, Louise (1812-52); 25.6x20.9 cm; Fitzwilliam Museum, University of Cambridge

Background imageLouise Dorleans Collection: Composite, 1827 (w / c with some bodycolour on vellum)

Composite, 1827 (w / c with some bodycolour on vellum)
615547 Composite, 1827 (w/c with some bodycolour on vellum) by D Orleans, Louise (1812-52); 26.5x20.6 cm; Fitzwilliam Museum, University of Cambridge

Background imageLouise Dorleans Collection: Carnation, 1826 (w / c on vellum)

Carnation, 1826 (w / c on vellum)
615566 Carnation, 1826 (w/c on vellum) by D Orleans, Louise (1812-52); Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright

Background imageLouise Dorleans Collection: Pink Rose and Buds, 1826 (w / c with some bodycolour on vellum)

Pink Rose and Buds, 1826 (w / c with some bodycolour on vellum)
615564 Pink Rose and Buds, 1826 (w/c with some bodycolour on vellum) by D Orleans, Louise (1812-52); 25.5x20.2 cm; Fitzwilliam Museum, University of Cambridge

Background imageLouise Dorleans Collection: Sweet Peas (Quitro) and Violas, 1830 (w / c & bodycolour on paper with a prepared ground)

Sweet Peas (Quitro) and Violas, 1830 (w / c & bodycolour on paper with a prepared ground)
615559 Sweet Peas (Quitro) and Violas, 1830 (w/c & bodycolour on paper with a prepared ground) by D Orleans, Louise (1812-52); 28.3x22 cm; Fitzwilliam Museum, University of Cambridge

Background imageLouise Dorleans Collection: Hybrid Auricula, 1830 (bodycolour on paper with a prepared ground)

Hybrid Auricula, 1830 (bodycolour on paper with a prepared ground)
615557 Hybrid Auricula, 1830 (bodycolour on paper with a prepared ground) by D Orleans, Louise (1812-52); 26.8x16.3 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French

Background imageLouise Dorleans Collection: Hemorocallus (Day Lily), 1830 (bodycolour on paper with a prepared ground)

Hemorocallus (Day Lily), 1830 (bodycolour on paper with a prepared ground)
615556 Hemorocallus (Day Lily), 1830 (bodycolour on paper with a prepared ground) by D Orleans, Louise (1812-52); 22.8x15.4 cm; Fitzwilliam Museum, University of Cambridge

Background imageLouise Dorleans Collection: White Primroses and Early Hybrid Crocuses, 1830 (w / c with some bodycolour on vellum)

White Primroses and Early Hybrid Crocuses, 1830 (w / c with some bodycolour on vellum)
615553 White Primroses and Early Hybrid Crocuses, 1830 (w/c with some bodycolour on vellum) by D Orleans, Louise (1812-52); 23.9x19.4 cm; Fitzwilliam Museum, University of Cambridge

Background imageLouise Dorleans Collection: Red and White Herbaceous Paeonies, 1829 (w / c with some bodycolour on vellum)

Red and White Herbaceous Paeonies, 1829 (w / c with some bodycolour on vellum)
615551 Red and White Herbaceous Paeonies, 1829 (w/c with some bodycolour on vellum) by D Orleans, Louise (1812-52); 30.4x22.8 cm; Fitzwilliam Museum, University of Cambridge

Background imageLouise Dorleans Collection: Unnamed, 1827 (w / c on vellum)

Unnamed, 1827 (w / c on vellum)
615548 Unnamed, 1827 (w/c on vellum) by D Orleans, Louise (1812-52); 26.2x20.3 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright

Background imageLouise Dorleans Collection: Louise of Orleans, Queen Consort of Leopold I, King of the Belgians (coloured engraving)

Louise of Orleans, Queen Consort of Leopold I, King of the Belgians (coloured engraving)
3646251 Louise of Orleans, Queen Consort of Leopold I, King of the Belgians (coloured engraving) by European School, (19th century); Private Collection; (add.info.: Louise of Orleans (1812-1850)

Background imageLouise Dorleans Collection: Hyacinth, 1826 (w / c with some bodycolour on vellum)

Hyacinth, 1826 (w / c with some bodycolour on vellum)
615561 Hyacinth, 1826 (w/c with some bodycolour on vellum) by D Orleans, Louise (1812-52); 26.5x20.9 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright

Background imageLouise Dorleans Collection: Mixed Flowers, Aster sp. Auricula, Ragwort, Viola, Campanula, Gentiana Acaulis

Mixed Flowers, Aster sp. Auricula, Ragwort, Viola, Campanula, Gentiana Acaulis
615549 Mixed Flowers, Aster sp. Auricula, Ragwort, Viola, Campanula, Gentiana Acaulis, 1828 (w/c with some bodycolour on vellum) by D Orleans, Louise (1812-52); 26.2x21.2 cm; Fitzwilliam Museum

Background imageLouise Dorleans Collection: Matthiola, Stock, 1826 (w / c with some bodycolour on paper)

