Fraud Blocker Skip to main content

Lottocento Collection (page 4)

"Lottocento: A Journey through Time and Art" Step into the world of Lottocento, where every detail tells a story

Background imageLottocento Collection: Hebe, 1800-05 (marble)

Hebe, 1800-05 (marble)
6343034 Hebe, 1800-05 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Ebe, 1800-5, di Antonio Canova (1757 - 1822), marmo.); Ghigo Roli

Background imageLottocento Collection: The entry of Alexander the Great into Babylon, 1818-1828, Detail of the dancers scattering flowers

The entry of Alexander the Great into Babylon, 1818-1828, Detail of the dancers scattering flowers (Carrara marble)
6343021 The entry of Alexander the Great into Babylon, 1818-1828, Detail of the dancers scattering flowers (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Musei Civici Del Castello Visconteo

Background imageLottocento Collection: The entry of Alexander the Great into Babylon, 1818-1828, Detail of the procession with men

The entry of Alexander the Great into Babylon, 1818-1828, Detail of the procession with men and a horse (Carrara marble)
6343020 The entry of Alexander the Great into Babylon, 1818-1828, Detail of the procession with men and a horse (Carrara marble) by Thorvaldsen

Background imageLottocento Collection: Princess Leopoldina Esterhazy while painting, 1805-18 (marble)

Princess Leopoldina Esterhazy while painting, 1805-18 (marble)
6343011 Princess Leopoldina Esterhazy while painting, 1805-18 (marble) by Canova, Antonio (1757-1822); Private Collection; (add.info.: La Principessa Leopoldina Esterhazy nell atto di dipingere)

Background imageLottocento Collection: Flora, 1838-40 (marble)

Flora, 1838-40 (marble)
6343004 Flora, 1838-40 (marble) by Tenerani, Pietro (1789-1869); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Flora, 1838-40, di Pietro Tenerani (1789 - 1869), marmo.); Ghigo Roli

Background imageLottocento Collection: Young Dancer, before 1845 (marble)

Young Dancer, before 1845 (marble)
6343002 Young Dancer, before 1845 (marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Giovane danzatrice, ante 1845)

Background imageLottocento Collection: Dancing Terpsichore (Dancer), 1820 (marble)

Dancing Terpsichore (Dancer), 1820 (marble)
6342997 Dancing Terpsichore (Dancer), 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona, Italy; (add.info.: Tersicore danzante (Danzatrice), 1820

Background imageLottocento Collection: Marie Louise of Hapsburg as Concordia, 1810 (plaster)

Marie Louise of Hapsburg as Concordia, 1810 (plaster)
6342996 Marie Louise of Hapsburg as Concordia, 1810 (plaster) by Canova, Antonio (1757-1822); Fondazione Canova, Possagno, Veneto, Italy; (add.info.: Maria Luigia d Austra in veste di Concordia)

Background imageLottocento Collection: Model of the Monument to Vittorio Alfieri, 1806 (plaster)

Model of the Monument to Vittorio Alfieri, 1806 (plaster)
6342995 Model of the Monument to Vittorio Alfieri, 1806 (plaster) by Canova, Antonio (1757-1822); Accademia di Belle Arti, Carrara, Tuscny, Italy; (add.info.: Above a high oval base)

Background imageLottocento Collection: The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342989 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageLottocento Collection: The Graces and Cupid, rear part, 1820-22 (Carrara marble)

The Graces and Cupid, rear part, 1820-22 (Carrara marble)
6342987 The Graces and Cupid, rear part, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

Background imageLottocento Collection: The three Graces, detail of the rear part, 1812-17 (marble)

The three Graces, detail of the rear part, 1812-17 (marble)
6342979 The three Graces, detail of the rear part, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageLottocento Collection: The three Graces, 1812-17, detail of the rear part (marble)

The three Graces, 1812-17, detail of the rear part (marble)
6342978 The three Graces, 1812-17, detail of the rear part (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageLottocento Collection: The Refugees pf Parha, 1826-31 (oil on canvas)

The Refugees pf Parha, 1826-31 (oil on canvas)
5973929 The Refugees pf Parha, 1826-31 (oil on canvas) by Hayez, Francesco (1791-1882); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia)

Background imageLottocento Collection: Three Oriental Music Players (tempera on paper)

Three Oriental Music Players (tempera on paper)
6336388 Three Oriental Music Players (tempera on paper) by Zampighi, Eugenio (1859-1944); 100x70 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Eugenio Zampighi)

Background imageLottocento Collection: Bust of Carlo Pisa Faloppia, Modena teacher, 1855 (scagliola)

Bust of Carlo Pisa Faloppia, Modena teacher, 1855 (scagliola)
6336338 Bust of Carlo Pisa Faloppia, Modena teacher, 1855 (scagliola) by Cavazza, Alessandro (1824-73); 75 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageLottocento Collection: Family (oil painting on canvas)

Family (oil painting on canvas)
6283593 Family (oil painting on canvas) by Boldini, Antonio (1799-1872); 79x62.5 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageLottocento Collection: Family (oil painting on canvas)

Family (oil painting on canvas)
6283591 Family (oil painting on canvas) by Boldini, Antonio (1799-1872); 79x62.5 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageLottocento Collection: Still Life with Bottle (oil painting on canvas)

Still Life with Bottle (oil painting on canvas)
6283495 Still Life with Bottle (oil painting on canvas) by De Giacomi, Eugenio (1852-1917); 50x70 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageLottocento Collection: Ponte Vecchio in Florence (oil painting on canvas)

Ponte Vecchio in Florence (oil painting on canvas)
6283488 Ponte Vecchio in Florence (oil painting on canvas) by Graziosi, Giuseppe (1879-1942); 35x61 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageLottocento Collection: 6366099

6366099

Background imageLottocento Collection: Giuseppe Verdi in the period of Nabucco

Giuseppe Verdi in the period of Nabucco
6365959 Giuseppe Verdi in the period of Nabucco by Turchi, G. (19th century); Museo Civico Bibliografico Musicale, Bologna, Italy; (add.info.: Pencil and charcoal drawing by G)



All Professionally Made to Order for Quick Shipping

"Lottocento: A Journey through Time and Art" Step into the world of Lottocento, where every detail tells a story. From the majestic dromedary gracefully standing beside a towering palm tree to the lively young boys capturing Alexander the Great's entry into Babylon in Carrara marble, this collection is a testament to artistic excellence. Immerse yourself in the Fisherman's captivating gaze, frozen forever in Carrara marble as he witnesses history unfold before his eyes. The bronze sculpture of The Adolescent captures youthfulness and innocence with remarkable precision. As you explore further, let your eyes feast upon Bowl of Fruit and a Tankard before a Window; an oil on canvas masterpiece from c. 1890 that brings life to still objects. Transport yourself to ancient Rome with View from the Imperial Fora, where you can almost hear echoes of bustling crowds and chariots racing by. Discover Chiergato, pilot of the Isotta Fraschini meticulously sketched in black pencil on paper - an intimate glimpse into an artist's mind. Young Saint John gazes serenely at you from an oil on canvas portrait while Albano Lugli peers back at you through time via a postcard photograph. Marvel at Night, 1821; its marble form exudes mystery and intrigue as shadows dance across its surface. The raid stands tall in bronze, capturing bravery frozen for eternity. In contrast, In the Cowshed transports us to simpler times with its rustic charm depicted beautifully on canvas. Lottocento invites you on a visual journey through artistry spanning centuries - each piece carefully chosen for its ability to captivate hearts and minds alike. Lose yourself amidst these masterpieces that transcend time itself – where imagination meets reality.