Matthiola, Stock, 1826 (w / c with some bodycolour on paper)
615560 Matthiola, Stock, 1826 (w/c with some bodycolour on paper) by D Orleans, Louise (1812-52); 21.6x15.7 cm; Fitzwilliam Museum, University of Cambridge

Background imageLouise Dorleans Collection: Pink Rose and Buds, 1832 (w / c with some bodycolour on vellum)

Pink Rose and Buds, 1832 (w / c with some bodycolour on vellum)
615555 Pink Rose and Buds, 1832 (w/c with some bodycolour on vellum) by D Orleans, Louise (1812-52); 29.9x22.5 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French

Background imageLouise Dorleans Collection: Chrysanthemum Parthenium (Batchelors Buttons), 1831 (w / c with some bodycolour on vellum)

Chrysanthemum Parthenium (Batchelors Buttons), 1831 (w / c with some bodycolour on vellum)
615554 Chrysanthemum Parthenium (Batchelors Buttons), 1831 (w/c with some bodycolour on vellum) by D Orleans, Louise (1812-52); 19.4x16 cm; Fitzwilliam Museum, University of Cambridge

Background imageLouise Dorleans Collection: Camellia, 1827 (w / c with some bodycolour on vellum)

Camellia, 1827 (w / c with some bodycolour on vellum)
615546 Camellia, 1827 (w/c with some bodycolour on vellum) by D Orleans, Louise (1812-52); 26.6x20.5 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright

Background imageLouise Dorleans Collection: Blue Asters, Rosa Spinosissima Hybrid, Harebell, Violas, Cartnation and a Wild Rose

Blue Asters, Rosa Spinosissima Hybrid, Harebell, Violas, Cartnation and a Wild Rose
615618 Blue Asters, Rosa Spinosissima Hybrid, Harebell, Violas, Cartnation and a Wild Rose, 1820 (w/c & bodycolour over graphite outline on vellum) by Orleans, Eugene A. L

Background imageLouise Dorleans Collection: Hybrid Auricula (w / c on vellum)

Hybrid Auricula (w / c on vellum)
615562 Hybrid Auricula (w/c on vellum) by D Orleans, Louise (1812-52); 25.3x19.5 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: watercolour on vellum, height 253mm, width 195mm)

Background imageLouise Dorleans Collection: Yellow Roses, 1827 (w / c on vellum)

Yellow Roses, 1827 (w / c on vellum)
615545 Yellow Roses, 1827 (w/c on vellum) by D Orleans, Louise (1812-52); 26.6x20.9 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright

Background imageLouise Dorleans Collection: Rembrandt Tulip, 1827 (graphite & w / c with some bodycolour on vellum)

Rembrandt Tulip, 1827 (graphite & w / c with some bodycolour on vellum)
615544 Rembrandt Tulip, 1827 (graphite & w/c with some bodycolour on vellum) by D Orleans, Louise (1812-52); 26x20.6 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French

Background imageLouise Dorleans Collection: Camellia, 1826 (w / c on vellum)

Camellia, 1826 (w / c on vellum)
615565 Camellia, 1826 (w/c on vellum) by D Orleans, Louise (1812-52); 20x15.1 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright

Background imageLouise Dorleans Collection: Poconia Mascula, Herbacious, 1826 (w / c on paper)

Poconia Mascula, Herbacious, 1826 (w / c on paper)
615552 Poconia Mascula, Herbacious, 1826 (w/c on paper) by D Orleans, Louise (1812-52); 29x22.7 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright


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Louise Dorleans, a talented artist known for her exquisite botanical illustrations, has left an indelible mark on the world of art. With meticulous attention to detail and a keen eye for capturing the beauty of nature, Louise's works have become timeless masterpieces. In "Three Lily Tulips, " she skillfully combines watercolor with bodycolor on vellum, creating a stunning depiction that brings these delicate flowers to life. The vibrant hues and intricate brushwork showcase Louise's expertise in capturing the essence of each petal. Another remarkable piece is "Red Primula Auricula. " Painted in 1830 using watercolor and bodycolor on paper with a prepared ground, this artwork showcases Louise's ability to create depth and texture. The velvety red petals seem almost touchable against the contrasting background. "Two Hybrid Peliagoniums" is another testament to Louise's talent. Created in 1828 using watercolor with some bodycolor on vellum, this composition highlights her ability to capture the unique characteristics of each flower. The subtle variations in color and shading make these pelargoniums come alive on the page. Louise also demonstrates her versatility as an artist through pieces like "Composite. " Painted in 1827 using watercolor with some bodycolour on vellum, this artwork showcases her ability to combine different elements into one harmonious composition. Each individual flower stands out while contributing to the overall beauty of the arrangement. "Carnation, " painted in 1826 solely with watercolor on vellum, displays Louise's mastery over capturing intricate details. Every fold and curve of the carnation petals are meticulously rendered, showcasing both her technical skill and artistic vision. In "Pink Rose and Buds, " created in 1826 using watercolor with some bodycolour on vellum, Louise captures not only the elegance but also the fragility of roses at their peak bloom.